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SKU: FH.WCE1
ISBN 978-1-55440-588-6.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 7:De Hebriden, op. 26: Overture - Felix MendelssohnSymphony No. 39, K 543: II, III, IV - Wolfgang Amadeus MozartSymphony No. 5, op. 64: I, II - Pyotr Il'yich TchaikovskySymphony No. 2, op. 36: II - Ludwig van BeethovenPiano Concerto No. 2, op. 18: II - Sergei RachmaninoffSymphony No. 6 (Pastoral), op. 68: I - Ludwig van BeethovenLevel 8:Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr BorodinIl barbiere di Siviglia: Overture - Gioachino RossiniSymphony No. 4 (Italian), op. 90: IV - Felix MendelssohnSymphony No. 4, op. 98: II - Johannes BrahmsOuverture zu Offenbach's Orpheus in der Unterwelt - Carl BinderSymphony No. 8 (Unfinished), D 759: II - Franz SchubertSymphonie fantastique: III - Hector BerliozLevel 9:Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van BeethovenSymphony No. 3, op. 90: I, II - Johannes BrahmsSymphony No. 4, op. 60: II - Ludwig van BeethovenSemiramide: Overture - Gioachino RossiniSymphony No. 3 (Scottish), op. 56: II - Felix MendelssohnPrelude a l'apres midi d'un faune - Claude DebussySymphony no. 9, op. 125: II - Ludwig van BeethovenLevel 10:Symphony No. 2, op. 27: III - Sergei RachmaninoffViolin Concerto, op. 61: II - Ludwig van BeethovenIncidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix MendelssohnSymphony No. 1, op. 39: I, III - Jean SibeliusVariations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes BrahmsSymphony No. 8, op. 93: III - Ludwig van BeethovenSheherazade, op. 35: II, III, IV - Nicolai Rimsky-KorsakovAssociate: B_, A, C Clarinet:Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-KorsakovDances of Galanta - Zoltan KodalyPini di Roma: III - Ottorino RespighiSuite de l'oiseau de feu: Variation de l'oiseau de feu - Igor StravinskySymphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich TchaikovskySymphony No. 9, op. 70: II, III - Dmitri ShostakovichDon Juan, op. 20 - Richard StraussSymphonie fantastique: V - Hector BerliozPeter and the Wolf, op. 67: Nervoso - Sergei ProkofievPrince Igor: Polovtsian Dance No. 17 - Aleksandr BorodinAssociate: E_ Clarinet:Symphony no. 5, op 100: IV - Sergei ProkofievTill Eulenspiegels lustige Streiche, op. 28 - Richard StraussSymphony no. 5, op. 47: II - Dmitri ShostakovichSymphonie fantastique: V - Hector BerliozBolero - Maurice RavelAssociate: Bass Clarinet:Les Huguenots: Trio from act 5 - Giacomo MeyerbeerViolin Concerto no. 1, op. 77: II - Dmitri ShostakovichGrand Canyon Suite: III - Ferde GrofeDon Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.
SKU: FH.WC7
ISBN 978-1-55440-583-1.
SKU: HL.48024944
ISBN 9781784545543. UPC: 840126946819. 9.25x12.0x0.337 inches.
If there was ever a composer in the modern era from whom instrumentalists would hanker for a sonata or concerto, Richard Strauss must be right up there. His wide-ranging orchestral and operatic creations bleed with gloriously idiomatic writing for every instrument, and yet only the piano, violin, clarinet (in tandem with the bassoon), oboe and horn can really claim to have bespoke solo works from the composer's seamlessly productive pen, and collectively they form only a small proportion of the composer's output. No mere transcription, this three-movement Sonata after Richard Strauss extends well beyond a redeployment of the composer's music to fit a new idiom, filling the gaping chasm of 'serious' late-Romantic recital material for trumpet players, to be performed in toto or as Drei Konzertstücke. Thomas Oehler and Jonathan Freeman-Attwood have drawn on a wide range of Strauss's works to create the new offering, including the Violin Sonata, Von den Hinterweltlern (Also sprach Zarathustra), the Serenade for Winds ('From an invalid's workshop') and Zerbinetta's Aria (Ariadne auf Naxos).
SKU: SU.00220215
AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Clarinet (including Eb and Bass Clarinet) parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: BT.EMBZ15061
Zoltán Kocsis (1952 - 2016) was not just a phenomenal pianist. He was also regarded as a musical 'polymath' whose genius embraced the activities of a composer, conductor, editor, instrumentalist, and arranger. In the last capacity, he added some 150 works to symphonic, chamber, song and piano repertoire. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all, Debussy. (Many of these are distributed by Editio Musica Budapest.) 'In Debussy's case, (...) I was always interested in works that offered possibilities beyond the bounds of the piano, possibilities for orchestration.Just as with Liszt it was often possible to see that certain of his works had been written for piano for publication purposes, so with Debussy it is clear that mainly his song accompaniments exceeded the bounds of possibility for the piano,' Kocsis stated in one interview. Perhaps that recognition also encouraged him to arrange the popular piano work Valse romantique (1890) for clarinet and piano. The arrangement superbly pinpoints the sensitive, almost ingratiating tunefulness of the Waltz, adding a piece that sounds great and is rewarding to perform to the clarinet repertoire. Mit dem unlängst verstorbenen Zoltán Kocsis betrauert die Nachwelt nicht nur einen phänomenalen Pianisten, sondern auch einen 'Polyhistor der Musik': Sein außergewöhnliches Talent entfaltete sich ebenfalls in seiner Tätigkeit als Komponist, als Dirigent, als Herausgeber und nicht zuletzt auch als Arrangeur und Bearbeiter organisch. Durch letztere Aktivität bereicherte er die symphonische, Kammer-, Lied- und Klavierliteratur um etwa einhundertfünfzig Werke. Sehr gern adaptierte er die Musik aus der Zeit der Wende zum 20. Jahrhundert, wie auch seine Richard-Strauss-, Ravel-, Rachmaninov-, Enescu- und vor allem Debussy-Transkriptionen belegen. (Mehrere davon werden auch von unseremVerlag vertrieben.).
SKU: SU.46200050
Clarinet, Violin & Piano Duration: 10' Composed: 2001 Published by: Verdehr Trio Every measure of Collage – 1912 is based on one or more snippets taken from one composition each by Béla Bartók, Irving Berlin, Claude Debussy, W.C. Handy, Charles Ives, Gustav Mahler, Maurice Ravel, Arnold Schoenberg, James Scott, Richard Strauss, Igor Stravinsky, and JoaquÃn Turina. The work is about 12 minutes long and consists of two parts that are performed without pause. Michigan State University Press.
