Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was rediscovered in 2015. For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann?s flute fantasias with another set of twelve. Carefully retaining Telemann?s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords. / Date parution : 2022-11-08/ Répertoire / Flûte Traversière

Jind ich Feld's Quatre Pièces for Flute is performed by virtuoso flautists. Published in 1964 the Quatre Pièces are challenging elaborate and quirky yet thrilling and inspiring. Born in Prague Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions predominantly instrumental soon became popular being performed all over the world. As reflected in his Quatre Pièces for solo Flute Feld's style is deeply rooted in the Czech musicaltradition but he also integrated the main styles of 20th century Western music. The Quatre Pièces are named 1. Meditation 2. Caprice 3. Interlude (Hommage to Bartok) and 4. Burlesque. Each piece of the Quatre Pièces present different challenges from fast semiquaver flourishes to the sultry lower register of the Flute. This Feld piece is highly virtuosic yet an excellent and enjoyable performance for all advanced flautists.

Mit dieser Ausgabe stellen wir Ihnen eine Auswahl an Weihnachtsliedern für Querflöte und Basso continuo vor die sicherlich zu den schönsten und bekanntesten gehören. In Zeiten der Elektronisierung und allgegenwärtiger Popmusik möchten diese Arrangements stilistisch ganz bewusst einen Gegenakzent setzen und damit eine schöne Tradition fortsetzen. Deshalb wurden als Begleitinstrumente auch Orgel Virginal und Viola da Gamba gewählt. Bei einigen Liedern finden Sie eine zweite Stimme für Cello oder Viola da Gamba. Diese kann beliebig gespielt oder auch weggelassen werden. Die Tonarten wurden so gewählt dass die Weihnachtslieder bestmöglich auf der Querflöte zu spielen sind undsomit einen frühen Einstieg ins weihnachtliche Musizieren ermöglichen.Die vorliegende Ausgabe wurde von der Cembalistin Mechthild Winter die an der Hochschule für Musik und Theater in Leipzig unterrichtet und Manfredo Zimmermann Professor für Blockflöte an der Musikhochschule Köln/Wuppertal und Spezialist für Alte Musik herausgegeben.Bach-Format (230 x 305 mm) CD mit Konzertversion und 2 verschiedenen BegleitungstempiErstklassige LIVE-Einspielungen in herausragender QualitätLesefreundliches Notenbild und klarer scharfer Druck

Music Minus One Flute-This Telemann concerto is a jewel in the best Baroque way and the Correte sonata is also a treasure for any flutist. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico viola da gamba Jocelyn Chaparro harpsichord

für Flöte und Klavier bearbeitet von Elisabeth Weinzierl / Edmund Wächter-Marin Marais the legendary gambist at the court of Louis XIV mainly left works for his own instrument which are entirely in the French ?taste?. Marais points out that although his works are written for viola da gamba they can equally be playedon flute violin or other melody instrument. Five pieces from his ?Quatrième Livre de Viole? are presented here in arrangements for flute and piano. These are based on a 1917 English edition for string instruments which lends the dances a certainromantic charm. The original articulation and dynamics from Marais? first edition of 1717 have been carefully reintroduced.

These Baroque chamber-pieces are a wonderful training ground for students and are filled with opportunities for fun music-making for enthusiasts and professionals alike. Included are Telemann's Trio in F Major and Trio Sonata in Bb Major along with Handel's Sonata No. 3 in C Major. Includes a high-quality printed music score and a compact disc containing two recordings: a complete performance with soloist and a second version with the accompaniment... you become the soloist! Performed by Rameau Trio: Jean Antrim flute Accompaniment: Fortunato Arico viola da gamba Jocelyn Chaparro harpsichord

This small-scale work would make a useful repertoire piece bearing in mind the need to provide compatible items for groups playing the Debussy flute/harp/viola sonata.

FOR THE STUDENT This material is part of the worldwide Suzuki Method of teaching. Companion recordings should be used with these publications. In addition there are viola part books that go along with this material. FOR THE TEACHER In order to be an effective Suzuki teacher a great deal ongoing education is required. Your national Suzuki association provides this for its membership. Teachers are encouraged to become members of their national Suzuki associations and maintain a teacher training schedule in order to remain current via institutes short-term programs and long-term programs. You are also encouraged to join the International SuzukiAssociation. FOR THE PARENT Credentials are essential for any teacher you choose. We recommend you to ask your teacher for his credentials especially those relating to traning in the Suzuki Method. The Suzuki Method should be a positive one where there exists a wonderful fostering relationship between child parent and teacher. So choosing the right teacher is of the utmost importance.

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière

This comprehensive method for the beginner to advanced is especially designed for use in private lessons. It introduces each new concept with fingering exercises scale exercises and etudes. Advanced techniques and concepts suchas harmonics vibrato trills interpretation and phrasing are outlined succinctly through descriptive text and musical examples. A segment called 'Representative Literature' contains exemplary flute music and photographs offlutes from the Renaissance Baroque Classical Romantic and Contemporary periods giving students a broad historical perspective of both flute literature and the development and use of various types of flutes.