Par BIBS EKKEL. Présenté ici est une collection rare de certaines des meilleures chansons folk Gypsy populaire parmi les Roms de Russie et l'Europe de l'est. Tous offerts dans l'original dialecte tribal du romani, comme il convient à chaque chanson, avec le guide de prononciation facile à suivre spécialement formulé pour la langue maternelle anglaise et la traduction littérale en anglais (mot à mot). L'aperçu historique et linguistique court annexe offre un rare aperçu de l'histoire, traditions, langue ainsi que la musique et les chansons de ce peuple unique et mystérieux. Excellent ajout à la collection du tout pianiste ! / Niveau : Débutant à Intermédiaire / Gypsy - Songbooks / Recueil / Chant

for American School Songbooks. Par HINDEMITH PAUL. A collection of English songs with various instrumentations, from simple children's song accompanied by piano to mixed a-cappella choirs, according to their purpose at a really easy level. The content covers the fantasy world of fairies and children's dreams, to a prayer for a pilot which was of topical interest at the time of composition./ Répertoire / 1-4 Voix avec et sans Accompagnement de Piano

Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger) andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

This series now has a new ?Part II? for each voice type at the same level as the original volumes. This is preparatory material for The First Book of Solos series with modest ranges and all songs in English including very easy art songs folksong arrangements and vintage popular songs. The song selection is completely different for each voice type with 18-20 songs per volume.

From the Dvorak Gypsy Songs comes this charming selection edited by Ron Kean for his multicultural series. The choral lines march in a steady 24 meter while the accompaniment rolls in 68. The text extolls the gifts of parentspassing along songs and memories to their children.

Six exceptionnelles recueils de chansons préférées (Songs of England, chansons de chansons du pays de Galles, chants de Noël, de chansons d'Irlande, chansons d'Ecosse, des américains). Tous les arrangements incluent la ligne mélodie dans l'accompagnement afin que les chansons de travail equall / Voix Et Piano

Par PORTER COLE. All aboard for Cole Porter's saucy and splendid musical romp across the Atlantic! When the S.S. American heads out to sea, etiquette and convention head out the portholes as a comically eclectic cast of characters sets off on the course to true love. Peppering this hilariously bumpy ride are some of musical theatre's most memorable standards, including 'I Get a Kick Out of You,' 'You're the Top,' 'It's De-Lovely,' and of course, 'Anything Goes.' All of the music in this edition has been newly engraved for easier reading, and additional original Cole Porter lyrics have been added to match revisions applied to several of the songs during major Broadway revivals in recent decades. Titles: I Get a Kick Out of You * You're the Top * Easy to Love * Friendship * It's De-Lovely * Anything Goes * Public Enemy Number One * Blow, Gabriel, Blow * Goodbye, Little Dream, Goodbye * Be Like the Bluebird * All Through the Night * The Gypsy in Me * Buddie, Beware. / Miscellaneous, Scores, Songbooks / Recueil / Voix et Piano

Born in Ireland and musically trained in Germany Victor Herbert (1859-1924) was America's first great composer for the musical theatre. The creator of more than 40 operettas Herbert produced a series of popular and enduring stage works including Babes in Toyland and Naughty Marietta.This treasury of tuneful favourites reprinted directly from rare editions comprises 37 beloved hits from Herbert's operettas. Selections include The Streets of New York Moonbeams Ah! Sweet Mystery of Life Tramp! Tramp! Tramp! Italian Street Song Toyland Gypsy Love Song and many others. Also featured are four popular piano pieces — March of theToys Al Fresco Dagger Dance and Badinage — plus several rare vintage sheet music covers.Dover Original.

The matching folio to Bruce Springsteen's latest album - Magic. The high energy rock album features the hit Long Walk Home as well as a multitude of new songs.

When the BBC commissioned this work for the Last Night of the Proms 2018 I was given quite a detailed brief. First the work should be for the BBC Singers and BBC Symphony Chorus (with the BBC Symphony Orchestra) and the two choirs should be quite independent of each other. Secondly the words should acknowledge the centenary of the end of World War I but look optimistically to the future. For the centenary I chose In the Underworld by World War I poet Isaac Rosenberg written in 1914. Originally about unrequited love it can read if you do not know its context as a prophetic look at the next four years with the sense that the women left at home cannot begin tocomprehend the horrors their men face in the trenches. The BBC Singers represent Rosenberg and their music is based on a beautiful Ashkenazi-Jewish prayer mode â?? also known as the â??Ukrainian Gypsyâ?? mode. While I was reading The Prophet by Kahlil Gibran (written in 1923) I came across these lines which seem to answer and assuage the fears expressed in Rosenbergâ??s poem. The BBC Symphony Chorus take on the role of Gibran singing in a beautiful melismatic Maronite Syriac chant into which faith Gibran was born in Lebanon. Later in his life he became very interested in Islam particularly Sufism; therefore the whole piece is in the form of a Sufi Zikr with Sufi devotional rhythms in the percussion starting quiet and low but slowly becoming higher faster and louder. The two choirs start separately but merge into a â??conversation â?? sometimes overlapping and ending on a positive note: Rosenbergâ??s Creature of light and happiness over Gibranâ??s We shall build a tower in the sky. Quite by accident all three Abrahamic faiths are represented in this piece â?? but as Kahlil Gibran famously said: â??You are my brother and I love you. I love you when you prostrate yourself in your mosque and kneel in your church and pray in your synagogue. You and I are sons of one faith â?? the Spirit.'

Various songs from these two hit musicals including; You'll Never Get Away From Me All I Need Is The Girl Funny Girl and Dont Rain On My Parade.

Tenor Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfreds Singers Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocalscores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiplevolumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-bar cut suggestions for each song make it the most useful andrelevant song library of its kind. Titles include: Im Not That Smart (The 25th Annual Putnam County Spelling Bee) · My Unfortunate Erection (Chips Lament) (The 25th Annual Putnam County Spelling Bee) · Dames (42nd Street) · Radames Letter (EltonJohn and Tim Rices Aida) · The Gypsy in Me (Anything Goes (1988 Revival)) · Ballad of Booth (Part III) (Assassins) · What Am I Doin? (Closer Than Ever) · Broadway Baby (Dames at Sea) · Blah Blah Blah (Delicious) · When the Earth Stopped Turning(Elegies) · You Gotta Die Sometime (Falsettos) · I Want to Make Magic (Fame: The Musical) · Sandy (Grease) · Donna (Hair) · Different (Honk!) · The Phone Call (Lucky Stiff) · Knowing Me Knowing You (Mamma Mia) · To Each His Dulcinea (Man of LaMancha) · Larger Than Life (My Favorite Year) · Im Falling in Love with Someone (Naughty Marrietta) · And Theyre Off (A New Brain) · Stouthearted Men (The New Moon) · Lucky to Be Me (On the Town) · A New Town Is a Blue Town (The Pajama Game) ·Extraordinary (Pippin) · Theres a Boat Dats Leavin Soon for New York (Porgy and Bess) · You Took Advantage of Me (Present Arms) · Alone in the Universe (Seussical the Musical) · Something to Live For (Sophisticated Ladies) · Strike Up The Band(Strike Up The Band) · Ballad of the Easy Life (The Threepenny Opera) · Calla Lily Lady (Two Gentlemen of Verona) · Loves Revenge (Two Gentlemen of Verona) · They Wont Know Me (Wish You Were Here) · If I Only Had a Brain (The Wizard of Oz).

Baritone Voice And Piano Performing Score-Composed in 2012 the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk.'...in the folk-song there is to be found the complete history of a people recorded by the race itself through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian...'(Percy Grainger 1922)In 1905 Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair a song he had learnt from a gypsy. Australian composer Percy Graingersubsequently published a setting in his Lincolnshire Posy with Delius using the tune in his rhapsody Brigg Fair. Both composers sought to vivify the tradition of English folksong celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor.Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love. Although different in character both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth the lily as virginity the red rose as true love and the willow representing falsehood and abandonment.

Third Edition-40 songs for the Broadway belter. All songs have been especially chosen for this voice type with careful attention to range and key. This expanded third edition contaians And All That Jazz (from CHICAGO) • And I Am Telling You I'm Not Going (from DREAMGIRLS) • Another Hundred People (from COMPANY) • Astonishing (from LITTLE WOMEN) • Broadway Baby (from FOLLIES) • Burn (from HAMILTON) • Cabaret (from CABARET) • A Change in Me (from BEAUTY AND THE BEAST: THE BROADWAY MUSICAL) • Defying Gravity (from WICKED) • Don't Cry for Me Argentina (from EVITA) • Don't Rain on My Parade (from FUNNY GIRL) • Everything's Coming UpRoses (from GYPSY) • Fly Fly Away (from CATCH ME IF YOU CAN) • Gimme Gimme (from THOROUGHLY MODERN MILLIE) • Heaven Help My Heart (from CHESS) • The History of Wrong Guys (from KINKY BOOTS) and many more!