SKU: WD.080689616228

UPC: 080689616228.

Word Music has provided solid resources for women's ensembles and choruses for years. How many times have you worked with your ladies' ensemble out of that Green book that Word did? This new collection, Worship from the Heart . . . for Women's Voices continues that great tradition and at the same time breaks new ground. Camp Kirkland has compiled a fabulous collection of songs for women's choir. We were careful to include a wide variety of titles that you can use for almost every occasion. From non-seasonal praise and worship, to Christmas and Easter, these arrangements feature contemporary standards, hymn classics and other new favorites.

SKU: HL.244368

UPC: 888680707989. 6.75x10.5x0.018 inches.

This is a classic pop/rock song first recorded in the 1950s by Tony Bennett and subsequently made popular by Bobby Vinton. This arrangement is lush, with modern harmonies and optional strings. A great ballad for your pop concert or show choir.

SKU: FG.55009-452-9

ISBN 979-0-55009-452-9.

This is one of three early renaissance Marian motets, along with Mouton's Nesciens Mater and de la Rue's Gaude Virgo, edited by Ross Duffin. It is a classic example of this great composer's balanced unfolding of motifs, with two-part paired imitation followed by four-voice imitative sections and punctuations in homophony. Especially, striking is the personal supplication at the end, in the words O rnater dei, memento mei. Fazer Editions of Early Music is a choral series under the editorial supervision of Paul Hillier, founder and artistic director of the renowned Hilliard Ensemble. Although each title in this series is the result of careful scholarly research and is a reliable source for musicologists, the series' main purpose is to make practical performing editions available to choirs and other vocal ensembles. The original C clefs have been replaced by G and F clefs and the note values adapted to conform to modern practice. All the works in the series are intended for mixed voices. Each title includes a lengthy introduction in English and notes on the editorial principles. Where necessary, an English translation of the text and a guide to pronunciation are provided.

SKU: AP.49740

UPC: 038081568270. English.

Here's a rhythmic modern-day showstopper with the heart of a timeless classic. This spectacular opening number from the Netflix movie, Jingle Jangle has unmistakable theatrical flair---no surprise since the movie was originally conceived for the stage. The brightly optimistic lyrics will shine at any time of year, not just the holidays! What I got in my hands could be the spark that turns it all around . . . 'Cause all my life I've waited for this day. Don't miss the impressive SoundTrax accompaniment and a flexible SoundPax orchestration for rhythm and synth. (or optional horns).

SKU: AU.9781506452456

ISBN 9781506452456. John 3:16.

Melchior Frank's accessible setting of John 3:16 is a great way to introduce classic literature to your choir. William Braun's edition translates the original German text into English and sets this late Renaissance/early Baroque anthem in modern notation.

SKU: WD.080689421235

UPC: 080689421235.

This moving, compelling arrangement by David Wise combines three of today’s modern worship classics, spotlighting our desire for His presence…our deep need for communion with Him…welcoming and inviting the Holy Spirit into our midst. There is no greater unifier, no greater or more precious moments of pure worship.

SKU: HL.1455440

UPC: 196288209669.

A masterful concert choral setting of a hard-hitting, profound song. Mark Brymer's arrangement of â??One Song Gloryâ? from the modern Broadway classic Rent captures all the powerful emotion of the original, from the desperation of regret and meaninglessness to the comfort of redemption. â??Find glory in a song that rings true.â?.

SKU: CA.751005

ISBN 9790007113407. Language: German.

Franz Schreker was an important representative of the Wiener Moderne and one of the most successful opera composers at the beginning of the 20th century. To conclude his studies at the Vienna Conservatory he set Psalm 116 for women's choir and orchestra (1900) and dedicated to his beloved teacher Robert Fuchs, in reverence. Fuchs, the highly respected composition teacher, was a close friend of Johannes Brahms and a champion of Brahms's romantic classicism. Thus, Schreker's psalm setting closely follows the tonal language of Brahms. In 1901 Psalm 116 was first performed in a concert of the Gesellschaft der Musikfreunde in Vienna, and was first published in the same year by the Viennese publisher Adolf Robitschek. The scoring of the psalm is identical with that of Brahms's Deutsches Requiem, which would suggest and facilitate a performance of both these on the same concert program. Score available separately - see item CA.751000.