Judith Weir's Ave Regina Caelorum for unaccompanied choir SSATBB.This piece was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled tocelebrate Merton College’s 750th anniversary in 2014.Ave Regina Caelorum was first performed on 8th July 2014 in Gloucester Cathedral as part of the Cheltenham Music Festival by the Choir of MertonCollege conducted by Benjamin Nicholas.

Robert Parsons' Ave Maria for SATBB Choir as edited by Richard R. Terry. A piano accompaniment is scored for rehearsal use.

POD-Stabat Mater is a work by Lennox Berkeley for Six Solo Voices and Chamber Orchestra (or Solo Voices with SATB Choir and String Orchestra). The solo voices are SSATBarB in this work that lastsaround 33 minutes. This is the Vocal Score.

A sacred work for unaccompanied SSATBB choir using text from The Order For The Burial Of Dead Priests translated from Greek by Isabel Hapgood.Vocal score with piano accompaniment for rehearsalpurposes.

The mood of As One Who Has Slept taken from the great liturgy of St. Basil on Easter Saturday morning is full of awe silence and expectation. The atmosphere is deeply solemn as we stand before the greatest mysteryof our salvation.This work (for unaccompanied double choir - SATB and SSATB) was commissioned by Winchester Cathedral and was first performed in January 1997 by the Winchester Cathedral Choir conducted by David Hill.

Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue

'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his

POD-Pawe ukaszewski's Like As The Waves for SSATBB choir unaccompanied. This vocal work is a setting of Shakespeare's Sonnet LX. Like as the waves make towards the pebbledshore So do our minutes hasten to their end;Each changing place with that which goes before In sequent toil all forwards do contend.Nativity once in the main oflight Crawls to maturity wherewith being crown'd Crooked eclipses 'gainst his glory fight And time that gave doth now his gift confound.Time doth transfix the flourishset on youth And delves the parallels in beauty's brow Feeds on the rarities of nature's truth And nothing stands but for his scythe to mow.And yet to times in hope myverse shall stand Praising thy worth despite his cruel hand. - William Shakespeare A Piano part is included for rehearsal purposes. Duration: 4 minutes.

Commissioned by the BBC for the 2006 BBC Radio 3 Choir of the Year Chantage and first performed by them at the British Composer Awards in the Glaziers Hall London on 5th December 2007.Arranged for unaccompanied SATBchoir.

POD-Pawe ukaszewski's Daylight Declines for SSATBB choir unaccompanied. Daylight Declines was commissioned by the Canatrix Choir the Netherlands and features a translation of anoriginal text by Andrzej Trzecieski. This vocal work was inspired by the motet on the same text by Waclaw z Szamotul (c.1533-68). Daylight declines the night advanceswe ask the Lord fordeliverance that He our Guardian remain protecting us from evil domainof spirits who always in the darkupon their treachery embark.(trans. MarekZebrowski) Duration: four minutes.

This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano

Jazz Chorals-This slow samba by Brazilian singer/songwriter Djavan is artfully arranged for SATB with soprano solo and rhythm section by jazz educator/arranger Paris Rutherford.

SATB choir organ.Published 2006Words by WH Auden.Commissioned by Dr Stephen Darlington Christ Church OxfordFirst performed as part of a service celebrating the centenary (2007) of WHAudenChoral and Organ score.