SKU: GI.WW1423
UPC: 884088351595. English. Text by Oscar Wilde.
For mature high school and beyond, this is a set of four short whimsical chorals by Norman Luboff, framed by new clarinet and piano accompaniment. Great closer before intermission or as an encore. Can be performed together as a set or separately.
SKU: GI.G-9434
UPC: 785147943402. Estonian. Text Source: Trad. Estonian folk song, from Täwwendetu Tartu keele Lauluraamat, 1909, based on “Lasset die Kindlein kommen zu mir”. Scripture: Matthew 19:14, Mark 10:14, Luke 18:16.
SKU: JK.01809
Majestic hymn anthem for mixed chorus (SATTBB) and piano on the Second Coming of the Lord. Composer: Ralph B. Woodward Lyricist: Marvin R. VanDam Difficulty: Medium-difficult Performance time: 3:30Reference: Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.
SKU: HL.14032863
ISBN 9780711941540. UPC: 888680053079. 6.75x9.75x0.048 inches.
A work for unaccompanied SATTBB choir, constructed in the form of a Byzantine Canon. The work was commissioned by James Lancelot and the Choir of Durham Cathedral who gave the first performance on the occasion of the 1300th anniversary of the death of St. Cuthbert: 20th March, 1987.'Commissioned by James Lancelot and the Choir of Durham Cathedral who gave its first performance on the 20th of March 1987, the 1300th anniversary of St Cuthbert's death. Structurally modelled on a Byzantine Canon, Ikon of St Cuthbert, 'an ikon of music and words in the place of wood and paint, seeks to recall, in its stylized form, the personal aura of Cuthbert, Saint of Lindisfarne'. The text is again by Mother Thekla, a contemplation on Cuthbert's life from his early piety and life as a monk, acts of spiritual healing, consecration as a bishop and retreat into solitude, to his death on Farne and ultimate burial in Durham. Imagery of water runs throughout the verses.
SKU: CA.327830
ISBN 9790007168124. Key: C major. Language: German. Text: Wagner, Richard. Text by Richard Wagner.
SKU: BA.BA25138
ISBN 9790006575046. 29.5 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the ??Cantique de Jean Racine? or the ??Messe basse? are published in performing editions based on the musical text of the ??Gabriel Faur ?? ?uvres complètes?.
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