SKU: HL.35032437

UPC: 888680862305. 6.75x10.5x0.026 inches. Julie I. Myers/Joel Raney. Isaiah 40:26, Psalm 19:1, Romans 1:20.

Here is an anthem with fresh perspective and innovative musical elements. Unfolding slowly, this impressionistic tone poem marries text and music with great care and elegance. The lyric comparison of creation to a sanctuary is unique but, when joined with the composer's palette of compositional colors, the result is an anthem of great scope and beauty. Praiseworthy!

SKU: BR.OB-4381-15

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 32 pages. Duration 120'. Breitkopf and Haertel #OB 4381-15. Published by Breitkopf and Haertel (BR.OB-4381-15).

ISBN 9790004306802. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SKU: CA.2705305

ISBN 9790007113520. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.

SKU: CA.2705319

ISBN 9790007133887. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.

SKU: BR.PB-4381

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Full score. 232 pages. Duration 120'. Breitkopf and Haertel #PB 4381. Published by Breitkopf and Haertel (BR.PB-4381).

ISBN 9790004203002. 9 x 12 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SKU: BR.OB-4381-27

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 28 pages. Duration 120'. Breitkopf and Haertel #OB 4381-27. Published by Breitkopf and Haertel (BR.OB-4381-27).

ISBN 9790004306840. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SKU: CA.2705313

ISBN 9790007199586. Key: A major. Language: Latin.

Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.

SKU: BR.OB-4381-30

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Set of parts. 174 pages. Duration 120'. Breitkopf and Haertel #OB 4381-30. Published by Breitkopf and Haertel (BR.OB-4381-30).

ISBN 9790004306857. 9 x 12 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.

SKU: BR.OB-4381-16

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic spher. Oratorio/passion; Classical. Part. 32 pages. Duration 120'. Breitkopf and Haertel #OB 4381-16. Published by Breitkopf and Haertel (BR.OB-4381-16).

ISBN 9790004306819. 10 x 12.5 inches.

Following sensationally acclaimed premiere performances in Vienna, The Creation was published in several languages and by various publishing houses, including Breitkopf & Hartel in Leipzig. We now know that a continuo instrument was used for Haydn's oratorio as premiered in Vienna. The supplementary continuo part enables an historically accurate reproduction for the first time: the harpsichord (and, increasingly, the pianoforte) fulfilled the important continuo function in the orchestras of the time.

In the late 18th century, Joseph Haydn composed a choral work - The Creation - which set the standard for the sacred oratorio genre that stood long after the Viennese classical era and far beyond the boundaries of the German linguistic sphere.