SKU: GI.G-007889
UPC: 641151078892.
Ed has written a cantor, choir, and assembly-friendly setting of the Sequence for Pentecost using the approved text from The Roman Missal. The stepwise motion of the lyrical melody facilitates a quick learn. The piece begins in D major for the first four verses, modulates to E for the next three verses, moves to F for verses 8 and 9, and concludes with the final verse in G. The interval relationships are the same with each modulation, highlighting the words and adding a sense of urgency. The octavo includes a keyboard part, but you will note that this can be performed with just a simple guitar accompaniment. And, guitar pages are included in the octavo.
SKU: GI.G-008438
UPC: 641151084381. English.
SKU: GI.G-10481
UPC: 785147048114. English. Text source: Psalm 100. Scripture: Psalm 100.
SKU: GI.G-7392
UPC: 785147739203. English. Text Source: Psalm 91:1-2, NIV Scripture: Psalm 91:1–2.
The chant-like treatment of the Psalm verses, in addition to creating a simply lovely setting, can also be a great exercise in sensitively conveying the meaning of the words through proper textual stress—a skill that can be applied to less lyrical pieces in the choral repertoire. The voice parts are minimal in scope (each roughly an octave), but the fluctuating accidentals will require some attention for tuning.
SKU: GI.G-8592
UPC: 785147859208. English. Text by Adam M. L. Tice.
SKU: GI.G-9994
UPC: 785147999409. English, Ga. Text Source: Trad. Ga (Ghana).
The percussion part is for hand claps, gangokui (iron double bell), axatse (gourd rattle) and hand drum. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: GI.G-4762
Text by Rory Cooney.
SKU: GI.G-008254
UPC: 641151082547. English.
Alle, Alle‚ acclaims the Gospel with sheer energy from the opening guitar introduction to the final vibrant refrain.
SKU: GI.G-002048
UPC: 641151020488. Text by Michael Gannon.
SKU: GI.G-7517
UPC: 785147751700. English. Text Source: Based on Mark 8:34-38, adapt. PM and GD. Scripture: Mark 8:34–38.
Here is another remarkable piece from the pen of Liam Lawton and arranged by Gary Fry. The text explores the meaning of church-not a stone edifice, but the people of God. For cantor or soloist.
SKU: GI.G-007169
English.
SKU: GI.G-6044
This piece can be used as a mantralike refrain over which the verses can be layered. It is a gentle song—a comforting reminder of God’s undying love in times of hardship, sorrow, anger, or guilt. Refrain may be used as ostinato. For cantor or soloist.
SKU: GI.G-7521
UPC: 785147752103. English. Text Source: John Marriott, 1780-1825, adapt. PM. Text by John Marriott.
This hymn of praise to the Trinity comes alive through the musical inspiration of Paul Melley. The lilting 6/8 melody and rhythmic accompaniment let this piece shine! For cantor or soloist.
SKU: GI.G-008360
** GIA no longer publishes nor sponsors the work of Paul A. Tate. Pieces for which Tate served as an arranger remain on our website as the original work of the composer.
SKU: GI.G-008293
UPC: 641151082936. English. Text by Geoffrey Bernard.
SKU: GI.G-9392
UPC: 785147939207. English. Text Source: Based on Psalm 23. Text by John Quincy Adams. Scripture: Psalm 23.
Although best known as the sixth President of the United States, John Quincy Adams’ great desire was to write poetry, upon hearing his words set to music by one of his contemporaries, he exclaimed his delight “as the organ pealed and the choir of voices sung the praise of Almighty God from the soul of David, adapted to my native tongue by me.†This setting was written for SAB choir, however, it could be sung by an SSA ensemble as well. The tune is original, but Meyer has written in the style of the music that Adams might have heard in his day.
SKU: GI.G-008408
SKU: GI.G-7999
UPC: 785147799900. English. Text source: Negro Spiritual.
SKU: GI.G-007352
UPC: 641151073521. English. Scripture: Psalm 95.
SKU: GI.G-9959
UPC: 785147995906. English. Text by Sara Teasdale.
For three-part mixed or three-part equal voices this setting of Sara Teasdale’s poem, “Refuge†includes an intriguing introduction that organically repeats the word “refuge†in a number of languages. The angst of Teasdale’s poetry is reflected in the driving accompaniment and shifting meters. Adding a variety of percussion instruments to this work will enhance the overall performance. .
SKU: GI.G-7516
UPC: 785147751601. English. Text Source: Psalm 85:8, 9, 10, 11&ndash,12, 13&ndash,14, NAB, ref.: Lectionary for Mass Scripture: Psalm 85:8, 9, 10, 11–12, 13–14.
This simple, satisfying psalm setting will have many uses during your community’s worship. In addition to its place in the Liturgy of the Word, you might also use it for services that focus on social justice or healing.  For cantor or soloist.
SKU: GI.G-10831
English. Text Source: Lectionary for Mass, ,Psalm 65:10, 11, 12&ndash,13, 14 (cf. Luke 8:8). Scripture: Luke 8:8, Psalm 65:10, 11, 12–13, 14.
SKU: GI.G-008480
UPC: 641151084800. English.
SKU: GI.G-9093
UPC: 785147909309. English. Text by Paul A. Tate.
SKU: GI.G-008041
UPC: 641151080413. English. Text Source: Vss. Edwin Hatch, 1835&ndash,1889, alt., ref. Ed Bolduc. Text by Edwin Hatch.
SKU: GI.G-008248
English, Spanish.
John‚ versatility shines in a salsa-influenced work with lyrics by friend Noelle Garcia. The choral refrain is bilingual. This high-energy piece also features a rap‚ section immediately following the percussion ad lib. Contemporary groups will love this one! From the recording and music collection Testify (008242, 008243) and also recorded on Angotti Live: The Memphis Concert (008288).
SKU: GI.G-6038
UPC: 785147603801. English. Text Source: Matthew 5:3–12, adapt. MM. Scripture: Matthew 5:3–12.
The Beatitudes.
SKU: GI.G-008246
UPC: 641151082462. English. Text by R. Bruce Cinquegrani.
SKU: GI.G-008220
UPC: 641151082202. English, Spanish.
The theme song for the 2004 Los Angeles Religious Education Congress! The easily sung refrain is set to a samba rhythm and the verses have more of a rock feel. And, the coda has a rap‚ over the refrain performed by Kolar himself. Your contemporary ensembles must have this one! From the recording God Is My Rock (WLP 017274). Additional instrumental parts include trumpets, accordion, electric lead and bass guitar (WLP 008223).
SKU: GI.G-10811