SKU: BA.BA09092-65
ISBN 9790006565863. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.339140
ISBN 9790007312855. German. Text: Luther, Martin.
Arrangement of the chorale from the cantata of the same name. Score available separately - see item CA.339100.
SKU: BA.BA09092-75
ISBN 9790006565825. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
SKU: BA.BA09092-90
ISBN 9790006565801. 27 x 19 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
Piano reduction by the composer.
SKU: BA.BA09092-91
ISBN 9790006566747. 27 x 19 cm inches. Text Language: German, English. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA09092-67
ISBN 9790006565870. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
SKU: CA.334670
ISBN 9790007185770. Key: F major. Language: German. Text: Luther, Martin.
SKU: BA.BA09092
ISBN 9790006565795. 31 x 24.3 cm inches. Text Language: German, English. Preface: John Michael Cooper. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
Mendelssohn’s contemporaries frequently mentioned his “Hymn of Praise†in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name “symphony-cantataâ€. Later he added a secular counterpart with “Die Erste Walpurgisnachtâ€.Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work’s performance, e.g. tempo, articulation and dynamics.For the first time the piano reduction includes Mendelssohn’s authorised version of the “Sinfoniaâ€, based on the first edition of No. 1 for piano solo.
SKU: CA.3601519
ISBN 9790007293918. German. Text: Luther, Martin.
This cantata combines two texts: Erhalt uns Herr bei deinem Wort and Verleih uns Frieden gnadiglich. The Lubeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody Erhalt uns Herr. This was the basis for Buxtehude's composition. The copy of the tabulature of this cantata in the Duben Collection can be dated to the summer or autumn months of 1687. The composition consists of a four-part homophonic performance of the chorale verses, with a ritornello played by the accompanying instruments between the verses. A slightly polyphonic Amen completes the work. Score and parts available separately - see item CA.3601500.
SKU: BA.BA09092-82
ISBN 9790006565849. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry.
SKU: CA.335460
ISBN 9790007240509. Language: Latin. Text: Maurus, Hrabanus / Luther, Martin / Rouger, Denis / Woolsey Bacon, Leonard.
Score available separately - see item CA.335400.
SKU: PR.114413830
UPC: 680160587315. 8.5 x 11 inches.
Maggio was moved during a riverside memorial service to write his new cello solo, using the hymn At the River as his basis. Subtitled Reflections on a Memorial Service at the Riverside, We Gathered At the River is a powerful tribute and a moving memorial in its own right.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
