Violin-19 Christmas favorites playable by two of the same C instruments. Chordal accompaniment provided by guitar piano or other harmony instrument or a combination of violins violas or cello/bass. Each arrangement features melody harmony and chords. Songs include: Angels We Have Heard on High - Bring a Torch Jeannette Isabella - Go Tell It on the Mountain - Joy to the World - Silent Night - What Child Is This?

Piano quintet for two Violins Viola Violoncello and Piano. This edition of Enrique Granados’ Quinteto En Sol Menor includes score and parts. Language: Spanish.Enrique Granados was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and as such is representative of musical nationalism. Granados wrote Piano music chamber music songs zarzuelas and an orchestral tone poem based on Dante's Divine Comedy. Many of his Piano compositions have been transcribed for the classical Guitar: examples include Dedicatoria Danza No. 5 Goyescas.

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

Score and Parts available (M 1061). Violin 3 and Viola part are interchangeable / Ensemble A Cordes

Par KOLOSKO NATHAN. / Niveau : Intermédiaire / Répertoire / Guitare, Violon, Alto et Violoncelle

The twenty-five pieces in this collection date back to 18th and 19th century Scotland. Included are song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. The pieces are arranged for viola and cello withguitar chords. Since the viola generally has the melody the pieces can also be played by solo viola. The music of Scotland is unique. The airs have their own special beauty and the dances are fun to play with lively tempos dotted rhythms and sudden key changes. This music has been the pleasure of country fiddler and pipers. Now violists and cellists and their listeners can feel themselves transported to the Lowlands and Highlands of Scotland. Twenty-five pieces dating back to 18th and 19th century Scotland. Includes song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. Since the viola generally has the melody the pieces canalso be played by solo viola and guitar chords are included. The airs have a special beauty and the dances are fun to play with lively tempos dotted rhythms and sudden key changes.

Par CLARKE GENE. Hymns Made Easy for Violin is a collection of favorite traditional hymns with guitar accompaniment, suitable for church, teaching or recreational settings. The material includes violin parts and bowing indications in first position, with guitar chord names written above the staff. All the arrangements in this book are compatible with Hymns Made Easy for Viola and Hymns Made Easy for Cello. / Niveau : Facile / Musique religieuse / Date parution : 2019-05-27/ Recueil / Violon

Score and Parts-This string quartet was inspired by a photo of Corigliano's father playing a violin and his uncle playing the guitar. It was commissioned by the Elements String Quartet and premiered in November 2003 at Merkin Concert Hall inNew York City.

Inspired by the Celtic circles of ancient Scotland Bonnie paints a musical picture through time joining the heavens and earth to the cycles of everyday life. Performed on Scottish fiddle with gold medal piper Eric Rigler on theGreat Highland bagpipe Scottish smallpipes and uilleann pipes. Also accompanied by guitar Celtic harp viola da gamba hammered dulcimer bass and bodhran. Includes North Highland tunes from The Patrick McDonald Collection 1784 pipe marches strathspeys jigs and reels laments and traditional favorites.

A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquences, en 1963), Maurice Ohana retourne à ce genre difficile, pour lequel il a gardé une secrète prédilection au long de ces années d'apparent éloignement (avec l'exception de Stream pour trio à cordes et voix de basse, composé en 1970).Une commande du Ministre de la Culture en 1977 (c'était, à l'époque, Madame Françoise Giroud), lui fournit le prétexte. L'oeuvre sera écrite entre 1979 et 1980. Une fois encore, Maurice Ohana cherche à échapper au trop grand sérieux que la plupart des compositeurs croient devoir observer en traitant l'assemblage des quatre instruments du quatuor. Les sous-titres, déjà, annoncent une oeuvre d'imagination plutôt que d'écriture ou de recherche: Sagittaire, Mood, Alborada, Faran-Ngô.On perçoit, ici et là, une guitare voilée, des rythmes qui font penser à une mystérieuse 'Nuit dans Grenade', plus tragique peut-être que la 'Soirée' de Claude Debussy.Sagittaire, après un appel initial, enchaîne des rythmes martelés et obsédants.Dans Mood, les réminiscences d'un Negro Spiritual semblent affleurer, comme dans d'autres ouvrages du compositeur où les Blues de sa jeunesse ont laissé un écho persistant.Alborada déploie le prisme d'harmonies lumineuses pulvérisées dans une brume sonore onirique. Faran-Ngô (composée de Farruca et Fandango) enfin est une fête nocturne aux guitares lointaines. / Quatuor A Cordes

A près de vingt ans de son premier essai pour Quatuor à cordes (Cinq Séquences, en 1963), Maurice Ohana retourne à ce genre difficile, pour lequel il a gardé une secrète prédilection au long de ces années d'apparent éloignement (avec l'exception de Stream pour trio à cordes et voix de basse, composé en 1970).Une commande du Ministre de la Culture en 1977 (c'était, à l'époque, Madame Françoise Giroud), lui fournit le prétexte. L'oeuvre sera écrite entre 1979 et 1980. Une fois encore, Maurice Ohana cherche à échapper au trop grand sérieux que la plupart des compositeurs croient devoir observer en traitant l'assemblage des quatre instruments du quatuor. Les sous-titres, déjà, annoncent une oeuvre d'imagination plutôt que d'écriture ou de recherche: Sagittaire, Mood, Alborada, Faran-Ngô.On perçoit, ici et là, une guitare voilée, des rythmes qui font penser à une mystérieuse 'Nuit dans Grenade', plus tragique peut-être que la 'Soirée' de Claude Debussy.Sagittaire, après un appel initial, enchaîne des rythmes martelés et obsédants.Dans Mood, les réminiscences d'un Negro Spiritual semblent affleurer, comme dans d'autres ouvrages du compositeur où les Blues de sa jeunesse ont laissé un écho persistant.Alborada déploie le prisme d'harmonies lumineuses pulvérisées dans une brume sonore onirique. Faran-Ngô (composée de Farruca et Fandango) enfin est une fête nocturne aux guitares lointaines. / Quatuor A Cordes

Three well-known pop songs in successful arrangements for string quartet: Pop Ballads for String Quartet proves it can be done. To allow the string quartet to play along with Guitar or Keyboard chord symbols have been added in the score. These songs with their passionate and romantic feel are ideal for receptions weddings and other festive occasions.

for String Quartet-This is the full score of Aheym for String Quartet composed by Bryce Dessner best known as the guitarist of The National but also an acclaimed composer in his ownright. Composed in 2009 for the Kronos Quartet for their performance in Brooklyn's Prospect Park for the Celebrate Brooklyn! festival Aheym (meaning 'homeward' in Yiddish) was directly inspiredby his grandmother's migration to America. Dessner states that the stories and information she used to tell them permeated their collective imagination and created a close connection to the past. He dedicatesAheym to his grandmother Sarah Dessner.  The score in this edition was first performed on the 12th of March 2009 at the MusicNOW Festival and on the 18th of July 2009 inProspect Park Brooklyn. The work lasts around 10 minutes and is filled with dynamic tempo changes a mix of staccato and smooth playing and all-round excitement. It's a fantastic piece to play and the genius composition will keepaudiences on their toes.