Clarinet Concerto #1 F Minor Op. 73

Opus 6-The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists; in the meantime his concertos have found their way to the concert stage. This is hardly surprising considering theenchanting music with which Crusell himself a Clarinet virtuoso of international rank has enriched the early romantic repertoire.Crusell’s works needn’t shy from a comparison with Weber’s and Spohr’sClarinet output. This Henle Urtext edition of the F-Minor Concerto marks the beginning of a new publication series of all three Clarinet concertos by Crusell which has been entrusted to the editor andclarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice the works are in the best possible hands.

Clarinet and Piano-Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209) the series of Crusell’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer washimself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding the Concerto In B Flat Major avoids being overly virtuosic and wins usover with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner consulting the solesurviving source the first edition of 1829. Johannes Umbreit was responsible for the study score which wonderfully fits the hands.

with Piano Accompaniment online-This compilation of 11 Clarinet solos from the legendary Rubank educational library now includes online access to:Full-performance and accompaniment-only audio tracksPDF Piano accompaniment filesPLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch change keys and create practice loops - available exclusively from Hal Leonard.Contents: 'Adagio and Meneutto' (Mozart) 'Alleluja from Exultate Jubilate' (Mozart) 'Bel Canto' (Johnson) 'Chansonette' (Barret) 'Concerto in G Minor' (Handel) 'Estilian Caprice' (Paul) 'Fantasy-Piece Op. 73 No. 1' (Schumann) 'Lamento'(Bassi) 'Menuet from Divertimento in D K. 334' (Mozart) 'Nocturne from Concerto in G Minor' (Verhey) 'Romance Op. 3' (Becker).

Weber’s Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fantastic work and remains ever popular in the instrument's repertoire today. This is an exciting and demanding piece that will provide an enjoyable challenge for the accomplished clarinetist.This version is for Clarinet with Piano Accompaniment and has been revised and edited by Carl Barmann. The solo clarinet part has also been included on a separate insert.

Piano Reduction-Spohr's Concerto No.1 for Clarinet and Orchestra arranged for Clarinet and Piano by Friedrich Demnitz.

Instrumental Play-Along-Great solo arrangements of beloved melodies from Bach Beethoven Brahms Gounod Debussy Handel Rossini Satie and more! Contains: Ave Maria ? Brandenburg Concerto No. 5 ? Caro Mio Ben ? Clair de Lune ?Funeral March of a Marionette ? Gymnopédie No. 1 ? Hallelujah Chorus ? Hungarian Dance No. 5 ? Minuet ? Piano Sonata No. 14 (?Moonlight?) ? Pomp and Circumstance ? Symphony No.5 ? William Tell Overture.

Arranger: Rae James Some of Edvard Grieg's most beautiful melodies have been transcribed here for clarinet and arranged into comfortable 'clarinet-friendly' keys allowing the performer to play with confidence. James Rae has selected a mixture of well-known and less well-known pieces which include: Piano Concerto in A minor Op. 16 (2 nd movement), Wedding Day at Troldhaugen, In the Hall of the Mountain King and more. All are very suitable for developing clarinettists at middle-grade technical levels. Piano Concerto in A minor, Op. 16 ? Klavierkonzert a-Moll op. 16 Wedding Day at Troldhaugen ? Hochzeitstag auf Troldhaugen I Wandered One Lovely Summer Evening A Swan Anitra's Dance ? Anitras Tanz Autumn Thoughts In the Hall of the Mountain King ? In der Halle des Bergkönigs Norwegian Dance, Op. 35 ? Norwegischer Tanz The First Primrose Solveig's Song ? Solveigs Lied

for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.