SKU: BR.PB-15127

ISBN 9790004214282. 10 x 12.5 inches.

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.

SKU: BR.OB-15127-19

ISBN 9790004347508. 10 x 12.5 inches.

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was undeniably one of the most accomplished works of art of its kind. Emphasized was also the great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato. The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler's new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition.

SKU: BR.OB-15126-19

From the early years of the clarinet concertoIn Cooperation with G. Henle Verlag

ISBN 9790004341902. 10 x 12.5 inches.

Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo instrument. The concertos of Spohr and Weber which we know today and which date from these pioneer days around 1810 are due to the in-depth collaboration between composer and performer. Spohr wrote his technically very demanding clarinet concertos for the virtuoso Johann Simon Hermstedt. After the first successful performances, the composer decided to simplify the solo part for the printed edition.The Breitkopf Urtext edition is based on the autograph of the score and the first printing of the parts, which frequently differ from it. In the solo part, we have kept the easier variants along with the original version.

From the early years of the clarinet concerto.

SKU: BT.DHP-1145403-010

English-German-French-Dutch.

The Clarinet Concerto is the highpoint of Satoshi Yagisawa’s ‘Concerto Series’, which also includes Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto and Saxophone Concertino, as well asConcertino for Solo Percussion and Wind Orchestra. Yagisawa’s characteristic theme in the second movement enjoys great popularity and is therefore often performed separately as Intermezzo.

Het Clarinet Concerto vormt het hoogtepunt van Satoshi Yagisawa’s Concerto Series, waar ook zijn Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino enConcertino for Solo Percussion and Wind Orchestra deel van uitmaken. Met name Yagisawa’s karakteristieke thema uit het tweede deel is populair. Daarom wordt dat vaak als afzonderlijk stuk uitgevoerd, onder de titel

Das Clarinet Concerto bildet den Höhepunkt der Concerto-Reihe“ von Satoshi Yagisawa, zu welcher außerdem folgende seiner Werke zählen: Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, SaxophoneConcertino sowie das Concertino for Solo Percussion and Wind Orchestra. Yagisawas charakteristisches Thema im zweiten Satz erfreut sich besonderer Beliebtheit und wird daher als Intermezzo oft einzeln aufgeführt.

Cette composition représente l’apogée de la série de concertos de Satoshi Yagisawa, qui comprend aussi une Suite concertante pour piano et orchestre, un Concerto pour trompette, un Concerto pour trombone, un Concertino poursaxophone et un Concertino pour percussion solo et orchestre d’harmonie. En raison de sa grande popularité, le thème émouvant du deuxième mouvement, qui est intitulé Intermezzo, est souvent interprété indépendamment.

Il Clarinet Concerto fa parte della Concert Series“ di Satoshi Yagisawa, che include le seguenti opere: Suite Concertante for Piano and Wind Orchestra, Trumpet Concerto, Trombone Concerto, Saxophone Concertino e anche Concertino forSolo Percussion and Wind Orchestra. Il tema caratteristico di Yagisawa nel secondo movimento gode di una popolarit speciale e viene quindi spesso eseguito da solo come intermezzo.

SKU: BR.OB-4447-15

ISBN 9790004309704. 10 x 12.5 inches.

Thanks to a detailed sketch, we know that Mozart originally wrote his famous Clarinet Concerto K. 622 for basset horn in G or A. It was only in the early editions dating from the 19th century that this work - considered as the Clarinet Concerto par excellence - became unproblematic to play an the A clarinet. However, source studies have revealed that this was made possible only at the price of considerable un-Mozartian alterations of the solo Part. Sabine Meyer, Wolfgang Meyer and Reiner Wehle, the members of the Trio di Clarone, haue eliminated some of these modifications in their new edition, restoring Mozart's original intentions. However, their critical revision in no way impedes the performability of the A-major Concerto.

Die Neuausgabe eines Klavierauszuges verdient besonderes Interesse, da als Herausgeber mit Sabine Meyer, Wolfgang Meyer und Reiner Wehle uberaus kompetente Musiker fungieren. Die Sorgfalt, mit der gearbeitet wurde, merkt man sowohl dem Schriftbild als auch dem informativen Vorwort an.(Das Liebhaberochester)

SKU: BR.OB-4447-27

ISBN 9790004309742. 10 x 12.5 inches.

Thanks to a detailed sketch, we know that Mozart originally wrote his famous Clarinet Concerto K. 622 for basset horn in G or A. It was only in the early editions dating from the 19th century that this work - considered as the Clarinet Concerto par excellence - became unproblematic to play an the A clarinet. However, source studies have revealed that this was made possible only at the price of considerable un-Mozartian alterations of the solo Part. Sabine Meyer, Wolfgang Meyer and Reiner Wehle, the members of the Trio di Clarone, haue eliminated some of these modifications in their new edition, restoring Mozart's original intentions. However, their critical revision in no way impedes the performability of the A-major Concerto.

Die Neuausgabe eines Klavierauszuges verdient besonderes Interesse, da als Herausgeber mit Sabine Meyer, Wolfgang Meyer und Reiner Wehle uberaus kompetente Musiker fungieren. Die Sorgfalt, mit der gearbeitet wurde, merkt man sowohl dem Schriftbild als auch dem informativen Vorwort an.(Das Liebhaberochester)

SKU: BR.OB-4447-23

ISBN 9790004309735. 10 x 12.5 inches.

Thanks to a detailed sketch, we know that Mozart originally wrote his famous Clarinet Concerto K. 622 for basset horn in G or A. It was only in the early editions dating from the 19th century that this work - considered as the Clarinet Concerto par excellence - became unproblematic to play an the A clarinet. However, source studies have revealed that this was made possible only at the price of considerable un-Mozartian alterations of the solo Part. Sabine Meyer, Wolfgang Meyer and Reiner Wehle, the members of the Trio di Clarone, haue eliminated some of these modifications in their new edition, restoring Mozart's original intentions. However, their critical revision in no way impedes the performability of the A-major Concerto.

Die Neuausgabe eines Klavierauszuges verdient besonderes Interesse, da als Herausgeber mit Sabine Meyer, Wolfgang Meyer und Reiner Wehle uberaus kompetente Musiker fungieren. Die Sorgfalt, mit der gearbeitet wurde, merkt man sowohl dem Schriftbild als auch dem informativen Vorwort an.(Das Liebhaberochester)

SKU: TM.13302SC

Solo in set. Ed. by Bosse/Gutte. Allegro molto, Adagio, Rondo. See #00865 for Clarinet Concerto in Eb, No. 11.

SKU: BT.WH31544

ISBN 9788759825136. International.

Serenidad - Clarinet Concerto was composed by Bent Sørensen in 2012. Parts are for hire: hire@ewh.dk First performed by Martin Fröst and Netherlands Radio Chamber Philharmonic in the Concertgebouw Amsterdam, November 3, 2012.