music by: Telemann Brahms Schumann Beethoven Mussorgsky Gurlitt Delalande Rameau Steibelt Cramer Schubert Gounod Mozart Muntzberger Azais Marais and Corelli for viola and piano

18 Vortragsstücke für Anfänger-18 concert pieces for beginner Viola players. Ideal Concert pieces which appeal to the imagination - and sense of humour - of young players and their audiences. Ideal Concert pieces which appeal to the imagination - and sense of humour - of young players and their audiences. Player-friendly melody lines powered along by racy Piano accompaniments (availably seperately)in pop and jazz idioms. The different instrument books are compatible as the string parts are in unison or octaves making them ideal forindividual or group lessons and for string ensembles. ?

Georg Philipp Telemann's Sonata In D for Viola presented here with a realised Piano accompaniment.

Op. 5 No. 9 Arranged By Max Morgan For Viola and Piano-Senaillé (1687-1730) was the first French violinist to adopt the ideals of the Italian school of playing. To the French style with its melodic grace virtuosic writing and frequent use of dance rhythms he brought the Italian conventions of the baroque sonata imitative counterpoint and a melodically conceived continuo. Set for Grade 6 of the Associated Board and Guildhall School examinations.

An Urtext edition of Carl Stamitz's Viola Concerto No.1 In D arranged here with Piano reduction by Johannes Umbreit with cadenzas and lead-ins by Robert D. Levin and edited by Norbert Gertsch and Annemarie Weibezahn.Fingering and bowing by Jurgen Weber.

Nikolai Kapustin born in 1937 is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 1992.

Invocation Dance and Meditation by Robert Saxton written in 1991 for viola and piano.

A superb collection containing five varied folk tunes set for Viola or Cello with Piano accompaniment. Taken from the vast Petrie collection of Ancient Irish Music these traditional melodies have been freely and imaginatively adapted by Howard Ferguson to form a suite of concert and recital pieces. Part of the ABRSM syllabus.