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| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704819 Composed by Johann David Heinichen. German title: Missa Nr. 9 in D. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 45 minutes. Carus Verlag #CV 27.048/19. Published by Carus Verlag (CA.2704819). ISBN 9790007138868. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and parts available separately - see item CA.2704800. $273.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704811 Composed by Johann David Heinichen. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/11. Published by Carus Verlag (CA.2704811). ISBN 9790007199401. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704812 Composed by Johann David Heinichen. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/12. Published by Carus Verlag (CA.2704812). ISBN 9790007199418. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704814 Composed by Johann David Heinichen. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/14. Published by Carus Verlag (CA.2704814). ISBN 9790007199432. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704813 Composed by Johann David Heinichen. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 16 pages. Duration 45 minutes. Carus Verlag #CV 27.048/13. Published by Carus Verlag (CA.2704813). ISBN 9790007199425. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass No. 9 in D major Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, ti...(+)
SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2704805 Composed by Johann David Heinichen. Sacred vocal music, Masses, Latin. Choral Score. Duration 45 minutes. Carus Verlag #CV 27.048/05. Published by Carus Verlag (CA.2704805). ISBN 9790007109653. Key: D major. Language: Latin. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score available separately - see item CA.2704800. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116214 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, basso continuo. Composed 1716. BWV 162. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.162/14. Published by Carus Verlag (CA.3116214). ISBN 9790007208936. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116211 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 1. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/11. Published by Carus Verlag (CA.3116211). ISBN 9790007208905. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the...(+)
SATB vocal soli, SATB choir, orchestra SKU: CA.3116209 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. 1x 31.162/21 flute, 1x 31.162/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Set of Orchestra Parts. Composed 1716. BWV 162. Duration 18 minutes. Carus Verlag #CV 31.162/09. Published by Carus Verlag (CA.3116209). ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116213 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Viola. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/13. Published by Carus Verlag (CA.3116213). ISBN 9790007208929. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ah! I see now, as I to the wedding bidden (Ach, ich sehe, itzt, da ich zur Hochzeit gehe) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso cont...(+)
SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo SKU: CA.3116212 Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Violin 2. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/12. Published by Carus Verlag (CA.3116212). ISBN 9790007208912. Text language: German/English. The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115109 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. 1x 31.151/21 flute, 1x 31.151/22 oboe d'amore. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/09. Published by Carus Verlag (CA.3115109). ISBN 9790007208615. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and parts available separately - see item CA.3115100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Now thank we all our God (Nun danket alle Gott) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, v...(+)
SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3910909 Cantata for harvest festivals (Tempore Messis) and other festivals of thanksgiving. Composed by Georg Philipp Telemann. Edited by Jurgen Neubacher. This edition: urtext. 1x 39.109/21 flute, 3x 39.109/31 trumpet/timpani. Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun danket alle Gott 4. Sacred vocal music, Cantatas, Praise and thanks. Set of Orchestra Parts. TVWV 1:1166. 26 pages. Duration 15 minutes. Carus Verlag #CV 39.109/09. Published by Carus Verlag (CA.3910909). ISBN 9790007215422. Language: German/English. Telemann's cantata Now thank we all our God cannot be assigned to any of the composer's known annual cycles of cantatas. The given designation, Tempore Messis, which appears in the title in the sole surviving source, suggests it was composed on the occasion of a harvest thanksgiving festival, but the general nature of the text means that other occasions for performance such as New Year, Reformation Day, church or organ consecrations and weddings are conceivable. Musically, the work is distinguished by two spirited choral movements reinforced by trumpets which frame a duet for tenor and bass and an aria for alto and transverse flute. Score and parts available separately - see item CA.3910900. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113014 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas. Single Part, basso continuo. Composed 1724. BWV 130. 12 pages. Duration 14 minutes. Carus Verlag #CV 31.130/14. Published by Carus Verlag (CA.3113014). ISBN 9790007207861. Text language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113019 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 130. Duration 14 minutes. Carus Verlag #CV 31.130/19. Published by Carus Verlag (CA.3113019). ISBN 9790007207878. Language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and parts available separately - see item CA.3113000. $129.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113012 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/12. Published by Carus Verlag (CA.3113012). ISBN 9790007207847. Text language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113013 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/13. Published by Carus Verlag (CA.3113013). ISBN 9790007207854. Text language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113049 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1724. BWV 130. 16 pages. Duration 14 minutes. Carus Verlag #CV 31.130/49. Published by Carus Verlag (CA.3113049). ISBN 9790007207885. Language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113011 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/11. Published by Carus Verlag (CA.3113011). ISBN 9790007207830. Text language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score and part available separately - see item CA.3113000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115113 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Viola. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/13. Published by Carus Verlag (CA.3115113). ISBN 9790007049409. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mass in E flat major (Messe in Es) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, ...(+)
Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns] SKU: CA.2300709 Composed by Anton Diabelli. 1x 23.007/21 flute, 1x 23.007/22 clarinet 1, 1x 23.007/23 clarinet 2, 1x 23.007/31 trumpet 1, 1x 23.007/32 trumpet 2, 1x 23.007/33 horn 1, 1x 23.007/34 horn 2, 1x 23.007/41 timpani. German title: Messe in Es 8. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 107. 44 pages. Duration 25 minutes. Carus Verlag #CV 23.007/09. Published by Carus Verlag (CA.2300709). ISBN 9790007037673. Key: E flat major. Language: Latin. In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and parts available separately - see item CA.2300700. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115149 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Organ. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/49. Published by Carus Verlag (CA.3115149). ISBN 9790007049430. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115114 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Cello/Double Bass. Composed 1725. BWV 151. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.151/14. Published by Carus Verlag (CA.3115114). ISBN 9790007049416. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115111 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 1. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/11. Published by Carus Verlag (CA.3115111). ISBN 9790007049386. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115112 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Single Part, Violin 2. Composed 1725. BWV 151. 4 pages. Duration 19 minutes. Carus Verlag #CV 31.151/12. Published by Carus Verlag (CA.3115112). ISBN 9790007049393. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score and part available separately - see item CA.3115100. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113005 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 130. 4 pages. Duration 14 minutes. Carus Verlag #CV 31.130/05. Published by Carus Verlag (CA.3113005). ISBN 9790007170554. Language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord God, we praise thee all of us (Herr Gott, dich loben alle wir) Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, vio...(+)
SATB vocal soli, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.3113003 Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Herr Gott, dich loben alle wir. Sacred vocal music, Cantatas. Vocal score. Composed 1724. BWV 130. 24 pages. Duration 14 minutes. Carus Verlag #CV 31.130/03. Published by Carus Verlag (CA.3113003). ISBN 9790007061296. Language: German/English. As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, ba...(+)
Orchestra SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115107 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Study score. Composed 1725. BWV 151. 28 pages. Duration 19 minutes. Carus Verlag #CV 31.151/07. Published by Carus Verlag (CA.3115107). ISBN 9790007092474. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score available separately - see item CA.3115100. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Susser Trost, mein Jesus kommt Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra Carus Verlag
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso contin...(+)
SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo SKU: CA.3115105 Cantata for the 3rd Sunday of Christmas (1st version). Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: SUssER TROST, MEIN JESUS KOMMT NEUAUSGABE. Sacred vocal music, Cantatas, Christmas. Choral Score. Composed 1725. BWV 151. 2 pages. Duration 19 minutes. Carus Verlag #CV 31.151/05. Published by Carus Verlag (CA.3115105). ISBN 9790007049379. Key: G major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. Bach's cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach's most inspired ideas (Alfred Durr), was composed for the 3rd day of Christmas 1725. Flute and oboe d'amore lend pastoral coloring to the chamber music sound picture. The oboe d'amore was not originally included in Bach's score; after completing the score he added the part to the orchestra for the first performance. In a later performance about 1728-1731 Bach replaced the flute by a solo violin, adding various performing instructions and ornaments, of which a flautist can make use in his originally rather modest part. This new edition by Klaus Hofmann replaces the 1962 publication by Diethard Hellmann. Score available separately - see item CA.3115100. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| B minor Mass Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Study Score / Miniature] Carus Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For S...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Latin Masses. Study score. Language: Latin. BWV 232. 312 pages. Duration 100 minutes. Published by Carus Verlag
$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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