SKU: BR.PB-15106

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).

ISBN 9790004211892. 10 x 12.5 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).

SKU: BR.PB-15111-07

ISBN 9790004212684. 6.5 x 9 inches.

One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.

SKU: BR.OB-15114-12

In Cooperation with G. Henle Verlag

ISBN 9790004339770. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

SKU: BR.PB-14560

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

ISBN 9790004211014. 10 x 12.5 inches.

Beethoven's autographs of the first three piano concertos opp. 15, 19 and 37 are the earliest of all orchestral scores which have survived integrally. Thanks to source studies, we know today that a first version of the Concerto in Bb major op. 19 had already originated in Bonn in 1790 at the latest. It was followed by a second version written in Vienna most likely in 1793 which included the Rondo in Bb major WoO 6 as finale. A third version followed most probably in 1794 and led to the fourth and final version, written in Prague in October 1798, as Beethoven sojourned there at the beginning of the concert season. (from the Preface)This autograph together with the autograph solo part which was made at the beginning of 1801 and the parts printed in the same year, are the main sources of the present edition.

SKU: BR.PB-14620

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

ISBN 9790004211038. 10 x 12.5 inches.

Ludwig van Beethoven wrote his Piano Concerto no. 4 in 1805, thus contemporaneously with the opera Fidelio and the Symphonies nos. 5 and 6. The first performance took place on 22 December 1808 at the now legendary academy (subscription concert) in which Beethoven presented the two new symphonies and the Choral Fantasy op. 80 to the Viennese public for the first time. The work was first published that year by Breitkopf & Hartel. The autograph of the score is no longer extant. The principal source of the musical text on which the present edition is based is a scribal copy examined and corrected by Beethoven.

SKU: SU.33000211

Solo part only (with cues)solo pno; 1,1 2,1 22; 4331; timp, 4 perc, hp, pno/cel; stgs Duration: 24' Composed: 1999 Published by: Beteca Music Performance materials available on rental only:.

SKU: BR.PB-5568

World premiere: Helsinki, May 29, 1970EB 6659 is printed in score form; two copies are needed for performance.

ISBN 9790004213780. 10 x 12.5 inches.

CDs: Laura Mikkola (piano), Royal Scottish National Orchestra, cond. Hannu Lintu CD Naxos 8.554147 Ralf Gothoni (piano), Leizig Radio Symphony Orchestra, cond. Max Pommer ODE 757-2

World premiere: Helsinki, May 29, 1970.

SKU: BR.PB-4429

You will find the original cadenzas under Mozart, 36 Cadenzas for his own Piano Concertos. The edition EB 8577 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas fo. Solo concerto; Classical. Full score. 64 pages. Duration 24'. Breitkopf and Haertel #PB 4429. Published by Breitkopf and Haertel (BR.PB-4429).

ISBN 9790004203408. 9 x 12 inches.

SKU: BR.PB-4432

The edition EB 8579 Busoni, Cadenzas for W. A. Mozart's Piano Concertos also contains cadenzas for the Piano Concerto in Eb major K. 482.

ISBN 9790004203439. 9 x 12 inches.

SKU: BR.PB-4436

ISBN 9790004203477. 9 x 12 inches.

SKU: SU.60001010

Solo pno; 2(1) 222; 3220; 2perc; stgs Duration: 30' Composed: 2005 Published by: J.B. Elkus Music Performance materials available on rental:.

SKU: BR.PB-15140

ISBN 9790004214763. 10 x 12.5 inches.

After achieving sensational success with the musical Lady, be good!, with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue, Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction).

SKU: SU.28100050

Commissioned by Inon Barnatan, Los Angeles Philharmonic, Atlanta SymphonyPiano & Orchestra [solo pno: 3,1 3 3,1 3; 4321; timp, 3perc, 2hp; stgs Duration: 25' Composed: 2017 Published by: Distributed Composer Also available: Solo piano with reduction (Cat. # 28100051) Performance materials available on rental only:.

SKU: BR.EB-11450

In Cooperation with G. Henle Verlag

ISBN 9790201814506. 9.5 x 12 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.