Aus: Herz Und Mund Und Tat Und Leben. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - BWV 147 #6 und 10 / Date parution : 1974-09-01/ Répertoire / Choeur SATB (2 Violons, Alto et Violoncelle ou Con

Mass G major BWV 236 'Lutheran Mass 4'Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Oboe (2) Strings Basso continuo.Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts.- Urtext of the New Bach Edition.- Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale.

Aus: Herz Und Mund Und Tat Und Leben. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - BWV 147 #6 und 10 / Musique religieuse / Date parution : 1974-09-01/ Répertoire / Choeur SATB (2 Violons, Alto et Violoncelle ou Con

Klavierauszug -Revised edition-The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work.Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.

Par BACH JOHANN / BACH JOHANN CHRISTOPH. Gattungen: Motetten - Verwendung / Anlässe: Trauer, Tod - / Mottet / Répertoire / Choeur Mixte

The treasured Bach chorale prelude set for brass quintet and voices. Available: SATB Unison/2-Part Instrumental Pak ShowTrax Cassette. Performance Time: Approx. 3:10.

O Teach Us So To Count Our Days a figured Chorale from Cantata 186 by J.S. Bach. Words by J. Montgomery and B. Hall Kennedy. Organ arrangement by Walter Emery.

J. S. Bach's Jesus Meine Freude (Jesu Du Min Glæde) and Nun Ruhen Alle Wälder (Nu Hviler Mark Og Enge) for unaccompanied SATB. In German and Danish.

Cantata No. 40. Wachet Auf Ruft Uns Die Stimme. On of the finest of Bach's 190 church cantatas written for the 27th Sunday after Trinity. The cantata is scored for strings oboes and organ. This English version edited by E. Prout is arranged for SATB chorus TB soli and piano accompaniment.

Kantate zum Sonntag Septuagesimae-J.S. Bach's Nimm Was Dein Ist Und Gehe Hin (BWV 144; h-Moll) for SATB.

J.C. Bach's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley. The lyrics were written by Magnus Daniel Omeis and are in Latin.A review in the June 2016 edition of Organist's Review states that this is 'a chorale-like piece with an attractive melody well-crafted harmonies and only moderate technical challenges.'

Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Kirchenkantate, Bwv 192, 1730Ca. Par BACH JOHANN SEBASTIAN. The cantata 'Nun danket alle Gott” (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig)./ Répertoire / Chœur Mixte et Piano