SKU: LM.PB778
ISBN 9790231307788.
Si j'etais ton chemin - Deux enfants du Tamil Nadu - Si j'entrais dans ton coeur - Madame Sevilla - Ma terre humaine - Fragile - Elle ne dort - Sur le clavier du grand piano - Tu m'envoles - Les amours fanees - Ou vis tu Pauline - La note bleue - Si j'etais ton chemin - Avoir et etre - Lettre a mon Pere - L'ile de Toussaint - Apprendre - Nos yeux se sont croises - Yen - Pour que tu ne meures pas - Les gestes delicats - Vivre sans vivre (duo avec Bia) - Tombee des nues - Le simple fait que tu existes - La langue de chez nous - Le mur de la prison d'en face - Melancolie - Pour les enfants du monde entier - Prendre un enfant - Au Parc Monceau - Ton absence.
SKU: GH.EC-679
Text: Hans Christian Andersen.
SKU: GH.LUN-570-0011
Arrangement for piano.
SKU: HL.133917
Author: Aulin.
SKU: PR.ZM40590
SKU: GH.LUN-570-1057
Five polkas from Gotland for violin and piano.
SKU: HF.FH-2360
ISBN 9790203423607. 11.7 x 8.3 inches.
Kleiner Marsch (E.Herrmann), Nur mit Zweien (V.F.Skop), -dann mit Dreien (V.F.Skop), Scherzo (R.Hofmann), Der lustige Dorfschmied (A.Kadlec), Gavotte (Francois le Fils), Pastourelle (G.Ph.Telemann), Polonaise (G.Ph.Telemann), Zwei Arien (G.Ph.Telemann), Thema und Variationen (J.L.Dussek), Widmung (T.Aulin), Grashupfer und Biene (A.Seybold),.
SKU: GH.LUN-570-1413
For violin and piano.
SKU: GH.LUN-570-1412
SKU: GH.CG-6764
Val vald musik for flojt och piano av Nielsen, Faure, Gossec, Noblot, Aulin, Moszkowski och Bach. Ett standardverk for flojtister! Inkl solostamma.
SKU: PR.491006820
UPC: 680160690374. French.
SKU: HP.GC854B
UPC: 763628247416. By Pauline Mills. 1 Chronicles 16:25, Colossians 1:16, Hebrews 1:2, Hebrews 3:3, John 1:3, Revelation 4:11, Revelation 5:2.
Hymn by Pauline Mills Choral Setting by Jack Schrader.
SKU: HP.GC854O
UPC: 763628347413. By Pauline Mills. 1 Chronicles 16:25, Colossians 1:16, Hebrews 1:2, Hebrews 3:3, John 1:3, Revelation 4:11, Revelation 5:2.
SKU: BR.EB-8888
ISBN 9790004185117. 0 x 0 inches. German.
The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.Miriam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.
SKU: AR.297
SKU: AR.375
SKU: BT.EMBZ14504
English-German-Hungarian.
Volume 9 in the series of Supplements is mainly devoted to hitherto unpublished or inaccessible works. Apart from the piano score of the Berlioz symphony it contains smaller-scale late masterpieces (Excelsior!, Resignazione), the Album leaves written in Woronince in 1847, the large-scale but unfinished and not fully worked out Figaro and Don Juan fantasia, incorporating several Mozart themes, the piano piece No.1 in A flat major, two unpublished works incorrectly identified up till now by the special literature, the Maometto fantasia and the Siege de Corinthe (both transcriptions of Rossini works), and the volume also includes three other unpublished works (the Piano piece in Fmajor, the Cavatina from Robert le Diable by Meyerbeer, and Freudvoll und leidvoll, written down for Pauline von Iwanowska. The Prefaces preceding the scores, which give very accurate, detailed information about the genesis of the works, make interesting reading in themselves, but their true significance consists in the new scholarly discoveries made by the editors. Similarly to the other NLE volumes, both the cloth-bound (Z. 14504a) version and the one bound in hard-paper (Z. 14504) contain in three languages the series preface, the preface to this volume, and the captions below the facsimiles, but the critical notes in English are to be found only in the linen-bound edition. Der Band enthält neben der Klavierpartitur der Symphonie von Berlioz, kleinere, spätere Meisterwerke (Excelsior!, Resignazione), die 1874 in Woronince entstandenen Albumblätter, die umfangreichen, mehrere Mozart-Themen aufgreifenden, aber unbeendeten und unausgearbeiteten Figaro- und Don Giovanni-Phantasien, das schon seit langem unzugängliche Klavierstück No. 1 in As-Dur, zwei von der Fachliteratur verkannte, unveröffentlichte Werke, die Maometto-Phantasie und die ‚Siege de Corinthe' (beide sind Transkriptionen von Rossini-Werken) und drei, ebenfalls bisher nicht erschienene Stücke, das Klavierstück in F-Dur, die Cavatina aus Meyerbeers ‚Robert der Teufel' und dasfür Pauline von Iwanowska komponierte ‚Freudvoll und leidvoll'. Das Vorwort, welches die Entstehungsgeschichte der Werke sehr genau und auf jedes Detail eingehend vorstellt, ist auch selbst eine interessante Lektüre. Seine wahre Bedeutung machen aber die neuen wissenschaftlichen Entdeckungen aus.
SKU: BR.BES-3074
ISBN 9790004610008. 11.5 x 8.5 inches. Russian / French / German / English.
Duration: full eveningText by Modest Tchaikovsky after Alexander Puschkins NovelTranslation: German (W. Ebermann/M. Koerth and collaboration by H. Seeger); (R. Lauckner) Place and time: Petersburg, End of the 18th CenturyCharacters: Hermann (tenor) - Count Tomskij (baritone) - Prince Jeletzkij (baritone) -Czekalinskij (tenor) - Ssurin (bass) - Tschaplitzkij (tenor) - Narumoff (bass) - The Counts Wife (mezzo-soprano) - Lisa (soprano) - Pauline (alto) - Governess (mezzo-soprano) - Mascha (soprano) - A Steward (tenor) Characters of the intermezzo: ChloE (soprano) - Daphnis (Pauline) (alto) - Plutus (Count Tomskij) (baritone) By the time Tchaikovsky began writing Pique Dame, he had already composed eight operas and had very well developed ideas about the drama and aesthetics of the genre. Gustav Mahler, who judged Pique Dame to be Tchaikovskys most mature and artistically solid musical work, is certainly not alone with his opinion. A confession made by Tchaikovsky a few months before his death show to want extent the composer, after an initial period of hesitation, was possessed by his work on this opera: I composed it with uncommon passion and enthusiasm, suffered from everything that happens in it and related to it with every fibre in my body (it went so far that I even feared the apparition of the ghost for a while). Now I hope that all my enthusiasm, excitement and devotion will find an echo in the hearts of receptive listeners.
