Rollo Dilworth Choral Series-Kevin A. Memley's The Time Of Roses for SSAA choir a cappella. This buoyant madrigal-like setting of the Thomas Hood text offers a wonderful opportunity for choirs to practice light andarticulate singing. There is wonderful contrast between the lively passages and lyrical legato sections.

Hugo Cole (1917-1995) was a British composer cellist and music critic. He studied under Herbert Howells at the Royal College of Music and with Nadia Boulanger in Paris. He is best remembered for writing several operas and choral works as well as much chamber music but he also wrote a series of pedagogical Cello books and had a successful career as a music critic for The Guardian and Country Life. Cole’s Magnificat was set in the key of G major and first published in 1957. It is scored for Female or Boys’ Choir (SSAA) with Piano accompaniment.

for SSAA unaccompanied A simple and tender seeting of William Blake's famous poem, particularly suitable for younger voices.

O beata Trinitas. for SSAA double choir unaccompanied. In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

This song is an inspired reminder of God's faithfulness. Tender and fragile, the theme opens with innocence and clarity, articulating the seasons of life and the constancy of the Almighty. Though composed in a singer-songwriteridiom, the choral parts are deep and satisfying, bringing warmth and sincerity. A reference to Psalm 119 is crowned with the affirmation, I choose to live in faith, not fear. Truly a song for this season of challenges! NOTE: FullPerformance and Part Dominant MP3's are for the SATB voicing only.

from Requiem-This hauntingly beautiful work from Andrew Lloyd Webber's acclaimed Requiem is now available in a simply stunning a cappella edition. Available separately: SATB divisi SSAA divisi TTBB divisi. Duration: ca. 2:35.

Howard Goodall's setting of Love Divine for accompanied SSAA choir uses a well-loved text by Charles Wesley.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella

This jubilant new work is a fine festival selection. It can be performed with the 4-hands piano accompaniment or with small orchestra added which also makes it suitable for an any-time concert program.

Samba Mass by Bob Chilcott for SSA or SATB Piano and Optional Guitar Bass and Drum kit.

Traditional Latin-Written for the 2010 Tolosa (Spain) Choral Contest this hymn to the Virgin Mary uses full sound and dense harmonies to celebrate Mary's gift to the world. The composer's gift for crafting timeless melodies is apparent in this work. A great choice for more advanced treble choirs.