Britten's luminous setting of the anonymous sixteenth-century hymn. This edition is arranged for low voice with piano accompaniment in C. Duration: 2½ minutes. Difficulty Level: 3

At long last singers with a lower vocal range can also rely on Henleâ??s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

Medium/Low Voice Edition-A new edition of art songs by Samuel Barber including the entire contents of the Collected Songs and Ten Early Songs plus many songs never before published with extensive introductory commentary. Thisedition is for low and medium voices.

Volume 9 of the new Urtext edition of Schubert???s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D?rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(???Grablied auf einen Soldaten??? and 'An mein Klavier???) the author of the words to one of his most famous songs ???Die Forelle???/ 'The Trout??? (see Volume 2).Based on the Urtext of the ???New Schubert Edition???Clear and uncluttered engravingForeword by Walther D?rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

per canto e pianoforte - for voice and piano - voce grave - low voice. The 15 Composizioni vocali da camera by Vincenzo Bellini are presented here, in versions for low voice, in a new edition based on the most authoritative musical sources available.