Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Violin Edition. Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

Par USHER ABELL. Une collection battante de 11 grands pieds-enregistrement de solos de violon avec accompagnement au piano de jazz. Sélection comprennent du Darktown Strutter Ball - Balline le Jack - et les Blues de St. Louis. / Niveau : Intermédiaire / Jazz - Solos / Recueil / Violon

Par AL BIONDI. Une collection rafraîchissante de pièces originales intermédiaires pour duo violon. Sélections comprennent : Al See Ya Later - aujourd'hui spécial - après vous - Beagle Mania - Blues pour deux Rush Hour - Hot Tamale - autour de l'horloge - Good Morning Sunset - New York Blues - Let us jouer pour Awhile - Close Shave - et rêve de Al B. / Niveau : Intermédiaire / Jazz - Duets / Recueil / Violon

Par CHRISTIANSEN COREY. Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie\'s style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over ii-V-I progressions, turnarounds and other harmonic frameworks. To facilitate proficiency in all twelve keys, each section of the book has a chordal play-along that modulates around the circle of fourths. Some of the techniques used in the Charlie Parker style will also be discussed with examples provided. This will help musicians analyze each of the ideas presented, further ensuring their mastery. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Violon

Learn to improvise in the Gypsy Jazz style. Suitable even for violinists who have never improvised before this method covers specific key aspects of the Gypsy jazz Violin style as made famous by French jazz violinist StephaneGrappelli who played with Gypsy jazz Guitar player Django Reinhardt. The techniques in this book are presented sequentially and the underlying music theory is introduced on a 'need to know' basis.Getting IntoGypsy Jazz Violin includes charts of classic swing tunes such as Avalon The Sheik of Araby and After You've Gone and includes online audio featuring authentic accompaniment tracks and modelViolin performances. Because the Gypsy jazz Violin style maintains common elements of traditional classical Violin techniques such as vibrato and shifting the book is a perfect vehicle for the classical violinist to learn toimprovise without having to change their general approach to the instrument.? Any intermediate or advanced violinist can learn to improvise in the Gypsy jazz Violin style.? Perfectly suited toclassically trained violinists because the Gypsy jazz Violin style is closely related to traditional classical Violin techniques.? Includes charts of classic swing tunes such as Avalon The Sheik of Araby

Par WEISSMAN DICK. La série non-jazz improvisation est un concept qui a germé dans l'esprit de Dick Weissman, alors qu'il fréquentait école de musique. Il a écrit un arrangement de 15 pièces de vieux rythme square dance, Cripple Creek et voulait que le trombone à prendre un solo dans le cadre de l'arrangement. Quand le tromboniste gardé jouant un solo de bebop qui était tout à fait inapproprié pour le graphique, Dick a réalisé que - en plus des nombreux musiciens qui ne pas improviser - il y a même des jazzmen qui ne savent pas comment improviser hors des limites de leurs propres origines stylistiques. La série d'improvisation non-jazz comprend principalement des nouvelles musiques originales qui visent à montrer comment d'improviser dans de nombreux styles musicaux, y compris-* Blues * pays * American folk * latino-américain * World music, y compris l'Amérique du Sud, Europe de l'est et d'Asie * mètres impairs (jouant dans une variété de signatures de temps) * nouvel âge * classique * Folk-Rock en bref, les livres sont une Encyclopédie de pratiquement tous les styles musicaux, à l'exclusion de jazz. / Niveau : Débutant / Acoustic Music - Improvisation / Recueil / Violon

100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity

11 Christmas classics-Violin Jazz On A Winter's Night features 11 Christmas classics arranged for violinists at an intermediate level (Grades 4-7) by Nikki Iles.The pieces in this collection cover a wide range of styles from swing to contemporary and draw influence from some of the greatest jazz musicians of all time including Frank Sinatra Bill Evans Vince Mendoza and Diana Krall.While paying homage to American Christmas jazz Violin Jazz On A Winter's Night also reflects a European tradition and includes stylish swinging arrangements of time-honoured classics such as In The Bleak Mid-Winter.Rhythm embellishment grooves and solos are all carefully notated and the expertise of the arranger a celebrated jazz musician and composer guarantees an authentic jazz sound.This book comes complete with a CD of full performances and backing tracks recorded by violinist Ros Stephen and Nikki Iles to help with interpretation and feel.

This method by Tim Kliphuis is the first book to teach Gypsy Jazz Violin in the style of Stephane Grappelli. Have you ever listened to Stephane Grappellis' solos thinking 'Iwish I could do that but it is way over my head'? Here is the answer. Simple theory licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations which you can try out with the swingingGuitar-Bass play-along downloadable audio rhythm section. Then prepare to tackle six classic Stephane Grappelli solos annotated and analyzed for your understanding. To grasp the finesses of sound and timing there aremany sample licks and solos by Tim Kliphuis on the online audio as well. It is assumed the student reads music and has a basic command of the instrument. First method everfor learning Gypsy Jazz Violin in the style of Stephane Grappelli. Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style. Six classic Grappelli solos fully analyzed for study and understanding. Playalong rhythm section as well as Violin licks and samplesolos. Audio available for download online.  

Internationally renowned authors musicians and recording artists Frank Villafranca and Andrew D. Gordon of The Super Groovers have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner intermediate and advanced jazz students and musicians.After releasing their first CD Supergroovin which received world wide airplay they recognized a need in the music publishing business for a series of books on contemporary improvising within the 'Smooth Jazz' genre. Andrew composed and recorded all the rhythm tracks used in thisbook. In their opinion the melodies were so catchy they couldn't resist developing them into completed songs.Mainline Connection Villefranche?sur-Mer and You're The Only One In My Life are a few featured on their second CD Mainline Connection.The smooth jazz grooves in this 50 page book feature a variety of contemporary rhythm section styles including R

With Online Audio-Designed for beginning to intermediate musicians at a high school level the Jazz Wizard Junior series follows in the footsteps of the original Jazz Wizard method by providing a break-through approach for younger players whowant to learn to improvise within the jazz style. Jazz Fiddle Wizard Junior provides a sequential introduction to the fundamentals of playing Violin in the jazz style including the role of rhythm calland response articulation scales chord changes and improvisation. The exercises take the form of catchy tunes arranged to work in any configuration of string groups. Three-part arrangements are included for each tune and thesemay be played with any number of compatible instruments or used in conjunction with the other volumes in the series. The books in the Jazz Wizard series are suitable for self-instruction or for use in private lessons or aspart of a string group. Jazz Fiddle Wizard Junior includes Piano accompaniment parts as well as access to online audio that provides a full rhythm section accompaniment for every exercise and tune. The correcttone and style are demonstrated in the author's performances of more than 50 sample exercises and improvised solos.