SKU: BA.BA25139
ISBN 9790006575053. 29.5 x 21 cm inches. Text Language: French. Text: Wilder, Victor.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the “Cantique de Jean Racine†or the “Messe basse†are published in performing editions based on the musical text of the “Gabriel Faur – Å’uvres complètesâ€.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BR.CHB-2821-02
ISBN 9790004402221. 6.5 x 9.5 inches. German.
SKU: BR.CHB-2823-02
ISBN 9790004402245. 6.5 x 9.5 inches. German.
SKU: BR.CHB-2822-02
ISBN 9790004402238. 7.5 x 10.5 inches. German.
SKU: BA.BA25143
ISBN 9790006575091. 29.5 x 21 cm inches. Text Language: Latin.
SKU: CA.4070330
ISBN 9790007076832. Key: G major. Language: Latin/English.
Inspiration for the Three Motets op. 39 was a visit to the romanesque church of Trinita dei Monti. On 20 Dec 1830 Mendelssohn wrote to his parents: The French nuns sing there, and it is wonderfully lovely. ... Now, one should know one more thing: that one is not allowed to see the singers. Therefore I have come to an unusual decision: I will compose something for their voices, which I rememer exactly.... Score available separately - see item CA.4070300.
SKU: BR.CHB-5197-02
ISBN 9790004411193. 9 x 12 inches.
Our separate editions of Max Reger's choral works are based on the volumes of the Reger Complete Edition revised by Hermann Grabner. The first critical edition of the well-known choral cycles Op. 6, 39 and 110 is thus made available to choral practice for the first time.
SKU: BA.BA04948
ISBN 9790006460779. 27 x 19 cm inches.
SKU: CA.156700
ISBN 9790007005030. Key: E minor. Language: Latin/German.
SKU: CA.177800
ISBN 9790007253936. German.
The conductor Frieder Bernius regards the motets of Hans Fahrmann as an indispensable and extremely welcome addition to the late Romantic repertoire. The composer's output is little known nowadays. Born in 1860, he was considered the Richard Strauss of the organ during his lifetime. With their demanding harmonies, Fahrmann's choral motets place high demands on choirs and - like Reger's works - stretch tonality to its extremes. And not least, their sonorous expressivity is thanks to their chromatic richness. Frieder Bernius has recorded the Motets opp. 34, 45, and 65 with the SWR Vokalensemble for the first time on CD (Carus 83.499).
SKU: CA.177700
ISBN 9790007253929. German.
SKU: BA.BA25013
ISBN 9790006568079. 29.7 x 21 cm inches. Language: German.
Separate edition from BA 5902, „Geistliche Chor-Music“ SWV 369-380, The six and seven-part motets, nos. 13-29:In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music†(Sacred Choir Music). Here, the term “Chor†(choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
SKU: CA.2038205
ISBN 9790007034832. Key: G dorian. Language: German/English.
Score available separately - see item CA.2038200.
SKU: BA.BA08957-97
ISBN 9790006525539. 27 x 19 cm inches. Text Language: German, English, Latin.
Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Munden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adults' or children's choir.- Well-known Advent and Christmas carols in new settings- With texts in German and English- With short Latin introductions as a part of each motet- Ideal for a children's or adults' choir during the Christmas seasonContentsThere comes a galley, laden / Es kommt ein Schiff, geladenO saviour, open heaven's gate / O Heiland, reiss die Himmel aufO Lord, how shall I meet you / Wie soll ich dich empfangenAngels from the realms of Glory / Hort der Engel helle LiederAs I was watching o'er my sheep / Als ich bei meinen Schafen wachtGood Christian men rejoice / Nun singet und seid frohThe EditorGerd-Peter Munden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.
SKU: CA.970320
ISBN 9790007239046. Language: German.
SKU: CA.181900
ISBN 9790007039219. Language: German/English.
Johann Hermann Schein's Israelsbrunnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written in the Italian madrigal manner 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the inexhaustible fountain of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament.
SKU: CA.181600
ISBN 9790007039202. Language: German/English.
SKU: CA.182000
ISBN 9790007039226. Language: German/English.
SKU: HL.50487394
ISBN 9790080129951. B/4 (24,3 x 33,6 cm) inches. Latin. Laszlo Kalmar.
SKU: CA.2770219
ISBN 9790007133917. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.
Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task. Score and parts available separately - see item CA.2770200.
SKU: CA.2770200
ISBN 9790007097639. Key: C major. Language: Latin. Text: Langton, Stephen. Text: Stephan Langton.
Antonio Caldara, with about 3,400 works to his credit, ranks among the most prolific composers of the Baroque era and of music history in general. From 1716 Caldara was employed as the Vice-Music Director at the Court of Vienna, where he quickly developed into the primary and favorite composer of the musically knowledgeable Emperor Karl VI. Caldara's festive setting of the sequence for Whitsun, Veni Sancte Spiritus, which may have been composed around 1725, is now made available for the first time in print. The catchy and compact piece is suited for concert performance and is also excellently suited for the liturgical context of Whitsun: during the Mass, for example, as entrance or exit music or as music for the offertory. Through similar scoring requirements Caldara's setting of the sequence can also be used with many compositions of the Ordinary without any additional effort. For most church choirs the tutti sections with Caldara's favored homophonic, yet effective vocal writing represent a grateful task.
