Par JOPLIN SCOTT. Scott Joplin, pianiste et compositeur de ragtime américain, est né à Texarkana (Texas) en 1868. Il apprend à jouer du piano auprès d'un musicien allemand, qui lui fait connaître la musique des grands compositeurs européens. Entre 1885 et 1893, Joplin joue dans des cabarets et des bars de St. Louis - à partir de 1894, il se produit au Maple Leaf Club à Sedalia. Il enseigne également la musique. Par la suite, il consacre tout son temps à la composition. En 1909, il déménage à New York. Joplin compose plus de 600 ragtimes, une symphonie et deux opéras (dont Treemonisha, 1911). On le surnomme 'King of Ragtime' et il est sans aucun doute l'un des maîtres de l'invention mélodique. Il meurt à New York en 1917. Le morceau mondialement célèbre The Entertainer présenté ici fut écrit en 1902 et utilisé en 1974 pour accompagner le film The Sting (L'Arnaque). / classique / Recueil / Flûte Traversière et Trio à Cordes

Everyone knows and loves this most famous of rags by Scott Joplin - the father of ragtime.

String Quartet-First published in 1901 this rag has remained one of the most popular of Joplin's distinctive ragtime pieces. This version for string quartet is fun to play and will make a delightful concert encore item.

Par JOPLIN SCOTT. / Recueil / 3 Flûtes à Bec Alto ou Flûtes Traversières) et Pia

Percussion optional. Par JOPLIN SCOTT. / Niveau : Assez Facile / Répertoire / 2 Violoncelles et Piano

Violon, Alto, Violoncelle. Par JOPLIN SCOTT. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / Violon, Alto et Violoncelle

Pour Piano, Contrebasse et Batterie. Par JOPLIN SCOTT. Arr. : P. Dendievel_G. Storm / Niveau : Fin 3ème Cycle / Recueil / Contrebasse, Piano et Batterie

Flute, Oboe, Clarinet, Horn and Bassoon. Par JOPLIN SCOTT. / Répertoire / Quintette à vent

Par JOPLIN SCOTT / HEGER U.. Violoncelle - Piano/ Recueil / Violoncelle et Piano

2 Violons, Alto, Cello and Double Bass. Par JOPLIN SCOTT. / Répertoire / Quintette à Cordes

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion

Speckert?s popular ?The Roots of Jazz? collection of jazz pieces and styles for violin and violoncello now comes in an edition for two violoncellos.Whether it be arrangements of originals such as ?The Entertainer? (Scott Joplin) ?Hot Tiger Rag? (Nick la Rocca) ?St Louis Blues? (W. C. Handy) ?Nobody Knows The Trouble I've Seen? (trad) or original compositions by George Speckert these pieces not only have catchy tunes and snappy rhythms they?re also easy to play. Exciting stuff!With skill and sensitivity Speckert who actually was born in New Orleans captures the typical melodic harmonic and rhythmic style of each genre whether ragtime blues boogie woogie gospel folksong or early jazz. Equally suitable for music-making fun in lessons recitals or your own living room.