Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass there are many performance possibilities depending on the musicians available. In addition to the standard orchestration of choir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery for example) so that the idea of two choirs is heard. It is also possible to perform the work with brass band and organ. A truly flexible religious masterpiece.

G.F. Handel's (1685-1759) Water Music is one of the most famous suites ever to be written. Therefore when Robert King (1914-1999) arranged three movements of the popular piece for the brass choir or brass sextet it was very well-received. The Water Music premiered in 1717 and was originally composed for orchestra. The three movements arranged for brass are the two famous Allegros and the well-known Andante. King's transcriptions ensure that the brass parts contain the articulation phrasing and breath marks necessary to the instrument. For all classical brass ensembles this King arrangement of the popular WaterMusic is essential.

Tarik O’Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. 'The Night’s Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual “variations” on the “theme” of sleep and can be found in the chosen texts. The work’s title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition’s focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O’Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review

Parts for Te Deum for Choir Brass Quintet and Organ by Sunleif Rasmussen (2015).Commissioned by The Copenhagen Chamber Choir CAMERATA.

Hymns & Chorales for Brass Choir & Organ-12 tracks performed by the Canadian Brass featuring Jacob's Ladder All Creatures of Our God and King and the newly composed People of Faith.Tracks: Come Thou Almighty King • O God Our Help in AgesPast • Come Thou Fount of Ev'ry Blessing • We Gather Together • People of Faith • Beautiful Savior • Sheep May Safely Graze • Jacob's Ladder • Spirit of God Descend Upon My Heart • Praiseto the Lord the Almighty • How Firm a Foundation • All Creatures of Our God and King.

Explore different settings of the Medieval Latin carol 'In Dulci Jubilo' via this solid arrangement by James Curnow. Opening with an exquisite 'Brass Choir' section a la Michael Praetorius (1571-1621) and progressing through a 'Woodwind Choir' section in the later J.S.Bach style WITH SWEET JUBILATION is wonderful 'style study' material. The grace of the early masters and the clearly focused unifying concept of the arrangement by James Curnow combine to make this addition to the Curnow Music Press 'Splendor of Christmas Series' a wonderful holiday experience for the young band.

for Brass Choir. Par WILLIAMS JOHN. Ensemble de Cuivres de John Williams. Quidditch (extrait de HARRY POTTER A L?ECOLE DES SORCIERS ) existe maintenant dans une version pour ensemble de bois, dans un arrangement de John Williams. Le matériel comprend le conducteur et les parties séparées (Cor en Fa 1, 2, 3

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band

Uses: General Call To Worship ConcertScripture: Psalm 9:1; Psalm 95:1-7; Exodus 15:1-5This regal anthem of praise is designed to create a powerful effect on the listener. When performed with theoptional brass parts this choral becomes a concert-worthy presentation for festivals or mass choirs. The anthem's joyful message endears it to the sanctuary with powerful affirmations of corporate worship and quotes from thePsalms and the admonition to “Live an Alleluia!” Excellent repertoire for choirs of distinction!

Stephen Bullas highly descriptive work was written to commemorate the 50th anniversary of the Battle of Iwo Jima which took place between the 19th February and 26th March 1945.Casualties on both the American and Japanese sides were horrendously high before the famous image of the raising of the flag on top of Mount Suribachi signalled the end of one of the most significant and terrifying Pacific conflicts of the SecondWorld War.The work received its first performance by the brass choir of the U.S. Marine Band at the National Cathedral in Washington D.C. and is divided into four programmatic sections.The first portrays the sense of anticipation before conflict (Prologue) before the arduous journey to the scene of the battle (Approach by Sea) is followed by introspection and prayer featuring the hymn tune Melita (Chorale Prayer) andfinally the hostile confrontation itself (Engagement).There are frequent references to the Marines Hymn and the US National Anthem particularly in the closing bars depicting the ultimate raising of the American flag.