SKU: ST.EC30
ISBN 9790220216626.
Ritual music for the Office and for associated non-liturgical devotions appears in no comparable body of work by an earlier English composer - and from later composers, only in the surviving output of Tallis and Sheppard. Typically, these pieces alternate polyphony and plainsong, not recorded in the sources, but here supplied from the Salisbury Antiphonal, Gradual or Processional. Four of Taverner's secular songs are also included. Quemadmodum are also included.
SKU: ST.EC25
ISBN 9790220216640.
Taverner's votive antiphons represent the largest and most varied contribution to the genre of any early 16th-century composer. They are here presented alphabetically, in two distinct groups of large-works, presumably associated with major feasts, and shorter and simpler pieces. Two fragments, Virgo pura and Prudens virgo and the textless Quemadmodum are also included.
SKU: ST.EC36
ISBN 9790220216572.
This volume contains the two 5-part Parody Masses, Mater Christi and Small Devotion, and four fragments that despite their unproven authenticity have not yet been attributed to another composer. Quemadmodum are also included.
SKU: HL.14032904
SKU: HL.14016709
8.25x11.75x0.205 inches.
For SATB Choir edited by H.B. Collins.
SKU: HL.14032905
SKU: ST.EC19
ISBN 9790220216978.
There are particular problems of establishing authentic sources for much of Tye's music. Nonetheless, its high quality places him, with Taverner and Tallis, at the forefront of English 16th-century church music. This first volume of his work contains 15 full anthems, evening canticles, and his famous setting of texts from The Acts of the Apostles, dedicated to Edward VI.
SKU: ST.EC18
ISBN 9790220213731.
Taverner and Tye are the predominant influences in these works. The 6-part Mass Cantate is taken from the Oxford partbooks. The source for The Western Wind Mass, The Frences Mass, the Mass Be not afraid , and the Plainsong Mass for a Mean, all in four parts, is the so-called 'Gyffard' partbooks (British Library Add. MSS 17802-5), which are now known to have been copied after ElizabethAs accession for a Catholic patron, Dr Philip Gyffard, Fellow of Merton College, Oxford.