40 Love Songs Satb For Wedding And Concert. In every century, love is probably the most frequently-celebrated theme. The choral anthology for the latest LIEDERPROJEKT installment brings together 40 love songs from all eras in well-known and new, easy-to-sing settings. The collection contains a wide range of settings from the 16th and 17th centuries, the Romantic period, arrangements of popular music as well as settings of well-known and contemporary love songs specially arranged for this choral collection./ Répertoire / SATB

However often Bennett may have employed serial techniques or introduced jazz and modern elements into his work his Choral compositions are always tonal and melodic. In A Farewell To Arms he displays an exquisite sensitivity to the poetry of Ralph Knevet (17th century) and George Peele (16th century) and their mediations on the homely life after years spent soldiering. The Cello can be heard to serve as the ‘Voice’ of the old soldier. The music combines the jaggedly Romantic Cello line with Choral writing that suggests early music motifs and harmonies.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and manyaward-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist.

Par GADE NIELS WILHELM. The Danish composer Niels W. Gade wrote these five a cappella choral pieces in the 1840s, during his years in Leipzig, when he was studying with Felix Mendelssohn Bartholdy, to whom he felt a lifelong bond. The pieces are homophonic, clearly worked out movements with modest chromaticism. All five pieces are based on the romantic nature poetry of Emanuel Geibel, who was a representative in his time of the widely known “Munich School of Poets. ” The themes are: spring, autumn, morning mood, water lilies and wandering through the forest./ Répertoire / Choeur Mixte

My Luve Is Like A Red Red Rose is a poem by Robert Burns from 1794 based on traditional Scots sources. It has been set here for TTBB male voice chorus with a Piano reduction provided for rehearsalpurposes.Sir Granville Bantock (1868-1946) was a British composer conductor and educator. He channelled his energetic and creative personality into many musical projects championing the works of Jean Sibelius founding the City of Birmingham Symphony Orchestra and composing many splendid classical pieces. Viewed by his contemporaries as out-of-date his music is now being appreciated as one of the last great contributions from theEnglish Romantic movement.

Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic periods. Carefully and skillfully edited and arranged by Patrick M. Liebergen, this reproducible CD-ROM is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic. The reproducible CD-ROM format allows flexibility in weekly use and is a budget-stretcher as well! / Choeur

An impressionist setting of five poems by Hermann Hesse which is characterized by influences from pop and jazz music, but from the Romantic era as well. Haaf set the texts in five movements, each of which being complete in itself, yet together forming an integral work. / Choeur Mixte (SATB) Et Piano

Here's an indispensable collection of introits, responses, and benedictions from the Medieval, Renaissance, Baroque, Classical, and Romantic Periods. Carefully and skillfully edited and arranged by Patrick Liebergen, this book is filled to the brim with the music of Handel, Telemann, Purcell, Mozart, Liszt, and more. A mixture of voicings is included as well. Each selection is short and easily learned, yet dynamic and filled with joyful singing! / Choeur Mixte (SATB)

Viento Norte (Northern Wind) is No. 4 of the Indianas suite by Carlos Guastavino, which may be performed individually or as a suite. 1. Gala del Dia (Finery of the Day) KJS8911 2. Quien Fuera Como El Jazmin? (Who Could Be Like the Jasmine?) KJS8912 3. Chanarcito, Chanarcito (A Thorny Bush) KJS8913 4. Viento Norte (Northern Wind) KJS8914 5. Al Tribunal de Tu Pecho (For the Court of Your Heart) KJS8915 6. Una de Dos (One Or the Other) KJS8916 Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence.

Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His ever-popular Ave Maria was composed in 1825 as No.6 of his Op. 52 a setting of seven songs from Sir WalterScott?s epic poem The Lady Of The Lake. The text came from a part of the poem called Ellen?s SongThe melody has been re-used many times and is often set to the Catholic Prayer that starts with the samephrase (?Hail Mary? in English). Most memorably it was adapted by Walt Disney for his 1940 film Fantasia. The version here is for two Medium Voices with an accompanying Piano part.

ShowTrax CD-This medley from a very unique musical will especially interest those directors searching for more neo-classical and/or romantic elements in today's show music. Many opportunities for solos and small group sections. Available: SATB SAB Instrumental Pak ShowTrax CD. Performance Time: Approx. 10:45.

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out. Contenu - V. Haussmann: Tanz und Nachtanz - M.A. Charpentier: Prélude from: Te Deum - H. Purcell: Trumpet Tune - A. Vivaldi: Allegro from: Autumn - G.P. Telemann: Largo - C. Graupner: Air - G.F. Händel: Bourrée from: Royal Firworks Music - Anonym: Menuett from: Notebook fro Anna Magdalena Bach - J. Haydn: St. Anthony Choral - W.A. Mozart: It rings out so joyful from: The Magic Flute - M.-F. Blasius: Grazioso - J. Reinagle: Allegro und Andante from: Sonatine G-Dur - L.v. Beethoven: German Dance - C. M.v. Weber: Through the woods, through the pastures from: Der Freischütz - F. Schubert: Entr’acte from: Rosamunde - F. Mendelssohn: Andante from: Symphony No. 4 (Italian) - R. Schumann: Rêverie from: Scenes from Childhood - J.F. Kranz: Valse lente - J. Strauss: Waltz No. 4 from: Echoes of the Rhine Loreley - P.I. Tschaikowsky: Capriccio Italien - A. Dvořak: Humoresque - A.Sullivan: Hornpipe from: Ruddigore - E. Grieg: Solveig's Song from: Peer Gynt Suite No. 2 - E. Humperdinck: Evening Pryer from: Hansel and Gretel - E. MacDowell: To a wild rose - A. Gretchaninoff: A dark day from: Brimborions - M. Ravel: Boléro editor: Warnecke, Ulrike illustration: Schuermann, Andreas piano setting: Birtel, Wolfgang

Karl Hoyer (1891-1936) was a highly regarded pupil of Max Reger and Karl Straube the Kantor of St. Thomas’s Church Leipzig. He held several positions including that of professor at the famous Institute for Church Music in Leipzig. For a long time his Chorale Preludes Op.57 were only available in libraries or second hand bookshops but the publication of the third of a four-volume edition makes another part of this important collection available once more. These pieces are characterised by formal variety brevity and are mostly modest in their technical demands. They were extremely well-known amongst organists duringHoyer’s lifetime a period which marked the transition from late Romanticism to that of the German Organ Movement of the 1920s. In comparison with the first edition the keys correspond with those in the “Evangelisches Gesangbuch” and “Gotteslob (Protestant and Catholic hymnbooks)”. Each volume includes appropriate indices for practical use in “Protestant or Catholic” churches. - Chorale preludes from the period between late Romanticism and the beginnings of the German Organ Movement- Appropriate keys for the “Evangelisches Gesangbuch” and “Gotteslob (Protestant and Catholic hymnbooks)”

Par SENFTER JOHANNA. Johanna Senfter (1879–1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895–1903 and thereafter in Leipzig with Max Reger 1908/9. Her most significant legacy is her organ music, which takes up the contrapuntal, highly chromatic composition techniques used by her teacher. These ten chorale preludes Op. 73 were written in 1930 and are suitable for concert or liturgical performance./ Répertoire / Orgue