SKU: CL.CTS-7708-01

This is the composition that started it all! A classic of the wind band literature for concert and contest alike. It was something completely different, with its appearance in 1964. The band’s literature had not experienced the trademark 7/8 measures, which we all know as a Smith trait. This composition also includes one of his few full band fugatos. Excellent percussion writing and a combination of all themes come together in a direct modulation to C Major. Originally titled Overture for Winds and Percussion, the word Emperata has no meaning; it was just, as Claude put it, an intriguing word! Still Smith’s best-selling work.

SKU: CL.CTS-7708-00

This is the composition that started it all! A classic of the wind band literature for concert and contest alike. It was something completely different, with its appearance in 1964. The bandâ??s literature had not experienced the trademark 7/8 measures, which we all know as a Smith trait. This composition also includes one of his few full band fugatos. Excellent percussion writing and a combination of all themes come together in a direct modulation to C Major. Originally titled Overture for Winds and Percussion, the word Emperata has no meaning; it was just, as Claude put it, an intriguing word! Still Smithâ??s best-selling work.

SKU: CL.CTS-7712-01

A delightful three-movement work to show off the bandâ??s skill at playing different styles. The first movement marked Tarantella, includes an asymmetric 9/8 measure and a woodwind fugato. Nocturne features solos for flute, oboe and alto saxophone. Rondo begins with a fierce percussion section soli throughout the movement, and a reflection of developmental material from the Nocturne shows up in this movement as well. A challenging work, but your group will learn several musical concepts. A concert band classic.

SKU: CL.CTS-8030-01

Tarantella from Incidental Suite is the first movement of this suite originally scored for concert band. Claude T. Smith has elevated the basic meaning of tarantella creating engaging rhythmic interest throughout the duration of the movement. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-8018-01

This is the composition that started it all! Emperata Overture is a wind band classic for concert and festival alike. The original publication of this work established Claude T. Smith’s use of the 7/8-time meter as his signature rhythmic device for instrumental ensembles. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-8030-00

Tarantella from Incidental Suite is the first movement of this suite originally scored for concert band. Claude T. Smith has elevated the basic meaning of tarantella creating engaging rhythmic interest throughout the duration of the movement. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-8026-00

Concert Variations was written for the Lambda Chapter of Phi Beta Mu and originally premiered at the Missouri Music Educators Convention in 1975. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-7715-00

Overture Romantique begins with a pounding ostinato of low brass and timpani, which then accompanies a short, dramatic introduction of the thematic material, which then lends itself to an Adagio. The Allegro propels the band into a rousing section of woodwind runs, multiple meter changes and a transitional fanfare. The center section of the piece features an ostinato in 3/2, with alternating sections in 4/2 and 5/2. An appearance by the transitional fanfare is played, and music previously stated returns. One final hearing of the first theme, which leads to a marvelous Eb major chord, features the ostinato and the trombones stating the opening music one more time. One of Smith’s first virtuoso efforts for the concert band.

SKU: CL.CTS-7715-01

Overture Romantique begins with a pounding ostinato of low brass and timpani, which then accompanies a short, dramatic introduction of the thematic material, which then lends itself to an Adagio. The Allegro propels the band into a rousing section of woodwind runs, multiple meter changes and a transitional fanfare. The center section of the piece features an ostinato in 3/2, with alternating sections in 4/2 and 5/2. An appearance by the transitional fanfare is played, and music previously stated returns. One final hearing of the first theme, which leads to a marvelous Eb major chord, features the ostinato and the trombones stating the opening music one more time. One of Smith’s first virtuoso efforts for the concert band.

SKU: CL.CTS-8032-01

Rondo from Incidental Suite is the third movement of this suite originally scored for concert band. This work is rhythmically engaging from beginning to end as the percussion establish the rhythmic motives that move and transform throughout. This flexible arrangement allows ensembles to perform the work with as few as thirteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-8044-00

Amazing Grace is one of the most well-known spiritual songs known to date. Claude T. Smith cleverly created this band setting forming variations throughout. With Smith’s passing in December of 1987, this was one of the final works he produced. This flexible arrangement allows ensembles to perform the work with as few as fourteen musicians providing accessibility and flexibility for numerous instrumentation needs, while still allowing a full ensemble sound. *The posted recording is based on the full band scoring but aligns with the suggested preferences for either woodwinds/strings or brass suggested in the score.

SKU: CL.CTS-7711-00

This has become a staple of band literature. Claude Smith is well known for taking hymn tunes and creating wonderful pieces of music. Trumpet and trombone trios are featured in the opening statement, followed by free-flowing Rubato flute solo. A piccolo and bassoon duet follow in the next section. Variations of the theme appear in the fugato section, followed by the full chorale. The audience may sing the hymn tune during the full chorale. The triumphant ending features the horn section which leads to an emotional finale. God of Our Fathers is also available for full orchestra, and an edition for SATB Choir with piano/organ, which may be used in a massed band/orchestra/choir setting as well. An audience favorite and one of Smith’s most popular works.

SKU: CL.CTS-7941-00

Reflections is a musical portrayal of the people and moments in our lives which shape and change us. Musical elements from various sources are woven into a rich tapestry of sounds and colors that show the full expressive range of the band. Perfect for contest and festivals! Reflections by Robert Langenfeld, was commissioned by a consortium (alumni/friends/family/UCM Bands/ CTS Pubs) for Dr. Russell Coleman in celebration of his 90th birthday and his service as director of bands at the University of Central Missouri (CMSU) for 32 years. Langenfeld was given guidelines for the composition which included a clarinet soli (Coleman is a clarinetist), excerpts from Dance Prelude (commissioned by Dr. Coleman and the UCM Phi Mu Alpha chapter, written by Claude T. Smith for the CMSU (UCM) Band in 1978), the UCM Alma Mater and the UCM fight song, Go Mules. This work was premiered on June 17, 2018 by the Warrensburg Community Band, under guest conductor, Dr. Anthony Pursell, at the 2018 Missouri Bandmasters Association Summer Convention at Tan-Tar-A in Osage Beach, MO. Dr. Russell Coleman has been the conductor for the Warrensburg Community Band since 1985.

SKU: CL.CTS-7735-01

This rousing traditional march will keep the toes tapping and the musicians smiling. Everyone has the opportunity to play the melody! A wonderful choice for a concert opener.

SKU: CL.CTS-8047-01

The influence of Claude T. Smith is heavily present in this piece, a perfect addition to any festival or concert program. Safely scored for most any band, this work is easily accessible for both performers and audiences. The themes from the fast and slow sections ingeniously combine for a thrilling finale!