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Viola, Piano
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All Glory, Laud and Honor (Viola Duet and Piano)
All Glory, Laud and Honor (Viola Duet and Piano)
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Viola, Piano
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Melchior Teschner
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Tyler Adams
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Adams Arrangements
To God Be The Glory (Viola Duet and Piano)
To God Be The Glory (Viola Duet and Piano)
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Viola, Piano
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William H
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Tyler Adams
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Adams Arrangements
The Swan, (Le Cygne), by Saint-Saens, for Viola and Piano
The Swan, (Le Cygne), by Saint-Saens, for Viola and Piano
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Viola, Piano
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Camille Saint-Saens
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David McKeown
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John White: Sonatina in B Flat op. 88: Viola
Viola, Piano
Simrock
Viola Piano. Bush A
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F. Kreisler: Liebesfreud: Viola: Instrumental Work
Viola, Piano
[Sheet music]
-
Intermediate
Viola World
Transcribed for Viola by Alan Arnold.
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Ludwig van Beethoven: Beethoven's Best For The Young Violist: Viola:
Viola, Piano
Viola World
A collection of early to middle grade student pieces selected from the works of ...
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A collection of early to middle grade student pieces selected from the works of Ludwig Van Beethoven. Compiled Edited and Arranged for the viola by Alan Arnold.
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Johann Sebastian Bach: Basic Bach For The Young Violist: Viola: Instrumental
Viola, Piano
[Sheet music]
-
Easy
Viola World
A collection of early to middle grade student pieces selected from the works of ...
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A collection of early to middle grade student pieces selected from the works of J.S.Bach. Compiled edited and arranged for the viola by Alan Arnold.
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Béla Bartók: Roumanian Folk Dances: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
These six dances originally written for the violin are repertoire favourites; ...
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These six dances originally written for the violin are repertoire favourites; much-loved and acclaimed by performers and audiences alike. Arranged for viola by Alan Arnold. Ed. Peter Bartok.
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Antonio Vivaldi: Sonata In G: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Viola World
Vivaldi's Sonata In G arranged for viola by Alan Arnold.
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Wolfgang Amadeus Mozart: Miniatures For The Young Violist: Viola: Instrumental
Viola, Piano
[Sheet music]
-
Easy
Viola World
A collection of early to middle grade student pieces selected from the works of...
(+)
A collection of early to middle grade student pieces selected from the works of W.A.Mozart compiled edited and arranged for the Viola by Alan Arnold.
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Concerto En Ut Mineur Alto/Piano Reduction (BACH JOHANN CH)
Viola, Piano
[Sheet music]
Salabert
pour alto (viola) & piano. Par BACH JOHANN CH.. / Répertoire / Alto ou 2 Altos ...
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pour alto (viola) & piano. Par BACH JOHANN CH.. / Répertoire / Alto ou 2 Altos et Piano
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Giacomo Puccini: Play Puccini: Viola & Piano: Instrumental Album
Viola, Piano
[Sheet music + CD]
Ricordi
Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists ...
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Instrumental Play-Along-Who needs a singer? With Play Puccini instrumentalists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed forintermediate level solo instrument and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as wellas piano accompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Star Wars Musical Journey Episodes I - Vi Viola/piano Acc. + Cd
Viola, Piano
-
Easy
Alfred Publishing
Instrument/Discipline : AltoStyle/Genre : Musique de filmSupport : Livre + CDAut...
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Instrument/Discipline : AltoStyle/Genre : Musique de filmSupport : Livre + CDAuteur/Compositeur : WILLIAMS JOHNCce livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, trompette; Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer.Partitions pour Alto et piano.Inclus des photos du film en couleurs et N&B.Contenu :Star Wars (Main Theme); Jar Jar's Introduction; Augie's Great Municipal Band; Qui-Gon's Funeral; Duel of the Fates; Anakin's Theme; The Flag Parade; Across the Stars (Love Theme); The Arena; The Meadow Picnic; Battle of the Heroes; Cantina Band; The Throne Room; The Imperial March ( Darth Vadre's Theme); May the Force Be With You; Princess Leia's Theme
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in Firs...
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First Position - Volume 1-Viola Recital Album Volume 1: 9 Recital Pieces in First Position for Viola and Piano or Two ViolasViola Recital AlbumVolumes 1-4 (BA8990-BA8993)These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a secondviola part allows duet playing with the teacher during lessons. The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on the Viola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.New pieces to supplement the Sassmannshaus Viola methodAll pieces in first positionInclude an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 3-These volumes contain a wide selection of easy recital...
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First Position - Volume 3-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Christoph Sassmannshaus Kurt Sassmannshaus Melissa Lusk: Viola Recital Album:
Viola, Piano
-
Easy
Barenreiter
First Position - Volume 4-These volumes contain a wide selection of easy recital...
(+)
First Position - Volume 4-These volumes contain a wide selection of easy recital pieces. They are designed as companion volumes to the Early Start on the Viola method but work equally well as a supplement to any other viola method. As all pieces are written entirely in first position they can be used just after a few months of lessons. Well-known as well as unfamiliar pieces provide welcome additional repertoire for young students and teachers.The piano part may be played by the teacher or an advanced student. Alternatively a second viola part allows duet playing with the teacher during lessons.The Viola Recital Album Volume 1 can be used as a supplement to the Early Start on theViola method Volumes 1 and 2 (BA 9686 and BA 9687). The 18 pieces in Volume 1 are structured to follow the same progression of finger patterns introduced in the Early Start method. This systematic progression helps the student to solidify the hand position and improve intonation. The basic bowing techniques do not require changes in bow speed or sounding point. The young performer can focus on a straight and beautifully placed bow that produces a pleasing and clear sound.- New pieces to supplement the Sassmannshaus Viola method- All pieces in first position- Include an additional viola part for duet version and a piano accompaniment
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Johannes Brahms: Clarinet Sonatas Op.120 Arranged For Viola: Viola: Instrumental
Viola, Piano
G. Henle
Version for Viola-In the later years of his life in the 1890s Johannes Brahms ...
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Version for Viola-In the later years of his life in the 1890s Johannes Brahms was inspired by the clarinettist Richard Mühlfeld to compose Trio Op.114 Quintet Op.115 and the Sonatas Op.120 – three gems inthe Clarinet chamber music repertoire. Brahms also provided a part for Viola as an alternative to the Clarinet. The revision of this Henle Urtext edition of the Viola version of Op.120 is based onthe musical text of the New Brahms Complete Edition and in many respects contains significant improvements: the original autograph was consulted for the first time the newly set Piano score now contains the Viola part and Violaplayers can benefit from fingerings and bowings by Tabea Zimmermann in the solo part.
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Michael Nyman: Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashk...
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Viola and Piano was commissioned for the Hindermith Viola Festival and Kim Kashkashian and written during the summer of 1995 Viola and Piano is the third in an erratic series of virtuoso works for solo instrument andpiano. The first performance was given by Kim Kashkashian and Peter Nagy London 1995. Duration 10 minutes. Score and separate viola part included.
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Christmas Solos For Beginning Viola: Viola: Instrumental Album
Viola, Piano
[Sheet music]
-
Easy
Mel Bay
Sixteen favorite Christmas hymns and songs for viola. These arrangements are eas...
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Sixteen favorite Christmas hymns and songs for viola. These arrangements are easily accessible with no page turns or double stops. Suggested bowings are included. This book contains both melody and harmony parts with pianoaccompaniment which can be used with the violin and cello books in the same series. The pieces can be enjoyed in a number of instrumental settings either as solos duets or in ensembles with other string instruments. Suggesteduses are: solo viola with piano accompaniment viola duets with cello violin and/or piano and trios with cello and violin. Pull-out viola part.
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Williams John - Very Best Of + Cd - Viola And Piano
Viola, Piano
[Sheet music + CD]
-
Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Viola Instrumentation: Vio...
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Category: String Series Format: Book & CD Instrument: Viola Instrumentation: Viola (with Piano Acc.) Level: Level 2-3 This incredibly versatile new collection was written especially for violin, viola, and cello. Each book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD, with demo tracks (featuring live string performances) and play-along tracks, completes each package. The string books are completely compatible with each other and can be played together or as solos. Due to level considerations, the string books are not compatible with the books in the wind series. Titles are: Can You Read My Mind? (Love Theme from Superman) * Cantina Band (Star Wars®) * Double Trouble (Harry Potter and the Prisoner of Azkaban) * Duel of the Fates (Star Wars®: Episode I The Phantom Menace) * Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * The Imperial March (Star Wars®: The Empire Strikes Back) * May the Force Be with You (Star Wars®: The Empire Strikes Back) * Olympic Fanfare and Theme (1984 Olympic Games, Los Angeles) * Star Wars (Main Title) (Star Wars®) * Theme from Superman (Superman) * A Window to the Past (Harry Potter and the Prisoner of Azkaban).
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Hugh Wood: Variations Op. 1: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
For Viola and Piano this is the composer's first opused work. Premiered at the ...
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For Viola and Piano this is the composer's first opused work. Premiered at the Wigmore Hall in July 1959 by Cecil Aronowitz and Margaret Kitchen.Wood: In 1957 I knew I had newly discovered the music of Schoenberg and hispupils and I knew at once that they were to show me the way forward for my music; as indeed they have ever since. The revelation was primarily an emotional experience for me and however imperfectly their influence wasreceived it was obviously reflected in the all-out chromaticism (new for me then) in the many chains of twelve notes or lesser chromatic formations (which do not here amount to serial working and have only rarely done sosince) in the characteristic harmonic and rhythmic formations the wide and sometimes angular intervals of the melodies and in general the introverted romanticism. Anyway I knew then that this was the sort of music that Ihenceforth would want to write and so I called these Variations my Opus One.The declamatory Introduction leads into the Theme heard on the viola. Six Variations follow of which No.3 is the most violent and No.4 the mostsustainedly lyrical. The recitative-like sixth variation leads into the Finale a more extended movement. The Theme returning on the piano leads to a climax at which there is a citation from Beethoven’s C minor Variations forpiano. Then their characteristics sequence of chords is heard on the piano as an accompaniment to the final statement of my own theme on the viola in the closing bars of the work.
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Viola Iniciacion A La Musica 2 (MATEU E)
Español
Viola, Piano
[Sheet music]
Real Musical
Piezas Elementales para Dos, Tres y Cuatro Violas con Piano. Par MATEU E. / OLIV...
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Piezas Elementales para Dos, Tres y Cuatro Violas con Piano. Par MATEU E. / OLIVER / ALCORLO. Música De …Ngel Oliver. Dibujos De Manuel Alcorlo. / Études et exercices / Recueil / Alto et Piano
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Milhaud Darius - Concerto Op.108 - Alto & Piano
Viola, Piano
Universal Edition
Composer: Milhaud Darius Title: Concerto op. 108 Scored for: for viola and or...
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Composer: Milhaud Darius Title: Concerto op. 108 Scored for: for viola and orchestra or viola and 15 instruments Edition type: piano reduction Edition: Edition for Viola and Piano ISBN: 978-3-7024-6322-9 ISMN: 979-0-008-01009-5 Order number: UE3718
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Hindemith Paul - Sonata - Viola And Piano
Viola, Piano
Schott
Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and p...
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Edited after: Paul Hindemith, Complete Works, Vol. V/7 Instrument : viola and piano Nombre de Pages : 64 The genesis of the viola sonata reflects the eventful life of Hindemith in the winter of 1938/39 and owes its completion to Hindemith's ability to compose even while travelling, especially on trains. Hindemith himself said about his viola sonata: '... It is a powerful, well-fed piece with durable lining for cold weather. Second movement with a tricky rhythm to which one has to creep up carefully in order to master it. In the last movement which consists of two variations on an already fully developed rondo movement...' Hindemith shows again the wide range of his compositional and formal brilliance. New edition based on the text of the Hindemith Complete Edition.
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Vivaldi A. - Concerto In Sol Minore - Alto Et Piano
Viola, Piano
Emb (editio Musica Budapest)
per viola e pianoforte (orig. per violoncello, archi e cembalo) piano score Éd...
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per viola e pianoforte (orig. per violoncello, archi e cembalo) piano score Édité par Nagy Olivér, Bársony László Instrument: Alto et piano Genre: Baroque Pages: 16 pp Date du parution: 1983
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Tournemire C. - Suite En Trois Parties, Opus 11 - Alto Et Piano
Français
Viola, Piano
Eschig
Musical Category : viola o 2 viole e pianoforte pour alto et piano
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Mulsant Florentine - Sonate Pour Alto Et Piano Op.20 (1999)
Viola, Piano
[Score and Parts]
Furore Verlag
Instrumentation: viola and piano Edition: score and parts Item no.: fue 3720 Yea...
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Instrumentation: viola and piano Edition: score and parts Item no.: fue 3720 Year: 1999 Duration: (15'20) Difficulty: medium ISMN: 979-0-50012-872-4 This work pivileges the dialogue between the two instruments although each expresses also separately.
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Old - Music For Viola - Alto Et Piano
Viola, Piano
Emb (editio Musica Budapest)
Édité par Brodszky Ferenc Instrument: Alto et piano Genre: Pedagogical perfor...
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Édité par Brodszky Ferenc Instrument: Alto et piano Genre: Pedagogical performance pieces Pages: 22 pp Date du parution: 1963
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Frank Bridge: 10 Pieces For Viola And Piano-Volume 1 (Nos. 1-5): Viola:
Viola, Piano
[Sheet music]
-
Intermediate/advanced
Thames Publishing
Many of the occasional pieces Bridge wrote in the early part of his career were ...
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Many of the occasional pieces Bridge wrote in the early part of his career were published in versions for violin and piano or cello and piano. Bridge was himself a fine viola player and so it is therefore appropriate that these pieces (in addition to those he wrote specifically for viola and piano) should be published in transcriptions for viola.This volume contains numbers 1 to 5 of a set of ten pieces which have been skilfully transcribed for Viola with Piano accompaniment by Veronica Leigh Hunt.
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Viola Collection. Konzertstücke f. Viola & Klavier: Viola: Score and Parts
Viola, Piano
Barenreiter
Concert Pieces for Viola and Piano-Viola part & enclosed Piano accompaniment.14 ...
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Concert Pieces for Viola and Piano-Viola part & enclosed Piano accompaniment.14 recital pieces presented in increasing order of difficulty.Wide range of styles included.To complement the Sassmannshaus Early Start on the Viola method Bärenreiter offer a selection of recital pieces tailored to this educational concept. This edition presents 14 pieces covering a wide stylistic spectrum giving Viola players a rich body of appealing concert pieces to choose from.The works are arranged in increasing order of difficulty the cornerstones being two works by Georg Eduard Goltermann; his technically simple Andante religioso and his demanding Adagio and Tarantella. Works by Kalliwoda Fauré Grieg Dvo ák amongst others are included.The editor:Kurt Sassmannshaus is a violinist and Viola player a professor of Violin in Cincinnati (OH) and a promoter of Violin teaching with projects in Germany China and the United States. He continues the work of his father Egon Sassmannshaus who set new standards with the Sassmannshaus string methods.
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Elizabeth Maconchy: Sonata For Viola And Piano: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Chester
Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premie...
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Elizabeth Maconchy composed her Sonata For Viola And Piano in 1937 which premiered the following year in London. Included in this is the Score and Parts for Viola and Piano with the piece lasting around14 minutes. Elizabeth Maconchy enrolled at the Royal College of Music at the age of sixteen and while her String Quartets are often seen by many as the pinnacle of her musical achievements thisSonata For Viola And Piano is a beautiful interplay between the two instruments and must surely rank as one of the finest Viola sonatas ever composed.
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Georg Philipp Telemann: Viola Concerto In G Major: Viola: Score
Viola, Piano
G. Henle
Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduct...
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Piano reduction-Georg Philipp Telemann's Viola Concerto In G Major. Piano reduction.The Viola is often not credited with being able to take over a soloistic role but this is completely unjust. In 1738 JohannPhilipp Eisel already wrote of the Viola as being the ?very bowels of music? and stressed that it was not only needed to ?flesh out? the Orchestral sound but also as a 'concert voice which is fully proven by the concertos andconcert overtures by the famous Capell-Meister Telemann'.Telemann?s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of thecore repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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