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| Fireflies Choral 3-part 3-Part Mixed Hal Leonard
Discovery Level 2. Composed by Adam Young. Arranged by Mac Huff. Discovery Cho...(+)
Discovery Level 2. Composed
by Adam Young. Arranged by
Mac Huff. Discovery Choral.
Pop. Octavo. 16 pages.
Published by Hal Leonard
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Back on 74 Choral SATB Hal Leonard
Choral (SATB) SKU: HL.1430988 By Jungle. By Joshua Lloyd-Watson and Lydia...(+)
Choral (SATB) SKU: HL.1430988 By Jungle. By Joshua Lloyd-Watson and Lydia Kitto. Arranged by Mac Huff. Pop Choral Series. Disco, Electronica, Pop. Octavo. Duration 280 seconds. Published by Hal Leonard (HL.1430988). UPC: 196288202974. 6.75x10.5 inches. If you scrolled through social media feeds this year, there's little chance you missed clips from the astounding music video for this song from British electronic music duo â??Jungleâ?Â, where world class dancers performed in a one-shot take around a steadicam, dancing to the beat of this absolute masterstroke of Neo soul and funk! $2.50 - See more - Buy online | | |
| Fireflies Choral CD Hal Leonard
Choral (VoiceTrax CD) SKU: HL.327433 Discovery Level 2. Composed b...(+)
Choral (VoiceTrax CD) SKU: HL.327433 Discovery Level 2. Composed by Adam Young. Arranged by Mac Huff. Discovery Choral. Pop. CD. Duration 165 seconds. Published by Hal Leonard (HL.327433). UPC: 888680989453. 5.0x5.0x0.155 inches. Owl City's 2009 debut single is a bright, electronica-infused pop song with a delightful hook and charming lyrics about lightning bugs! Full of rhythmic and accented melodic lines, arranger Mac Huff provides effective rehearsal and performance notes for your students. $26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ursa (Music for Tuba By Women Composers) Choral CD [Listening CD] Mark Custom Music
By Stephanie Frye, tuba; Kirstin Ihde, piano; Sarah Paradis, trombone; Brett Wal...(+)
By Stephanie Frye, tuba; Kirstin Ihde, piano; Sarah Paradis, trombone; Brett Walter, percussion. Release date: 2013. Mark Records. Listening CD. Duration 64:21:00. Published by Mark Custom Music (MK.50760-MCD).
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Doppler Effect - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS177 Composed by Sean O'Loughlin. SWS FS. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+4+12 pages. Duration 3 minutes, 37 seconds. Carl Fischer Music #YAS177. Published by Carl Fischer Music (CF.YAS177). ISBN 9781491146576. UPC: 680160904075. 9 x 12 inches. Key: G major. The term Doppler effect describes the aural phenomenon of pitch produced by a moving source changing relative to position, like a siren passing you on the street. Sean O'Loughlin uses this fascinating concept to construct an original composition that uses instances of this effect. A broad melody acts as a connective element in the piece, with a multitude of teaching opportunities for dynamics and musicality. The term Doppler effect is defined as the shift in frequency of acoustic or electromagnetic radiation emitted by a source moving relative to an observer as perceived by the observer. Yes, it is when the siren comes at you at one pitch and leaves you at another pitch. I found this a fascinating concept to construct an original musical composition with. There are plenty of instances of this effect, but I also created a broad melody to act as a connective element to thework. There are also a multitude of teaching opportunities for dynamics and musicality.The opening material should be played very mysteriously and by exaggerating the dynamics. Make the change from p to f as big as you can. The whole opening section builds up to a big arrival at m. 15. From there, we're off to the races with a rhythmic version of the effect. Again, bring out the range of the dynamics for maximum effect. The main melody appears at m. 30 and should be played with much lyricism as a contrast to the pulsing rhythmic activity underneath. The rhythmic pulse evaporates at m. 38 to leave a warm chorale-like section. A big presentation follows at m. 46. The chorale-like section returns at m. 54. Keep that same warmth of sound as before. The next big event happens at m. 67, where the Doppler effect is in full force. Exaggerate those dynamics and bring out the ascending lines in the celli. This leads to a climactic arrival at m. 92 where the main melody is augmented with lush power chords supporting the sound. The rhythmic energy returns at m. 98 to drive the music to a heroic ending. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music For Flute And Electronic Sounds Theodore Presser Co.
Chamber Music Electronics, Flute SKU: PR.114409570 Composed by Larry Nels...(+)
Chamber Music Electronics, Flute SKU: PR.114409570 Composed by Larry Nelson. Performance score. With Standard notation. Composed 1987. 11 pages. Duration 13 minutes. Theodore Presser Company #114-40957. Published by Theodore Presser Company (PR.114409570). UPC: 680160014330. As the title suggests, Music for Flute and Electronic Sounds explores the relationships between the flute - lyrical, then percussive; sometimes sustained, other times in sweeping lines - and electronic sounds - sometimes pitched, sometimes more clangorous and bell-like. The individual electronic sounds were designed and built using editors that are now readily available for synthesizers. This made it possible to produce accompanimental sounds that support and blend with the articulation and timbre of the flute in a way that until recently was awkward to accomplish. In addition to the electroacoustic blending, the flute and electronic sounds also share compositional structure, both rhythmic and melodic. There are two musical ideas that are germinal to the pitch and structure of the work. The first is a four-pitch interval set (in two pairs) of descending minor third, intervening ascending major second, and concluding ascending major third. This gesture is presented at the outset. The second idea is a palindromic interval set which appears for the first time in measure 25. Formally, the work is in three parts. Part One is used to introduce several musical characters, most of which are generated from the materials just mentioned. Part Two consists of a juxtaposition of two of these characters. One is jazzy and is generated entirely by the synthesizers while the flute joins the electric sounds in a serene chorale. The flute additionally has the responsibility of interrupting the fast motion of the jazzy character so that the chorale can be heard. Part Three recalls the first part but also includes a cadenza, which uses the serene character of Part Two as basic material. After the cadenza there is a short section that again recalls the beginning. The work closes with a cadenza-like flourish. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| SmartScore X2 Pro Edition [CD-ROM]
This edition: Win/Mac. CD-ROM. With Scoring And Notation. Published by eMedia Mu...(+)
This edition: Win/Mac. CD-ROM. With Scoring And Notation. Published by eMedia Music (EI.SS00130).
$399.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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