Stomp Your Foot-Stomp Your Foot is the Choral Square Dance taken from The Tender Land by Aaron Copland. It is about a farm family in the Midwest of the United States. The story follows Laurie the high-school senior daughter of the Moss family as she decides how best to live her life.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

Choral Dances-Choral Dances from Act II of Benjamin Britten's opera Gloriana op. 53. Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Six movements are featured for mixed choir with piano accompaniment for rehearsal only.

Old American Songs I-In 1944 a famous dancer Martha Graham commissioned Copland to write a ballet called Appalachian Spring. For part of the ballet he used his own variations on a Shaker song called 'Simple Gifts.'

19-minute suite for orchestra from Khachaturian’s celebrated ballet Spartacus (1955). Suite no 4 comprises four additional pieces composed by Khachaturian for the 1956 Leningrad production of the ballet: Bacchante’s Melancholy Dance Night Incident Tarantella and Saturnalia.

from Riverdance-The last song in Riverdance - The Show. The composer draws from the comforting feeling of returning home after a long journey for this piece. Scored for soprano solo and mixed chorus this effective piece is ideal for choirs of any standard.

Sydney Carter's Lord Of The Dance arranged for SATB Choir with Piano accompaniment by John Rutter.

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums – Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums ? Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

From Symphonic Adiemus-Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra.Since it was first heard in 1994 Adiemus has captured the imagination of music lovers worldwide thanks to its unique combination of classical principles with the flavours of world and ethnic music.Symphonic Adiemus includes numbers from the first three albums ? Songs of Sanctuary Cantata Mundi and Dances of Time. Recorded on Decca 5793828 by the London Philharmonic Choir and the Adiemus Symphony Orchestra of Europe.

Per Nørgård's Maya Dances (-for her unborn son) for mixed chorus SATB (1979/1992) - English version. Original Danish text by Ole Sarvig - from the opera Siddharta. English vocal version by Paula Hostrup-Jesse.The two melodies of MAYA DANCES was originally composed for children’s chorus and mixed choir with orchestra respectively as part of the opera SIDDHARTA (1974-79). The children’s song (bars 1-27) was later incorporated into the first movement of the choral work WIE EIN KIND for mixed chorus from 1979-80 (printed edition WH 29552). The presentchoral version for SATB from 1992 edited by Ivan Hansen and the composer is a combination of the two above mentioned songs from the opera. In the opera the children’s singing game describes the sad Queen Maya’s longing for a child. She senses the coming of a new age and is enlivened by dancing a fertility dance for the unborn prince Siddharta. Two themes alternate: the straightforward song of the children and the comment of Prajapati (Maya’s sister) on Queen Maya’s dance.