Missa Pro Defunctis-Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings.Dispensing entirely with solo voices it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext edition takes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is an informativeIntroduction and a Critical Commentary (Eng).

Featuring Easy Piano arrangements of 21 more Classical Favourites this sheet music songbook will satisfy any beginner's desire to play the most popular and enduring classical pieces ever composed by themasters of the genre. These simple arrangements feature fingering guidance song background notes and helpful performance hints.   With some of the most beautiful classical music included here thisReally Easy Piano songbook will let you play the standards the traditionals and the essentials quickly and easily. Schubert's Ave Maria Debussy's En Bateau Mendelssohn's Song WithoutWords and the all-time favourite Vivaldi's Spring from The Four Seasons are included among many others. Each of these composers represents a very different school of music so you'll love pickingout your favourite or playing through them all and then exploring the rest of their oeuvre.   This instalment of the Really Easy Piano series puts the best-loved ClassicalFavourites right at the fingertips of beginning pianists. All too often playing the works of these composers is but a dream of players who are just starting out. Now such masters of composition as Beethoven Mozart Puccini Wagner and Handel are immediately accessible to pianists in the early stages of their playing letting them learn these glorious melodies and soaring chords without the decades of practice necessary to master the fullarrangements. Even though they are simplified they sound absolutely great from the lively to the melancholy and everything in between these pieces are sure to impress any audience.   Not only do youget Easy Piano arrangements of tunes like Sarabande Vocalise and Dance Of The Knights  as with all the books in the Really Easy Piano series some fascinating background information on each

3 Centuries of Music-Thirteen pieces chosen from three centuries arranged for Clarinet and Piano. Includes music by Monteverdi Bach Mozart Beethoven Brahms Rachmaninov and others.

Size XL. Par . Illustrated t-shirt, printed on cotton with water-based inks. This collection of t-shirts is inspired by three composers, Bach, Beethoven and Mozart. Made in Portugal by MUSIC GIFT/ Accessoire / T-shirt

Par PUSCOIU COSTEL. Contains more than 60 pieces from the Classical, Romantic, and Modern periods, adapted and arranged for the B-flat clarinet with piano accompaniment. A convenient pull-out folio is included for the soloist. These compositions by Bach, Beethoven, Bordin, Brahms, Handel, Haydn, Lully, Mozart, Praitorius, Purcell, Rameau, Tchaikovsky, Telemann and others range from the very easy to the moderately difficult. This collection makes an excellent sourcebook for recital repertoire and can be used as an engaging supplement to any clarinet method book or private course of study. / Niveau : Débutant à Intermédiaire / Classic - Solos / Méthode / Clarinette

12 Pieces based on famous themes-Twelve classical works arranged for wind or brass with play-along CD.Includes works by Gounod Leoncavallo Beethoven Borodin Meyerbeer Verdi Chopin Dvorak Bizet Schubert and Brahms. Apiano accompaniment book is also available for concert performances.

Trumpet I/II-Here is an accessible accompaniment for the SATB collection (#50489463) and with optional flexible orchestration for mix and match instrumental ensemble. Includes: Handel's ?Hallelujah Chorus? from Messiah Beethoven's?Hallelujah? from the Mount of Olives Handel's ?Hallelujah Amen? from Judas Maccabaeus Mendelssohn's ?He Watching over Israel? from Elijah and Haydn's ?The Heavens Are Telling? from TheCreation.This volume contains parts for Trumpet I and Trumpet II.

Over 125 classical melodies in Melody Lyrics & Simplified Chord arrangements in the Key of C including: Air (from Water Music) (Handel); Ave Maria (Schubert); Canon (Pachelbel); 1812 Overture Excerpt (Tchaikovsky); Eine kleine Nachtmusik First Movement Theme (Mozart); Für Elise (Beethoven); Habañera (from Carmen) (Bizet); Humoresque (Dvorák); Jesu Joy of Man's Desiring (J.S. Bach); On the Beautiful Blue Danube (Strauss); Pavane (Gabriel Fauré); The Stars and Stripes Forever (Sousa); Wedding March (Mendelssohn); andmore.

This collection of five 2-3 minute long arrangements/movements of the folk-melody Old MacDonald are done in the stlye of five different composers: I. Old MacDonald (J.S. Bach) II. Old MacDonald Menuetto (Haydn) III. Old MacSerioso (Beethoven-based on Opus 95) IV. Old MacDonald (Copland-in the style of Hoe Down) V. Old MacDonald (Adolphe). It is intended for educational concerts and the movements can be played in any order.

Opera Arias for Soprano includes 36 Arias from various composers such as Beethoven Gluck Handel and Mozart. Arranged for High voice with Piano accompaniment.

A Sonata Theory Handbook. This book is a highly accessible and up-to-date introduction to the key ideas of Sonata Theory, one of the most influential methods for analyzing the sonata form. Teaching the method primarily by example, it features close readings of masterpieces by Haydn, Mozart, Beethoven, Schubert, and Brahms.

Par COMBIER JEROME. Il a été question pour moi d'imaginer un 'événement' artistique intégrant le texte d'Impromptu d'Ohio qui puisse à la fois être donné dans une salle d'exposition et à la fois joué en concert. L'installation impliquait la rencontre de Pierre Nouvel, la version concert celle de Joël Jouanneau. Dans les deux situations aussi différentes soient-elles, j'ai tenté d'imaginer un événement qui tisse un lien indéfectible entre le texte de Samuel Beckett, l'écriture d'une partition pour trio à cordes et une création visuelle, qu'elle soit vidéaste ou scénique. C'est dans les marges du texte, ses entrebâillements, que la musique trouvera son espace. Les silences du textes - notés un temps par l'écrivain - s'étireront jusqu'à s'ouvrir sur un espace proprement musical. La musique peu à peu adviendra conjointement au texte, si bien que tous deux coexisteront dans une alternance rythmée, chacun pourtant dans son devenir propre. Je veux croire, comme il a cru pouvoir convoquer la musique de Beethoven ou de Schubert, que l'écriture de Beckett (et plus singulièrement la parole de ses personnages) dessine un rythme que l'on puisse conjuguer au rythme de la musique même. J'ose alors imaginer un lieu d'entredeux, ni tout à fait parole, ni tout à fait musique, comme un estran que recouvrerait alternativement l'un ou l'autre. J'ose imaginer que les deux mondes (parole et musique) puissent décrire des devenirs qui se répondent. La structure de la musique prendra intiment appui sur celle du texte. Il n'est pas question d'analogie, cela n'aboutirait pas, mais de puiser dans l'agencement des mots, leurs répétitions, dans la structure paragraphique du texte, la possibilité d'agencer la musique même, possibilité qui puisse être pour moi - j'imagine - une autre façon d'entendre ce que j'écris. Noir gris serait donc avant tout une expérience de la forme et du temps. Au terme de son épuration fictive, on pourrait appeler le lieu de l'être (ou le dispositif qui atteste la question de l'être dans la forme du lieu) un 'noir gris'. Cela pourrait suffire... un noir tel que nulle lumière n'est supportable en contraste, le noir incontrasté. Ce noir est suffisamment gris pour qu'aucune lumière ne puisse lui être opposé comme son Autre. * * L'écriture du générique, Alain Badiou, in Conditions, Editions du Seuil, Paris, 1992, p 334-335. Installation sonore et visuelle, création de Jérôme Combier et Pierre Nouvel - Noir gris peut être jouée indépendamment du texte et de l'installation visuelle. / contemporain / Répertoire / Trio à Cordes

36 Favorite Works By 22 Great Composers-Best-Loved Piano Classics: 36 Favorite Works By 22 Great Composers features sheet music for thirty-six well-known pieces for beginner and intermediate level pianists.Pieces include Albéniz Leyenda (Asturias)M by Bach Jesu Joy of Man's Desiring by Chopin plus works by Beethoven Brahms Handel Haydn Liszt Mendelssohn Mozart Scarlatti Schubert Schumann Tchaikovsky and others. Dimensions: 28cm (height) x 21cm (width).

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Air (Bach) * Allegro (Corelli) * Allegro (Mozart) * Andante (Mozart) * Blues (Snell) * Caprice (Snell) * Capriccio (Handel) * Duet (Mozart) * Farewell (Haydn) * Flying Fingers Polka (Snell) * The Next Market Day (Irish Folk Song) * Rondo (Beethoven) * Simple Gifts (Shaker Hymn Tune).

This text presents beginning Violin technique and basic music-reading fundamentals with an emphasis on the use of melodies and classical pieces to teach each new concept.The 28 lessons include basic technique andreading skills scales in the keys of A D G and C as well as bowing techniques such as dynamic contrast slurs accents and staccato bowing.There are 47 melodies presented including works by Bach Beethoven Brahms Handel Mozart and other classical composers. The companion audio features all of the exercises and pieces recorded with solo Violin and Piano accompaniment. Includes access to online audio.