This Viardot Edition is the first critical edition of Pauline Viardot’s songs. It is based on fair copies of the woman composer, who was one of the most versatile singers and important representatives of the bel canto performance tradition in the 19th century. The present volume includes settings of Russian texts by Pushkin, Feth and Turgenev as well as Italian-language songs based on Tuscan folk lyrics. All songs are accompanied by German translations, which were specifically prepared for the German first edition in the 19th century.The solo Lied with piano accompaniment was Pauline Viardot’s main genre, which she made bloom in the most diverse colors, depending on text and style. In addition to her own use, the sought-after vocal pedagogue also wrote her songs for her students. Accordingly, the songs included in this volume are suitable for different vocal genres in terms of their ranges and expressive content: for example, songs such as “Zwei Rosen”, “L'innamorata” or “Das Vöglein” are suitable for light, high voices, while lyrical, lower voices can find suitable songs with “Ruhige, heilige Nacht”, “Flüstern, atemscheues Lauschen” or “C’era una volta”. For versatile voices with a gift for coloratura, “Non vi maravigliate” is a little showpiece, while voices with the ability for dramatic accents can sing songs like “Die Beschwörung” or “Mitternächtige Bilder”. Unlike the sometimes very long Russian songs, the consistently short Italian songs are well suited as an introduction to the easier Italian repertoire. The songs depict clearly defined scenes within which the singers are able to develop their respective characters.01. Das Blümlein – Цветок VWV 1018 (Alexander Puschkin | 3')02. Auf Grusiens Hügeln – На холмах Грузии VWV 1037 (Alexander Puschkin | 2')03. Ruhige, heilige Nacht – Тихая, звёздная ночь VWV 1038 (Afanassi Fet)04. Mitternächtige Bilder – Полуночные образы VWV 1039 (Afanassi Fet | 3')05. Flüstern, atemscheues Lauschen – Шёпот, робкое дыханье VWV 1040 (Afanassi Fet)06. Die Beschwörung – Заклинание VWV 1041 (Alexander Puschkin | 3')07. Die Meise – Синица VWV 1042 (Iwan Turgenjew | 2')08. Zwei Rosen – Две розы VWV 1055 (Afanassi Fet | 2')09. Des Nachts – Мой голос для тебя и ласковый и томный VWV 1056 (Alexander Puschkin | 3')10. Der Gefangene – Узник VWV 1057 (Alexander Puschkin | 3')11. Das Vöglein – Птичка божия VWV 1058 (Alexander Puschkin | 3')12. Die Sterne – Звёзды VWV 1059 (Afanassi Fet | 4')13. Florentinisches Ständchen – Serenata fiorentina VWV 1048 (Giuseppe Tigri)14. Die Verlassene – Cʼera una volta VWV 1049 (Giuseppe Tigri)15. Die Dorfsängerin – Non vi maravigliate VWV 1047 (Giuseppe Tigri)16. Die Unglückliche – Povera me! VWV 1050 (Giuseppe Tigri)17. Doppel-Liebe – L'innamorata VWV 1051 (Giuseppe Tigri) / Partitions classique / Vocale - chorale / Voix solo - piano / EDITION BREITKOPF
SKU: BR.EB-8888
ISBN 9790004185117. 0 x 0 inches. German.
The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.Miriam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.
