SKU: CA.3102005

ISBN 9790007102999. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

SKU: CA.3102019

ISBN 9790007135997. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score and parts available separately - see item CA.3102000.

SKU: CA.3102049

ISBN 9790007205027. Key: F major. Language: German/English. Text: Rist, Johann. Text: Johann Rist.

Score available separately - see item CA.3102000.

SKU: CA.3106014

ISBN 9790007043452. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

SKU: CA.3106019

ISBN 9790007134044. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.

SKU: CA.3106005

ISBN 9790007043391. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.

SKU: CA.3106011

ISBN 9790007043421. Key: D major / a major. Language: German/English.

The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.

SKU: BA.BVK02447

ISBN 9783761824474. 38.3 x 24 cm inches. Text Language: German, English.

Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantataO Ewigkeit, du Donnerwort. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether.

This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.

* Autograph score reunited with the original parts
* Limited edition of 250 copies
* With a Commentary by Peter Wollny (Ger/Eng)

SKU: CA.630900

ISBN 9790007012489.