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Elias Mertel - Hortus Musicalis Novum, the Fantasies, Volume 3 Transcribed for Baritone Ukulele
Elias Mertel - Hortus Musicalis Novum, the Fantasies, Volume 3 Transcribed for Baritone Ukulele
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Elias Mertel - Hortus Musicalis Novum, the Preludes, Volume 3 Transcribed for Baritone Ukulele
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Elias Mertel - Hortus Musicalis Novum, The Fantasies, Volume 1, transcribed for Baritone Ukulele
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Pop The Question 50s and 60s (US Edition)
Musical course - Solfege
Music Sales
By Michael Heatley And John Campanelli. Flashcards. Published by Music Games.
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Pop The Question Rock (US Edition)
Musical course - Solfege
Music Sales
By Michael Heatley And John Campanelli. Flashcards. Published by Music Games.
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Musical course - Solfege
Music Sales
By Michael Heatley And John Campanelli. Flashcards. Published by Music Games.
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Music Expressions[TM] Grade 6 (Middle School 1): Musical: It's All About Music! (Student Edition)
Musical course - Solfege
Alfred Publishing
By Michael Gallina, Jill Gallina. Textbook - Classroom. Expressions Music Curric...
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By Michael Gallina, Jill Gallina. Textbook - Classroom. Expressions Music Curriculum[TM]. Book. 56 pages. Published by Alfred Publishing.
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Music Expressions[TM] Grade 6 (Middle School 1): Musical: It's All About Music! (Teacher Edition)
Musical course - Solfege
Alfred Publishing
By Michael Gallina, Jill Gallina. Textbook - Classroom. Expressions Music Curric...
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By Michael Gallina, Jill Gallina. Textbook - Classroom. Expressions Music Curriculum[TM]. Book and 2 CDs. 144 pages. Published by Alfred Publishing.
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Music Puzzler
Musical course - Solfege
[Sheet music + CD]
Alfred Publishing
(80 Reproducible Music Puzzles). By Sue Albrecht Johnson. Book; CD; Classroom/Pr...
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(80 Reproducible Music Puzzles). By Sue Albrecht Johnson. Book; CD; Classroom/Pre-School; General Music and Classroom Publications; Reproducible. 92 pages. Published by Alfred Music
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Kodaly in the Classroom - Primary (Set I)
Musical course - Solfege
Hal Leonard
A Practical Approach to Teaching Pitch and Rhythm. By Linda Rann. (teacher edit...
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A Practical Approach to Teaching Pitch and Rhythm. By Linda Rann. (teacher edition). Expressive Art (Choral). Size 8.5x11 inches. 80 pages. Published by Hal Leonard.
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Complete Guide to Film Scoring - 2nd Edition
Musical course - Solfege
[Sheet music]
Berklee
(The Art and Business of Writing Music for Movies and TV). Berklee Guide. Softco...
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(The Art and Business of Writing Music for Movies and TV). Berklee Guide. Softcover. 412 pages. Published by Berklee Press
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Pop The Question Soul, Funk and Hip-Hop (US Edition)
Musical course - Solfege
Music Sales
By Michael Heatley And John Campanelli. Flashcards. Published by Music Games.
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You Can Teach Yourself Song Writing - Book/CD
Musical course - Solfege
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Mel Bay
by Larry McCabe. For songwriting. method. You Can Teach Yourself. All styles. Le...
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by Larry McCabe. For songwriting. method. You Can Teach Yourself. All styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc
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Pop the Question
Musical course - Solfege
Music Sales
Music Sales America. Pop. General Merchandise. 104 pages. Music Sales #GAM1375. ...
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Music Sales America. Pop. General Merchandise. 104 pages. Music Sales #GAM1375. Published by Music Sales
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Le Jazz Facilement
Français
Musical course - Solfege
[Sheet music + CD]
Dhalmann
Initiation au jazz et à l'improvisation pour saxophone et instruments à vents ...
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Initiation au jazz et à l'improvisation pour saxophone et instruments à vents Jazzman et improvisateur reconnu, Michael Alizon enseigne le jazz et le saxophone au Conservatoire de Strasbourg.Habitué à la ' bascule ' entre techniques classique et jazz, il développe une méthode qui s'adresse aux petits niveaux comme aux musiciens confirmés.L'apprentissage y est basique, structuré et progressif et elle permet d'intégrer facilement et de manière régulière des notions de jazz et d'improvisation.Les exercices, exemples et morceaux sont écrits en Ut, Mib et Sib pour s'adapter à tous instruments.64 pages avec cd d'accompagnement. Texte franCais et anglais.'Michael ALIZON, propose depuis plusieurs années un remarquable travail d'initiation au jazz pour les étudiants du conservatoire de Strasbourg. Il fait partie de ces rares pédagogues qui arrivent à éclairer de façon évidente le langage improvisé pour le mettre à la portée de tous.Ce nouvel ouvrage, clair et progressif, permettra à tous de bénéficier ainsi des conseils avisés de cet excellent jazzman.' Philippe GEISS, professeur de saxophone au Conservatoire de Strasbourg'Michael ALIZON propose une méthode originale qui va de suite à l'essentiel. Il invite tous les instrumentistes à s'initier au jazz à la source, pour le plaisir autant que pour une exploration plus approfondie...' Jean-Marc FOLTZ, professeur de clarinette et de musiques improvisées au Conservatoire de Strasbourg / Saxophone
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Culture musicale vol. A : Histoire de la musique - Analyse (ANDRIEU MICHAEL)
Français
Musical course - Solfege
[Book]
Billaudot
Par ANDRIEU MICHAEL. Dans cet ouvrage en deux volets, la partie Histoire de la M...
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Par ANDRIEU MICHAEL. Dans cet ouvrage en deux volets, la partie Histoire de la Musique offre tous les repères utiles et nécessaires à la découverte ainsi qu?à la compréhension des principaux courants musicaux, du Moyen-Âge à nos jours, incluant une histoire de la notation musicale, et des synthèses sur le tango, le jazz, le rock, et le rap. Un panorama complet du VIIIe au XXe siècle nous plonge dans chaque période de l?histoire de la musique avec en marge, des repères historiques synthétiques, les caractéristiques instrumentales, les différentes formes musicales, ainsi que les compositeurs de chaque époque. La partie Analyse offre une vaste boite à outils pratique, pour celles et ceux qui souhaitent approfondir la démarche d?exploration et de compréhension des oeuvres musicales. On y trouvera une démarche méthodologique efficace sous forme de schémas faciles à assimiler et à mémoriser, enrichie d?un assortiment de compléments pratiques : ? Les rythmes caractéristiques des danses ? Les modes rythmiques ? Les formes musicales ? Les termes musicaux étrangers en italien, allemand et anglais./ Livre / Formation Musicale
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Culture musicale vol. B : Harmoniser - Arranger (ANDRIEU MICHAEL)
Français
Musical course - Solfege
[Book]
Billaudot
Par ANDRIEU MICHAEL. La première partie de l?ouvrage, Harmoniser, aborde les no...
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Par ANDRIEU MICHAEL. La première partie de l?ouvrage, Harmoniser, aborde les notions fondamentales concernant les accords, leur enchaînement, ainsi que les règles d?écriture régissant le système tonal et qui permettent d?harmoniser efficacement : ? degrés et fonctions des accords, ? substitutions d?accords, ? dominantes secondaires, ? modulation, ? renversements des accords et conduite des voix. La seconde partie, Arranger, donne les clés pratiques pour arranger, adapter, et orchestrer avec méthode et efficacité, et ce, notamment, grâce à une table des tessitures instrumentales et vocales, ainsi qu?à des pages précieuses portant sur les principes de transposition. L?ensemble de l?ouvrage est enrichi de fiches-mémo traitant de nombreux sujets utiles tant pour l?harmonisation que l?arrangement. S?y trouve abordé ce qui relève : ? du monde harmonique (tonalités, modulations, degrés, cadences?), ? du domaine des accords (composition, chiffrages?), ? du cadre mélodique (modes, intervalles,ornements, notes étrangères?)./ Livre / Formation Musicale
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Musicologies Nouvelles - Agregation 2017
Français
Musical course - Solfege
[Magazines]
Lugdivine
Les Editions Lugdivine sont heureuses et fières de vous annoncer la création d...
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Les Editions Lugdivine sont heureuses et fières de vous annoncer la création de Musicologies Nouvelles. Une nouvelle collection qui répond à la volonté d?offrir à tous les professionnels du monde de l?enseignement musical des outils en phase avec leurs besoins, en termes de formation et d?application. Cette collection s?appuie sur la publication annuelle de trois revues spécifiquement dédiées : - au programme d?agrégation (Musicologies Nouvelles Agrégation), - au programme du Bac (Musicologies Nouvelles Bac) - à un dossier spécial (Musicologies Nouvelles Dossier spécial). Toute l?équipe éditoriale, regroupée autour de Mihu Iliescu et Laurence Le Diagon-Jacquin, ainsi que les différents rédacteurs ponctuels apportent toute leur expérience et leurs compétences pour garantir un niveau d?excellence en rapport avec l?ambition de cette publication. Musicologies nouvelles : pourquoi une nouvelle revue ? L'éditorial de Jean-Jacques Nattiez - Professeur émérite de l?Université de Montréal - Président d?honneur du comité de rédaction de Musicologies nouvelles Thèmes Agrégation 2017 Livre 21 X 28 cm 168 pages - Voix de ville et airs de cour : l?avènement de la monodie accompagnée en France (1576 - 1696). - Poème symphonique et identité culturelle. Les auteurs collaborant à ce numéro : Nahéma Khattabi, Alice Tacaille, Catherine Massip, Catherine Deutsch, Olivier Bettens. Laurent Guillo, Marie Demeilliez, Yann Mahé, Robin Joly, Mathilde Vittu, Damien Erhardt, Michael Saffle (article en anglais), Bruno Moysan, Jean-Christophe Branger, Jean-Jacques Velly, Liliana-Isabela Apostu, Antonin Servière... SOMMAIRE La monodie en français avant Chardavoine : plaisirs et pouvoirs de la voix seule Alice Tacaille Université Paris-Sorbonne, IReMus-CNRS, UMR 8223 Les voix de ville recueillis par Jehan Chardavoine : un corpus de chansons à danser Robin Joly Doctorant au CESR de Tours Voix de ville et air de cour : le chant soliste en France à la fin de la Renaissance Nahéma Khattabi Agrégée de musique et docteur en musicologie Les prosodies du français chanté, de Chardavoine à Bacilly Olivier Bettens Le développement de la monodie en France et son rôle dans la sociabilité du XVIIe siècle Catherine Massip IReMus L?air de cour, champ expérimental de l?édition musicale dans le dernier tiers du XVIIe siècle Laurent Guillo IReMus Aria et artifice contrapuntique au tournant du XVIIe siècle en Italie Catherine Deutsch Université Paris-Sorbonne/(IReMus) Quel(s) solfège(s) pour l?air de la seconde moitié du XVIIe siècle ? Théorie et pratique autour de deux manuscrits et d?un air de Sébastien Le Camus Mathilde Vittu Conservatoire de Paris - CNSMDP Tablatures et basses continues : l?accompagnement des airs de cour Marie Demeilliez Université Grenoble Alpes Entre monodie accompagnée et polyphonie : le cas du dernier recueil d?airs de Michel Lambert (1689) Yann Mahé Université de Toulouse Jean Jaurès. Il Laboratorio (EA 4590) Musique et transferts culturels. Le poème symphonique entre la France et l?Allemagne (1854-1914) Damien Ehrhardt Université d?Evry Val d?Essonne / Université Paris-Saclay Liszt, Musical Transnationalism, and the Symphonic Poem Michael Saffle Virginia Polytechnic Institute and State University Frontières, forme et signification dans le Poème symphonique lisztien Bruno Moysan Forme et signification particulières dans le dernier poème symphonique de Liszt Laurence Le Diagon-Jacquin Université de Franche-Comté (ELLIADD) Transcender le message lisztien : Massenet et le poème symphonique. Des suites d?orchestres à Thaïs Jean-Christophe Branger Université de Lorraine À la recherche de l?expression : les poèmes symphoniques de Richard Strauss Jean-Jacques Velly Université Paris-Sorbonne Les poèmes symphoniques de Georges Enesco et Béla Bartók : une marque d?identité culturelle et nationale Liliana-Isabela Apostu Institut für Musik, Oldenburg Tapiola de Jean Sibelius : entre identité nationale et incarnation du Nord Antonin Servière Compositeur et musicologue
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Playing Outside the Chord (KANE DAVID)
Musical course - Solfege
[Sheet music]
Aebersold Jamey
A Manual of Techniques and Possibilities for the Adventurous Improvising Musicia...
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A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kane invokes a thoughtfully curated selection of transcribed phrases that take the reader beyond the simple mechanics of what is being played and offer revelatory insights into what the players are (or might be) thinking when they play it. It?s a daunting, seemingly impossible objective; yet here it is, beautifully examined, notated, and explained in an accessible way that every musician can understand. 'This book is a treasure trove, full of important information on chromaticism and its usage. From Bach to Schoenberg, Dave covers a lot of ground and the book is very well organized. He specifically addresses the melodic aspect of improvisation, including lines and phrases, rather than the usual emphasis on harmony. What's special is that he explores the ?feeling? and overall effect of the lines on the listener. This book is all you need as a working guide towards understanding the implications of 20th century jazz and classical music.? -David Liebman LEVEL-UP!!! If you?re feeling uninspired, stuck, or limited by your current play, this is the perfect book to help you break those chains, stimulate your creativity, and take your playing and composing in compelling new directions. Enthusiastically endorsed by modern jazz luminaries such as David Liebman and Richie Beirach, Playing Outside the Chord is devoted to melodic phrasing that transcends conventional chord/scale relationships. This exciting technique incorporating the theory and practice of horizontal playing and extended tonality pioneered by jazz titans such as Michael Brecker, Cory Henry, John Scofield, Brad Meldhau, and Jacob Collier is a vital component of the modern jazz performance and improvisation toolbox. Featuring over 200 musical examples gleaned from classic solos, plus 15 extensive transcriptions of legendary performances, this book is skillfully designed to clue you in on the theoretical basis of ?outside? play as practiced by these trail-blazing musicians. It systematically describes each type of technique used, including timing and source considerations, and by doing so unlocks a wealth of modern ideas that offer rich possibilities for the creative improviser. Kane?s insightful treatise on outside playing represents an important expansion of the ideas available to the dedicated student of improvisation. / Date parution : 2022-04-01/ Etude / Tout Instrument
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Michael Rosen: Sonsense Nongs: Vocal: Classroom Resource
Musical course - Solfege
Collins Music
Singalong DVD-Rom-A brand new collection of song movies for use on whiteboard in...
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Singalong DVD-Rom-A brand new collection of song movies for use on whiteboard in assemblies or in the classroom.The Sonsense Nongs Singalong DVD-ROM allows you to teach songs and lyrics from the corresponding A
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Ear Training Vol.1 (BUSCH SIGI)
Musical course - Solfege
Advance Music
Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Tra...
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Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Translated by Michael Lee. CD narrated by Jerry Granelli. Each of the ten lessons is divided into three parts: Intervals/Chords, Rhythm, Melody. Examples and exercises are played by different instruments, including piano/keyboard, saxophone, trumpet, drums, percussion, and synthesizer. The answer section at the end of the book is ideal for self-study. / Méthode / Méthode / Tout Instrument
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Linda Rann: Kodaly in the Classroom - Primary Set I: Classroom Resource
Musical course - Solfege
Hal Leonard
A Practical Approach to Teaching Pitch and Rhythm-Kodály in the Classroom is a ...
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A Practical Approach to Teaching Pitch and Rhythm-Kodály in the Classroom is a series of children's songs and teacher lessons sequentially organized to teach the basics of pitch and rhythm through singing and games for elementary students. The song material consists ofAmerican folk and well-known children's songs. Teacher lessons are easy to follow and do not require previous training in Kodály methodology. Also included are reproducible singer sheets and activities and a companion CDwith vocals and accompaniment only tracks. Primary (Set I) includes 30 songs for lower elementary students including: Charlie Over the Ocean Engine Engine Number Nine Michael Finnegan Who's That Tapping At The Window? LittleSally Water Hot Cross Buns and more! Available: Teacher Edition Performance/Accompaniment CD. For Gr. 1-3.
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ANDRIEU MICHAEL - LA CULTURE MUSICALE VOL.A (COLL. LES ESSENTIELS DE LA MUSIQUE)
Français
Musical course - Solfege
Billaudot
Michaël Andrieu : Les essentiels de la musique - La culture musicale vol. A : H...
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Michaël Andrieu : Les essentiels de la musique - La culture musicale vol. A : Histoire de la musique - Analyse
Dans cet ouvrage en deux volets, la partie Histoire de la Musique offre tous les repères utiles et nécessaires à la découverte ainsi qu?à la compréhension des principaux courants musicaux, du Moyen-Âge à nos jours, incluant une histoire de la notation musicale, et des synthèses sur le tango, le jazz, le rock, et le rap.
Un panorama complet du VIIIe au XXe siècle nous plonge dans chaque période de l?histoire de la musique avec en marge, des repères historiques synthétiques, les caractéristiques instrumentales, les différentes formes musicales, ainsi que les compositeurs de chaque époque.
La partie Analyse offre une vaste boite à outils pratique, pour celles et ceux qui souhaitent approfondir la démarche d?exploration et de compréhension des oeuvres musicales.
On y trouvera une démarche méthodologique efficace sous forme de schémas faciles à assimiler et à mémoriser, enrichie d?un assortiment de compléments pratiques :
? Les rythmes caractéristiques des danses
? Les modes rythmiques
? Les formes musicales
? Les termes musicaux étrangers en italien, allemand et anglais.
/ Méthodes et pédagogie / Formation musicale / Formation musicale - solfège / BILLAUDOT
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ANDRIEU MICHAEL - LA CULTURE MUSICALE VOL.B (COLL. LES ESSENTIELS DE LA MUSIQUE)
Français
Musical course - Solfege
Billaudot
La première partie de l?ouvrage, Harmoniser, aborde les notions fondamentales c...
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La première partie de l?ouvrage, Harmoniser, aborde les notions fondamentales concernant les accords, leur enchaînement, ainsi que les règles d?écriture régissant le système tonal et qui permettent d?harmoniser efficacement :
? degrés et fonctions des accords,
? substitutions d?accords,
? dominantes secondaires,
? modulation,
? renversements des accords et conduite des voix.
La seconde partie, Arranger, donne les clés pratiques pour arranger, adapter, et orchestrer avec méthode et efficacité, et ce, notamment, grâce à une table des tessitures instrumentales et vocales, ainsi qu?à des pages précieuses portant sur les principes de transposition.
L?ensemble de l?ouvrage est enrichi de fiches-mémo traitant de nombreux sujets utiles tant pour l?harmonisation que l?arrangement. S?y trouve abordé ce qui relève :
? du monde harmonique (tonalités, modulations, degrés, cadences?),
? du domaine des accords (composition, chiffrages?),
? du cadre mélodique (modes, intervalles,ornements, notes étrangères?). / Méthodes et pédagogie / Formation musicale / Formation musicale - solfège / BILLAUDOT
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Jazz Transcription
Musical course - Solfege
Advance Music
Transcriptions are used to develop the ears, to derive technical exercises, and ...
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Transcriptions are used to develop the ears, to derive technical exercises, and for analysis to gain understanding of the theory and techniques used to construct phrases. The solo transcriptions are included as complete examples. / Tout Instrument
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