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Ave Maria - JS Bach - String Chamber Orchestra - minimum 9 players - intermediate to professional e
Ave Maria - JS Bach - String Chamber Orchestra - minimum 9 players - intermediate to professional e
$29.95
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String Orchestra
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JS Bach / Gounod
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Adrian Keating
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Adrian Keating
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
$9.99
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Chamber Orchestra
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Thomas Oboe Lee
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Thomas Oboe Lee
Concerto Grosso (2017) for chamber orchestra
Concerto Grosso (2017) for chamber orchestra
$9.99
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Chamber Orchestra
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Thomas Oboe Lee
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Allegro 
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Thomas Oboe Lee
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Spiritual Concerto - I Want to Die Easy
Chamber Orchestra
[Set of Parts]
-
Intermediate
Schott
Score and Parts. Composed by Helmut W. May. Sheet music. Concertino (Chamber...
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Score and Parts. Composed by Helmut W. May. Sheet music. Concertino (Chamber Orchestra). Classical. Set of Parts. Composed 1979. Duration 17'. Schott Music #CON190-70. Published by Schott Music
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I Remember
Chamber Orchestra
[Score and Parts]
Lauren Keiser Music Publishing
By Michael Cohen. Score and Parts. LKM Music. 76 pages
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A Calendar of Carols
Chamber Orchestra
Aurea Capra Editions
25 traditional Christmas carols for flexible arrangements. Composed by Var...
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25 traditional Christmas carols for flexible arrangements. Composed by Various. Arranged by John Alley Elisabeth Parry. Collection - Score and Parts. Aurea Capra Editions #494- 03220. Published by Aurea Capra Editions
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Judith Weir: I Broke Off A Golden Branch: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
I Broke Off A Golden Branch was commissioned and first performed by the Schubert...
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I Broke Off A Golden Branch was commissioned and first performed by the Schubert Ensemble in 1992. The words ‘I broke off a golden branch’ come from a Croatian folksong which is very obliquely referred to inthe second of the work’s two movements. Judith Weir dedicated this lovely piece of chamber music for Violin Viola Cello Double Bass and Piano to William Howard. Full score. Violin Viola Cello and Double Bass partsare included separately as well. Duration ca. 15 minutes.Judith Weir is a British composer and Master of the Queen's Music. In 1994 Weir received the Critics’ Circle Music Section Award for the mostoutstanding contribution to British musical life.
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Jan Van der Roost: I Shall Love But Thee: Chamber Orchestra: Score
Chamber Orchestra
De Haske Publications
I Shall Love But Thee est une « ?uvre d?occasion » dans l?un des sens littéra...
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I Shall Love But Thee est une « ?uvre d?occasion » dans l?un des sens littéraux du mot puisqu?elle fut écrite à l?occasion du mariage du fils cadet du compositeur. Les textes de William Shakespeare ont inspiré Jan Van der Roost à écrire de la musique profonde et attrayante qui au niveau du style nous rappelle Henry Purcell (dans la première partie) et Georg Friedrich Haendel (dans la deuxième moitié) deux compositeurs qui ont mis en musique des textes de Shakespeare bien qu?on n?y retrouve pas de citations littérales. Cette ?uvre unique au regroupement plutôt rare de soprano et orchestre d'harmonie va enrichir votre répertoire !
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The Minstrel's Dance (ZEBELJAN I)
Chamber Orchestra
[Score]
Ricordi
Per Orchestra Da Camera - Partitura. Par ZEBELJAN I.. Langue: English(UK)/Deutsc...
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Per Orchestra Da Camera - Partitura. Par ZEBELJAN I.. Langue: English(UK)/Deutsch/Français/Nederlands / Musique contemporaine / Date parution : 1905-06-30/ Répertoire / Orchestre de Chambre
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Ashley Fure: Therefore I Was: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Peters
Therefore I Was
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David Blake: Lonely Wife I: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Lonely Wife I
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Klaus Huber: Rauhe Pinselspitze I-III: Ensemble: Score & Parts
Chamber Orchestra
Ricordi
Rauhe Pinselspitze I-III
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Frédéric Chopin: Complete Works XVI: Chamber Music: Chamber Ensemble: Score and
Chamber Orchestra
PWM (Polskie Wydawnictwo Muzyczne)
for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for...
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for Cello and Piano Violin Cello and Piano Flute and Piano-Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.Chopin's works for piano and strings were usually made for a specific occasion and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello the last work by the composer intended for publication a work reflecting his current style highly reflective the result of imagination encroaching into post-romantic areas. Chopin's chamber works belong to the regular concert repertoire. These works were edited by by I. J. Paderewski L. Bronarski and J. Turczy ski.
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Helen Grime: Seven Pierrot Miniatures (Piano): Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed o...
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For Chamber Ensemble.Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010.In Seven Pierrot Miniatures I took the Commedia dell’arte character Pierrot as my primary sourceof inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements whereas the Schoenberg comprises threesets of seven movements. Although there is no part for voice I have taken seven poems by Albert Giraud (none of them set in Pierrot Lunaire) as points of departure:1. The Clouds2. Decor3. Absinthe4.Suicide5. The Church6. Sunset7. The HarpEach movement takes its impetus from the corresponding poem but in the piece as a whole I wanted to explore the extreme contrasts of the multi-faceted character ofPierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun: movements 1 3 5 and 7 are closely linked both in terms of their musical material and asense of melancholy dream-like quality and longing. Movements 2 and 6 are also strongly connected with allusions to the more mischievous violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work juxtaposing a surreal shimmering calm with brutal outbursts. There is never any direct repetition yet there is a strong sense of material returning and mutating as the workunfolds.InstrumentationFlute doubling piccoloClarinet in Bb doubling Bass Clarinet in BbViolin doubling ViolaCelloPiano
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
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Anne Boyd: The Quiet Place: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
University Of York Music Press
Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubl...
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Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd
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Subtilior Lamento: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...
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for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
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Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wo...
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Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wood: 'I had for many years wanted to set Marina and the opportunity came to start work on it in mid August 1988. About a year later havingcompleted in the meantime the Horn Trio Opus 29 and the Cantata Opus 30 I turned back to the drafts of Marina and completed it on 10 September 1989. It is dedicated to the memory of my daughter who was murdered in Bavaria on 10September 1988.Marina is the heroine of Shakespeare’s Pericles a play remarkable for one of the most moving of all Shakespeare’s recognition scenes a dramatic situation which never failed to draw out his deepest expressionof feeling. This is the re-meeting of an ageing father with his long-lost daughter born at sea during the storm in which her mother is thought to have died and long believed to be dead herself. Eliot transforms the twocharacter’s mutual recognition into a transfigured mediation and surrounds it with a wealth of mainly marine imagery. In the words of Helen Gardener these images are: The prelude to a moment of ecstatic recognition. The voyagein Marina discovers in the ocean anisland and sees again a beloved face. Its theme is not the immortality of the soul but resurrection.
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Three Shades Without Angles: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute viola and harp-Three Shades Without Angles is a piece that plays with...
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for flute viola and harp-Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece I was inspired by Auguste Rodin’s sculpture The Three Shades a detail sitting atop the sculptor’s work The Gates of Hell depicting a scene from Dante’s The Inferno. Although my music is not representative or depictive of Dante or an image of hell I was deeply drawn to the sinewy character of Rodin’s work its intensity muscularity consistency and the way in which movement and energy is represented in his shapes - Hannah Lash
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String Quartets For Beginning Ensembles - Vol.3 (SUZUKI SHINICHI)
Chamber Orchestra
[Sheet music]
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Intermediate
Alfred Publishing
Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1,...
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Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginning level players ready for their first chamber music experience. String Quartets for Beginning Ensembles are sold in sets including full score and one part book per instrument. Volume 3 contents are: Gavotte (P. Martini) * Minuet, BWV Anh. II 114/Anh. III 183/Anh. II 115 (J. S. Bach) * Gavotte in G Minor, Gavotte en Rondeaufrom Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Humoresque, Op. 101, No. 7 for Piano (A. Dvorák) * Gavotte (J. Becker) * Gavotte from Orchestral Suite No. 3 from Overture in D Major, BWV 1068 (J. S. Bach) * Bourree, Bourrees I and II from Suite III in C Major for Violoncello, BWV 1009 (J. S. Bach). / Niveau : Intermédiaire / Recueil / Orchestre de Chambre
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Something's Coming/Tonight (from West Side Story): Chamber Ensemble: Part
Chamber Orchestra
Hal Leonard
The music from Leonard Bernstein's landmark Broadway musical West Side Story has...
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The music from Leonard Bernstein's landmark Broadway musical West Side Story has become an important part of our musical heritage. With lyrics by Stephen Sondheim these two songs create a powerful showcase for choral groups in schools and communities. Available for SATB SAB SSA Instrumental Pak (parts for Trumpet I
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Chamber Symphony No.12 (STANKOVYCH YEVHEN)
Chamber Orchestra
[Score]
Hal Leonard
Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. ...
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Full Score. Par STANKOVYCH YEVHEN. This product is printed in small quantities. Inventory is currently available but may change due to the low quantities normally kept on hand. Dedicated to Valeriy Matyukhin, conductor of the National Philharmonic of Ukraine. Movements: I. Fresko of Maidan, II. Praying for Peace. Duration ca. 16\' / Date parution : 2022-07-23/ Répertoire / Orchestre de Chambre
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Nico Muhly: Moving Parts: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Moving Parts is the music for Benjamin Millepied’s ballet of the same nam...
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Moving Parts is the music for Benjamin Millepied’s ballet of the same name. Scored for Violin Clarinet and Pipe Organ the piece is a series of rhythmic etudes. The slow movement is a very slow passacaglia with I hope unexpected lyrical melodies in the violin. After an extended Organ toccata built over a drone a brief slow movement creates a natural midpoint. The violin aggressively plucking builds up to form a canon with a clarinet and after a loud outburst from the organ the piece ends quietly. Moving Parts written in 2012 is dedicated to Benjamin and the Los Angeles Dance Project.
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Bryce Dessner: Bryce Dessner: El Chan: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
El Chan is a work by Bryce Dessner for Piano Quartet. Commissioned by Britten Si...
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El Chan is a work by Bryce Dessner for Piano Quartet. Commissioned by Britten Sinfonia and Wigmore Hall the piece was composed as a gift for the Academy Award winning director Alejandro González Iñárrituand his wife. The work was inspired by the beauty of the natural landscape around the director's hometown in Mexico. A full performance would last around 16 minutes and this is the Full Score.
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Mainzer Narrhalla-Marsch (ZULEHNER CARL)
Chamber Orchestra
[Part]
Schott
Par ZULEHNER CARL. Détails de la formation instrumentale: Akkordeon · Violine ...
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Par ZULEHNER CARL. Détails de la formation instrumentale: Akkordeon · Violine · Violine obligato · Violoncello · Kontrabass · Flöte · Oboe · Klarinette · Saxophon I · Saxophon II · Saxophon III · Trompete I · Trompete II · Posaune · Schlagzeug -/ Répertoire / Orchestre de Salon
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The Beatles: The Beatles Session Parts: Guitar Solo: Parts
Chamber Orchestra
Hal Leonard
This unique collection of 20 Beatles tunes presents in score format the parts ...
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This unique collection of 20 Beatles tunes presents in score format the parts played by the band's studio session players so that you can study and play exactly what those Violins Harps or Trumpets were playing.Songs include: All You Need Is Love • Eleanor Rigby • The Fool on the Hill • Golden Slumbers • Got to Get You into My Life • Hello Goodbye • I Am the Walrus • Magical Mystery Tour • Penny Lane • Sgt. Pepper's Lonely Hearts Club Band • Something • Strawberry Fields Forever • When I'm Sixty-Four and more.
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Octet (ELIA ALESSIO)
Chamber Orchestra
[Score]
EMB (Editio Musica Budapest)
Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a ...
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Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a project conceived by the conductor Andrea Vitello, which includes also the first recording in the performance of I Solisti della Scala of the Octet by Stravinsky and the first world recording of the Octet by Peter Eötvös, the Octet by Alessio Elia is described by the Italian musicologist Guido Barbieri in these terms: ''In the Octet written in 2016 by Alessio Elia, the musical elements, or their strongly contrasted combination, significantly shape the structure of the piece. The utilization of different scales - a technique defined by the composer as ''polysystemism'' - further emphasizes his concept of sound as a phenomenal entity.'' / Date parution : 2022-07-23/ Répertoire / Ensemble de Chambre
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