This lyric piano piece was given as a present to Fanny Mendelssohn by her brother Felix for her birthday in 1828; he wrote it down into her music notebook and she named it 'song without a word'. Such piano-songs as 'music that fulfills ones soul with

Une pièce pour piano en mi bémol majeur, avec le titre simple 'Lied' (chanson) a été surprise de Felix Mendelssohn présent à Fanny de sa soeur sur son anniversaire le 14 novembre 1828. Peu de temps après elle le travail appelés ' Chanson sans paroles ' et probablement inventé l'expression en vertu de laquelle lyrique pièces pour piano son frère, numérotation presque 50, sont connus aujourd'hui. La présente édition contient en plus des 48 ' chansons connues sans mots ' un certain nombre de compositions individuels qui, en raison de leur titre ou de caractère, semblent s'adapter la classification 'Chanson sans paroles'. Ces et ci-dessus mentionné premier exemple de 1828 sont Unis dans cette compilation essentielle des oeuvres dans un genre favorisé par le compositeur. Un ajout enrichissant pour le répertoire de piano, d'intérêt pour l'enseignement ainsi qu'à des fins de récital. / Piano

This unique compilation of 18 beautiful pieces pays tribute to 13 of the world's greatest women composers from the Baroque to contemporary periods. Included are works by Amy Beach Teresa Carreño Cecile Chaminade Louise Farrenc Fanny Mendelssohn Hensel Clara Wieck Schumann and Maria Szymanowska as well as pieces from relatively unknown composers ranging in difficulty from intermediate to moderately advanced.

Par SMITH GAIL. Cette collection de compositions pour piano solo s'étend sur quatre siècles, y compris un morceau rarement entendu par la soeur de Gottchalk, Clara, ainsi qu'un morceau de charme par Marie Antoinette. D'autres compositeurs comprennent Madame Dussek, Teresa Carreno, Amy Beach, Clara Schumann, Fanny Mendelssohn et autres. Trois solos de nouvelles sont également offerts par l'auteur, Gail Smith. / Niveau : Débutant à Intermédiaire / Classic - Solos / Recueil / Piano

Intermediate to Upper Intermediate Level. Par . 'Upon embarking on this project, I had little idea of what I would find. There were, of course, the 'usual suspects:' women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers.' - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists. / Date parution : 2023-06-01/ Recueil / Piano

[Leichte Klavierstücke und Tänze] / Classique / Editeur : Michael Töpel - Doigtés : Annette Töpel / Partition / Agrafé / Edition Urtext

The Piano Player: Classical Tear-Jerkers presents 20 of the saddest pieces of classical music, guaranteed to make you weep, specially arranged for intermediate solo piano. Contents include Un bel di vedremo from ‘Madam Butterfly’ by Puccini Parry and Dido’s Lament by Purcell. The striking cover features Edward Bawden’s colour linocut Aesop’s Fables: The Ant and the Grasshopper, 1970, and a 4-page pullout provides the full artwork as a beautiful collectible. The Piano Player series includes six wonderful collections of some of the greatest classical music ever written, specially arranged for the intermediate pianist, each with its own collectible pull-out poster of the stunning Edward Bawden cover artwork./ Recueil / Piano