SKU: AD.ADG203
ISBN 9781934163986. UPC: 663389120327. 9 x 12 inches.
Gospel Riffs God Would Love To Hear for Organ by Andrew Gordon is a compendium of 33 Contemporary Gospel riffs for organists to learn the art of Gospel stylings. There are also arrangements of some traditional Gospel songs including Amazing Grace and When The Saints Go Marching In showing how to incorporate the riffs in the book into these well known Gospel songs. Play in the styles of Ray Charles, Dr. John, Billy Preston, Leon Russell, and Andre Crouch and see how Blues, Jazz and other contemporary styles are associated with the Gospel sound.Customer Comment About This Book:Gospel Riffs God Would Love To Hear I love Gospel music, and so far with Andrew Gordon's books I haven't been disappointed. This book was no exception. And even though I thought.
SKU: AD.ADG244
ISBN 9781958017333. UPC: 663389124424. 9 x 12 inches.
The Blues Scale for Organ is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.
SKU: HL.14021606
ISBN 9781846091841. UPC: 884088434793. 6.75x10.0x0.222 inches.
This beautifully presented edition from Novello offers a full Mass setting alongside a Motet, both for large mixed chorus, by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony, this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker. The pairing of the two works offers an exciting and fascinating performance opportunity, with the devout grandeur of the Mass set against the modesty of the original Motet. Missa Dum Complerentur for SAATTB voices. Motet: Dum Complerentur Dies Pentecostes for SSATB voices.
SKU: OU.9780193504882
ISBN 9780193504882. 10 x 7 inches.
For SATB (with divisions) and organ Andrew Carter sets words from the writings of the Venerable Bede in this richly textured anthem.
SKU: SU.80101414
Toccata, Aria, and Finale (2017) was commissioned in memory of Dorothy Virginia Garman Blankenship Laurie for the ongoing dedication events and recitals for the Jennie Laurie Memorial Organ at St. Andrew's Catholic Church in Roanoke, Virginia. The three parts of the piece combine to form a whole, in which two very extroverted outer parts surround the quieter aria. Instrumentation: Organ Duration: 12' Composed: 2017 Published by: Zimbel Press.
SKU: HL.299668
UPC: 888680958145. 9x12 inches.
A cycle for organ and spoken voice based on texts by Andrew Hammond. It was premiered in the chapel of King's College, Cambridge in 2018.
SKU: SU.80101400
Three Apostolic Preludes (2017) is a set of three preludes based on plainchants appointed for the feast days of three of the Apostles: St. Andrew, St. Thomas, and St. Philip. The pieces are: Praeludium in festo S. Andreae apostoli; Praeludium in festo S. Thomae apostoli; Praeludium in festo S. Philippi apostoli. Instrumentation: Organ Duration: 13' Composed: 2017 Published by: Zimbel Press.
SKU: PE.EP73145
ISBN 9790577014982. 303 x 232mm inches. English.
The Orgelbüchlein Project is a collective composition project aiming to complete Bach's unfinished manuscript known as 'Orgelbüchlein'. In the 'Little Organ Book', Bach laid out a complete hymnal of short organ chorale preludes, 164 in all, but only completed 46 of them. Why the remaining 118 were left as blank pages, with only a title at the head, remains a mystery, but they inspried organists William Whitehead to found the Orgelbüchlein Project, in which contemporary composers are invited to contribute a piece to completing the collection.The resulting collection, to be published in six volumes, represents a cross-section of the most interesting composers at work today across Europe.More information about the project is available at www.orgelbuechlein.comList of Composers
SKU: SU.28010060
Organ Duration: 20' Composed: 2016 Published by: Distributed Composer.
SKU: GI.G-0717
Processionals and Recessionals for Weddings and Other Occasions Ed. ANDREWS Five short pieces for organ without pedal. (7-E)Â .
SKU: OU.9780193516717
ISBN 9780193516717. 10 x 7 inches.
For SATB (with divisions) and organ.
SKU: BR.EB-9300
ISBN 9790004187647. 9 x 12 inches.
World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109World premiere: Stuttgart, Hospitalkirche, March 28, 2018.
