The Place Of Understanding is a work by Nico Muhly for High Voice and Organ commissioned by The Hanson Institute for American Music of the Eastman School of Music at the University of Rochester. The work sets 2 texts by Christina Rossetti and from the Book of Job and lasts around 13 minutes. Muhly states that The Place Of Understanding is essentially an Organ solo piece with tenor commentary making the Organ an equal partner in treating these two very diverse texts.

Medium Low Voice in B-flat Major-Arranged for medium low voice in B flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voicewith piano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and itspublication.

Mass for Treble Voices and Organ. This work was first performed on 18th March 2003 during a celebration of Mass at Westminster Cathedral by the boys of Westminster Cathedral Choir.

Low Voice in G Major-Arranged for low voice in G. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voice with pianoaccompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and its publication.

This collection contains settings from the late Romantic period through to the Early Modern. It sets a new standard in terms of the range and the broad stylistic features of popular as well as unknown compositions. Included are original Ave-Maria settings specifically arranged for medium voice and organ. Solo singers and musicians will find these settings arranged for ease of performance and playability.With works from Bizet, Bruckner, Cherubini, Dvorak, Franck, Gounod, Guilmant, Liszt, Rheinberger , Saint-Saëns, Schubert and others.The EditorPeter Wagner is a church musician, concert organist and editor. Currently he teaches organ and composition at the Episcopal Church Music Seminar in Würzburg . / Voix Et Orgue / Partition

And Did Those Feet In Ancient Times. Words by William Blake. Arranged by Albert Howe for voice and piano or organ.

Great significance is attached to the Marian antiphons along with the cult of the veneration of the Virgin Mary. This two volume edition contains Latin settings of Marian antiphons from the 18th to the 20th century. The first volume already published contains settings of the Marian antiphon Salve Regina whilst the second volume contains the three other Marian antiphons and the Marian hymn Ave maris stella.These two volumes contain an anthology of works by Johann Michael Haydn Bruckner Gounod Dvorák Elgar Grieg Liszt Mendelssohn a.o. which have been arranged for medium voice and organ without compromising any of the originality of the pieces.

Zweistimmige Organa und Motetten des 14. Jahrhunderts. Das Erbe Deutscher Musik VII/10 und 11. / Mottet / Recueil / Voix

Orpheus With His Lute is a piece written for Medium Voice and Piano Accompaniment. This piece has been composed by Edward German with lyrics taken from Henry VIII Act III scene I by William Shakespeare.Edward German was an English composer said to be best remembered for his incredible output of music for the stage and English comic opera.

Composer Simon Holt's The Legend Of Melusine was commissioned in 2014 by the Southbank Centre to celebrate the return of the Royal Festival Hall Organ and to celebrate the 150th anniversary of the RoyalCollege of Organists. The work lasts around 12 minutes and is arranged for Boy Treble Voice and Organ. This unique work sees the Organ as an accompaniment and complement to both the narration and singing of theBoy Treble throughout. The words of The Legend Of Melusine written by Holt himself portrays a version of the Melusine myth of European folklore a feminine spirit of the water that turns into aserpent from the waist down. This wonderfully engaging tale is matched by the superb vocal melodies and accompanying Organ work. 

Herbert Howells's Magnificat and Nunc Dimittis for the Gloucester service is one of his most popular choral settings. This sheet music is arranged for SATB Choir and Organ.Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition, best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: with its famous treble duet opening the work, it calmly progresses to an affirmation of the glory of heaven through distinctive Lydian harmony and soaring highs. Each individual voice has its own part to play in this piece, with melodies that rise to uplifting highs and fall to booming lows, the combination of voices blends and binds to create a gliding and soaring unity of harmony. This Magnificat and Nunc Dimittis sheet music is the most accurate transcription available of an awe-inspiring piece that is acclaimed by fans of choral music for its beautiful composition and wondrous voicing. / Choeur Mixte (SATB) Et Orgue

for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.