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| Romantic Pieces op. 75 Violin and Piano Schott
For Violin and Piano. Composed by Antonin Dvorak (1841-1904). Edited by Wo...(+)
For Violin and Piano.
Composed by Antonin Dvorak
(1841-1904). Edited by
Wolfgang Birtel. Arranged by
Friedemann Eichhorn. This
edition: Saddle stitching.
Sheet music. String Solo.
Dvoraks Romantic Pieces are
a welcome addition to the
violin repertoire and a very
effective alternative to
Dvorak's large-scale violin
works, the Concerto in A
minor and Romance in F
minor.For this edition
reference has been made to a
copy of the origina.
Classical. Score and part.
Op. 75. 28 pages. Schott
Music #ED 22395. Published
by Schott Music
$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 37 Violin Pieces You Like To Play - Violin/Piano
Violin and Piano [Set of Parts] - Intermediate Schirmer
For violin and piano. Format: set of performance parts (includes separate pull-o...(+)
For violin and piano. Format: set of performance parts (includes separate pull-out violin part). With solo part and piano accompaniment. Classical period, romantic period and impressionistic. 242 pages. 9x12 inches. Published by Schirmer.
(6)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Die Biene (The Bee). Op. 13 No. 9 Violin and Piano EMB (Editio Musica Budapest)
Violin and Piano. By Franz Schubert. Arranged by Vilmos Tatrai. EMB. Size 9x12 i...(+)
Violin and Piano. By Franz Schubert. Arranged by Vilmos Tatrai. EMB. Size 9x12 inches. 4 pages. Published by Editio Musica Budapest.
$11.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatas for Pianoforte and Violin (Volume I and Volume II) Violin and Piano Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I and Volume
II. Classical. Score and part.
Baerenreiter Verlag
#BA09036. Published by
Baerenreiter Verlag
$107.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Flight of the Bumble-bee Violin and Piano - Advanced EMB (Editio Musica Budapest)
Violin and Piano (VIOLIN AND P) - Grade 5 SKU: HL.50487704 MM-17. ...(+)
Violin and Piano (VIOLIN AND P) - Grade 5 SKU: HL.50487704 MM-17. By Janos Pallagi. By Nikolay Andreyevich Rimsky-Korsakov. Romantic. EMB. Book Only. 6 pages. Editio Musica Budapest #Z13724. Published by Editio Musica Budapest (HL.50487704). ISBN 9790080137246. 9.0x12.0x0.045 inches. Nicolai Rimsky-Korsakov; Janos Pallagi. $9.95 - See more - Buy online | | |
| Sonatas for Pianoforte and Violin (Volume II) Violin and Piano Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume II.
Classical. Score and part.
Baerenreiter Verlag
#BA09015. Published by
Baerenreiter Verlag
$60.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatas for Pianoforte and Violin (Volume I) Violin and Piano Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edi...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Clive Brown. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Volume I. Classical.
Score and part. Baerenreiter
Verlag #BA09014. Published
by Baerenreiter Verlag
$53.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singing Violin Book 2 Violin and Piano PWM (Polskie Wydawnictwo Muzyczne)
Popular Pieces for Violin and Piano. Composed by Wanda Dolezal. PWM. Softcover...(+)
Popular Pieces for Violin
and Piano. Composed by Wanda
Dolezal. PWM. Softcover. 48
pages. Polskie Wydawnictwo
Muzyczne #5894060. Published
by Polskie Wydawnictwo
Muzyczne
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jascha Heifetz: Heifetz Collection
Violin and Piano [Sheet music] Carl Fischer
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performanc...(+)
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.
(3)$38.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flight Of The Bumble Bee Violin and Piano [Score and Parts] Uetz Music
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Uwe Rassler. For violin and ...(+)
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Uwe Rassler. For violin and piano. Romantic. Full score & parts. Published by Uetz Music (German import). (BU 8037)
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Bumble-Bee, The from the opera 'The Legend of Tsar Saltan' Violin and Piano [Reduction] Carl Fischer
By N. Rimsky-Korsakoff. Arranged by Jascha Heifetz. For Violin and Piano. Publis...(+)
By N. Rimsky-Korsakoff. Arranged by Jascha Heifetz. For Violin and Piano. Published by Carl Fischer.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| L'Abeille (The Bee), Op. 13, No. 9 Violin and Piano [Set of Parts] Carl Fischer
By Francois Schubert. Arranged by Gustav Saenger. For Violin and Piano. Publishe...(+)
By Francois Schubert. Arranged by Gustav Saenger. For Violin and Piano. Published by Carl Fischer.
$5.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flight of the Bumble-Bee, The from the opera 'The Legend of Tsar Saltan' Violin and Piano Carl Fischer
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Jascha Heifetz. Violin, Pian...(+)
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Jascha Heifetz. Violin, Piano and CD. Published by Carl Fischer.
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nikolai Rimsky-Korsakov: Flight Of The Bumble Bee Violin and Piano Schott
By Nikolai Rimsky-Korsakov. Violin and piano. Published by Schott - Einzelausgab...(+)
By Nikolai Rimsky-Korsakov. Violin and piano. Published by Schott - Einzelausgabe (single editions).
$6.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| L'abeille (The Bee) Violin and Piano Wiltshire Music/Cor Publishing Co.
By Franz Schubert. For Violin and Piano. Published by Wiltshire Music/Cor Publis...(+)
By Franz Schubert. For Violin and Piano. Published by Wiltshire Music/Cor Publishing Co.
$9.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 37 Violin Pieces You Like to Play Violin and Piano [Sheet music + Audio access] Schirmer
Book/Online Audio. Composed by Various. String Solo. Collection, Classical. Soft...(+)
Book/Online Audio. Composed by Various. String Solo. Collection, Classical. Softcover Audio Online. 184 pages. Published by G. Schirmer
$36.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Solitude of Stars Violin and Piano Theodore Presser Co.
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Ga...(+)
Chamber Music Cello, Piano, Violin SKU: PR.114422690 Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2+2 pages. Duration 5 minutes. Theodore Presser Company #114-42269. Published by Theodore Presser Company (PR.114422690). UPC: 680160684809. 9 x 12 inches. In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends. In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends. In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends. $25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonatina Violin and Piano Op. 35a Violin and Piano Simrock
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and...(+)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and Piano. Composed by Bertold Hummel. Boosey & Hawkes Chamber Music. Classical. Softcover. 20 pages. Duration 360 seconds. Simrock #M221122551. Published by Simrock (HL.48024893). ISBN 9783923051700. UPC: 840126925098. As an educational and recital piece, Bertold Hummel's Sonatina Op. 35, composed in 1969, has accompanied many a young musician following his or her own path. Having sold a thousand times all over the world, it is one of the composer's best-known works and hasbeen included in the repertoire list for the 'Jugend musiziert' competition by the German Music Council. The three movements are characterized by warmth and exciting rhythms: in the powerful Maestoso, the sonority of the main theme is contrasted with a lyrical side theme; the recapitulation ends with an impulsive Fugato. The second movement Elegie consists of a single soulful melody over spherical harmonies of the piano. As a highlight, playful ease, marching rhythms and dramatic intensifications alternate in quick succession in the Finale vivace, followed by wild arpeggios that conclude the piece. Originally composed for violin, versions for viola and violoncello were already commonly used. To mark its 50th birthday, Simrock / Boosey & Hawkes present the work in a revised, newly set edition. Written in the 1990s by the composer himself and now available forthe first time, the versions for alto and tenor saxophone are valuable additions to the repertoire for beginning instrumentalists. $24.99 - See more - Buy online | | |
| Masterpieces for Violin Violin and Piano [Sheet music] Carl Fischer
By Various. Arranged by Various/Eric Wen. violin and piano. Published by Carl Fi...(+)
By Various. Arranged by Various/Eric Wen. violin and piano. Published by Carl Fischer.
$42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Violin and Orchestra no. 1 H 226 Violin and Piano - Intermediate/advanced Barenreiter
Violin-solo, piano (Violin solo, Piano) - Level 4 SKU: BA.BA11527-90 Comp...(+)
Violin-solo, piano (Violin solo, Piano) - Level 4 SKU: BA.BA11527-90 Composed by Bohuslav Martinu. Arranged by Karel Å olc. Stapled. Replaces H 5797. Piano reduction, Part. H 226, No. 1. Baerenreiter Verlag #BA11527_90. Published by Baerenreiter Verlag (BA.BA11527-90). ISBN 9790260107946. 31 x 24.5 cm inches. Preface: Sandra Bergmannova. Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932-33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer's lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk, who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.
This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czech violinist and performer of Martinu's music.
* Major violin concerto of the 20th century * New Foreword by Martinu scholar Sandra Bergmannova (Cz/Eng/Ger)
$38.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonata 1955 Violin and Piano Sikorski
Violin and Piano. By Alfred Schnittke. Arranged by Daniel Hope, Ivan Sokolov. (V...(+)
Violin and Piano. By Alfred Schnittke. Arranged by Daniel Hope, Ivan Sokolov. (Violin). String. Book only. Published by Sikorski.
$46.00 - See more - Buy online | | |
| Compositions for Violin and Piano Violin and Piano Barenreiter | | |
| Suite De Pièces, Op. 3 Violin and Piano Schott
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridg...(+)
SKU: HL.49046626 For Violin and Piano. Composed by Samuel Coleridge-Taylor. String. Softcover. 14 pages. Schott Music #ED14074. Published by Schott Music (HL.49046626). UPC: 842819114628. 9.0x12.0x0.07 inches. Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Flight of the Red Sea Swallow Violin and Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.144405810 Ballad for Violin and Pi...(+)
Chamber Music violin, piano SKU: PR.144405810 Ballad for Violin and Piano. Composed by Jay Reise. Premiered by Maria Bachmann and Jon Klibonoff in Philadelphia. Contemporary. Set of Score and Parts. With Standard notation. Composed 10-Sep. 24+8 pages. Duration 17 minutes. Theodore Presser Company #144-40581. Published by Theodore Presser Company (PR.144405810). ISBN 9781491101407. UPC: 680160614127. In this ballad, Reise ponders the Red Sea Swallow, of which only one was ever found (and dead, at that). The Flight of the Red Sea Swallow imagines the final flight of what may have been the last of its kind. Originally written for violin and piano, and premiered by Maria Bachmann, Flight has also been transcribed for flute and piano. For advanced performers. Duration: 17'. $31.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Odd Moments Violin and Piano Carl Fischer
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: CF.MXE272 For...(+)
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: CF.MXE272 For Flute, Clarinet in Bb, violin, Violoncello And Piano. Composed by Paul Lansky. Sws. Score. 44+8+8+8+8 pages. Duration 13:15. Carl Fischer Music #MXE272. Published by Carl Fischer Music (CF.MXE272). ISBN 9781491159064. UPC: 680160917600. 9 x 12 inches. Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perleas 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perleas late piece Critical Moments, and also to an aspect of Perleas system of 12-tone tonality, which distinguishes between odd and even harmonies. The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section. A A A The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed. A A. Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perle's 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perle's late piece Critical Moments, and also to an aspect of Perle's system of 12-tone tonality, which distinguishes between odd and even harmonies. The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section. The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed. Odd Moments was written for the Da Capo Chamber Players in 1999 in celebration of George Perle’s 85th birthday. The piece was revised in 2009, resulting in a version that is a few minutes shorter. The title of the piece obliquely refers to Perle’s late piece Critical Moments, and also to an aspect of Perle’s system of 12-tone tonality, which distinguishes between odd and even harmonies.The piece is in six short sections, each with its own tempo. A slight pause should be taken before each section.    The score is in C. Accidentals apply only within the measure, and cautionary accidentals have been added, as needed.   . $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sondheim for Classical Players Violin and Piano [Sheet music + Audio access] Hal Leonard
Violin and Piano with Online Accompaniments. Composed by Stephen Sondheim (193...(+)
Violin and Piano with Online
Accompaniments. Composed by
Stephen Sondheim (1930-).
Broadway, Movies. Softcover
Audio Online. 64 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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| The Bumble-Bee
(RIMSKI-KORSAKOV NICOLAI
/ ARR) Violin and Piano [Sheet music] Carl Fischer
From The Opera 'The Legend Of Tsar Saltan'. Par RIMSKI-KORSAKOV NICOLAI / ARR.HE...(+)
From The Opera 'The Legend Of Tsar Saltan'. Par RIMSKI-KORSAKOV NICOLAI / ARR.HEIFETZ JASCHA. The Flight of the Bumble-Bee/ Répertoire / Violon et Piano
12.47 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Ludwig van Beethoven:
Sonatas - Volume 1:
Violin: Instrumental
Album Violin and Piano [Score and Parts] Peters
Beethovens' Sonatas - Volume 1 includes 5 short works arranged for Violin solo ...(+)
Beethovens' Sonatas - Volume 1 includes 5 short works arranged for Violin solo and Piano accompaniment.
28.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Ludwig van Beethoven:
Violin Concerto In D
major Op. 61: Violin:
Study Score Violin and Piano [Study Score / Miniature] G. Henle
For decades Henle’s edition of this masterpiece from the Violin repertoir...(+)
For decades Henle’s edition of this masterpiece from the Violin repertoire has been de rigueur for all serious violinists. Now we are presenting it with a revised text reflecting the latest research findings from theBeethoven Complete Edition. A new preface provides a full account of the concerto’s convoluted genesis.
12.99 GBP - Sold by Musicroom UK | |
| Beer Concertino In E
Minor Op. 47 Violin And
Piano Violin and Piano Bosworth
Easy concert for violin and piano. / Violon Et Piano
20.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Wieniawski H. - 2eme
Polonaise Brillante Op.
21 - Violon Et Piano Violin and Piano PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...(+)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
21.10 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Johannes Brahms: Concert
D Op.77: Violin:
Instrumental Work Violin and Piano [Reduction] Barenreiter
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has rem...(+)
Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale
21.50 GBP - Sold by Musicroom UK | |
| Ravel Maurice - Tzigane -
Violon and Piano Violin and Piano Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...(+)
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
23.20 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Maurice Ravel: Tzigane:
Violin: Instrumental Work Violin and Piano Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...(+)
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
20.00 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Romantische Stücke
Op. 75 (DVORAK ANTONIN) Violin and Piano - Advanced Schott
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started co...(+)
Par DVORAK ANTONIN. On 18 January 1887 Antonín Dvorák (1841–1904) started composing his Romantic Pieces for violin and piano, opus 75 (B 150), completing that version on 25 January. They were performed for the first time in a private house two days later, with the composer writing to his publisher in Berlin: ‘Played here yesterday and very well received.’
For this edition reference has been made to a copy of the original manuscript and to the first edition. The small number of bow markings in the violin part of the piano score are original and have been left unaltered.
These four contrasting movements are a welcome addition to the violin repertoire and a very effective alternative to Dvorák’s large-scale violin works, the Concerto in A minor and Romance in F minor. / Niveau : Avancé / Répertoire / Violon et Piano
14.98 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Stephen Sondheim:
Sondheim for Classical
Players: Violin and
Accomp.: Artist Violin and Piano [Sheet music + Audio access] Hal Leonard
Violin and Piano with Online Accompaniments. This collection features intermedia...(+)
Violin and Piano with Online Accompaniments. This collection features intermediate-level arrangements for violin and piano accompaniment in a range flattering to the violin. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
18.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Sonatas for Pianoforte
and Violin Volume I and
Volume II (BEETHOVEN
LUDWIG VAN) Violin and Piano [Sheet music] Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are no...(+)
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015).
Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly independent from the piano part.
Not only does Clive Brown’s scholarly critical edition offer a meticulously edited text but for the first time it presents a list of sources and a Critical Report. Furthermore Brown documents a great number of passages where, by today’s standards, the notation raises some questions. These passages had previously been overlooked in the autograph but their significance is now clarified.
One example can be found in Beethoven’s “Tempo di Minuetto” from Sonata op. 30 No. 3, where he uses a notational idiosyncracy based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu spielen” to denote a rest. This musical symbol, which was included in the first edition published during Beethoven’s lifetime, has not been addressed in any modern edition to date.
In addition, a score through a chord can also not be found in previous modern editions - this denotes an arpeggiated chord./ Recueil / Violon et Piano
92.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Three Pieces For
Violin/Piano Op. 11 Violin and Piano Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...(+)
Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces, Pastorale, Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed.Brimming with melodic invention and radiant lyricism, the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord, with an Elgarian influence firmly on its sleeve. Romance exhibits the best kind of artistic simplicity, a musical love-letter featuring an achingly heartbreaking conversation between the two instruments, often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance, a fitting end to this series of dialogue between the Violin and Piano.Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments. / Violon Et Piano
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| Tasmin Little: Encore!
Tasmin Little: Violin:
Instrumental Album Violin and Piano [Sheet music] - Intermediate/advanced Chester
This collection of seven showpieces for violin and piano will provide a variety ...(+)
This collection of seven showpieces for violin and piano will provide a variety of exciting repertoire from Schubert's poignant 'Ave Maria' to technical showpieces such as Brahms' 'Hungarian Dance No. 1'. All the pieces havebeen carefully edited by Tasmin Little and include suggested fingerings and bowings. Suitable for competent players.including and De Falla's 'Danse Espagnole'.
17.99 GBP - Sold by Musicroom UK | |
| Johannes Brahms: Violin
Concerto In D Major Op.77
- Piano Reduction:
Violin: Violin and Piano G. Henle
Brahms' only Violin concerto was given a very warm reception by his contemporari...(+)
Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim whocontributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms CompleteEdition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestionsby Frank Peter Zimmermann.
22.99 GBP - Sold by Musicroom UK | |
| Ian Venables: Three
Pieces Op. 11: Violin:
Instrumental Work Violin and Piano Novello & Co Ltd.
Three Pieces For Violin And Piano Op.11 were the first works to be written by co...(+)
Three Pieces For Violin And Piano Op.11 were the first works to be written by composer Ian Venables after he moved to Worcestershire in 1986. The pieces Pastorale Romance and Dance have been called some of the most beautiful pieces for Violin and Piano ever composed. Brimming with melodic invention and radiant lyricism the music of Three Pieces For Violin And Piano is both rich and varied. Pastorale begins the interplay between the Violin and the Piano with a beautifully relaxing melodic accord with an Elgarian influence firmly on its sleeve.Romance exhibits the best kind of artistic simplicity a musical love-letter featuring an achingly heartbreaking conversation between the two instruments often ambiguous in its outlook. Dance concludes the Three Pieces with a rhythmically upbeat melody laden with staccato that unfolds into a lovely harmonic concordance a fitting end to this series of dialogue between the Violin and Piano. Ian Venables' Three Pieces For Violin And Piano Op.11 is a beautifully composed work that is guaranteed to have audiences craving more of such a lovely interplay of these two instruments.
15.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Bohuslav Martinu:
Concerto for Violin and
Orchestra no. 1 H 226:
Violin: Violin and Piano Barenreiter
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work ...(+)
Bohuslav Martinu wrote his first Violin Concerto in Paris in 1932 33 this work having been commissioned by the Violin virtuoso Samuel Dushkin. However it was never performed during the composer?s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973.This Piano reduction is based on the musical text of the first edition. The solo parthas been revised by a leading Czech violinist and performer of Martinu?s music.Major Violin concerto of the 20th centuryNew Foreword by Martinu scholar Sandra Bergmannová (Cz/Eng/Ger)Performance material available for hireFull score available for sale (H5798)
26.50 GBP - Sold by Musicroom UK | |
| Leonard Bernstein: West
Side Story: Violin:
Instrumental Album Violin and Piano [Sheet music + CD] - Intermediate/advanced Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...(+)
Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades. The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Violin. This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more. West Side Story:Instrumental Solos - Violin comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
24.99 GBP - Sold by Musicroom UK | |
| Wolfgang Amadeus Mozart:
Sinfonia concertante in
E-flat major K.364:
Violin & Violin and Piano Barenreiter
for Violin Viola and Orchestra-There is no reference to the origin occasion or...(+)
for Violin Viola and Orchestra-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
12.50 GBP - Sold by Musicroom UK | |
| Trockne Blumen Op.160
(SCHUBERT FRANZ) Violin and Piano [Score and Parts] Universal Edition
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and ...(+)
Introduktion und Variationen D802. Par SCHUBERT FRANZ. Originally for flute and piano, Schubert's reworking of 'Trockne Blumen' - the eighteenth song in his song cycle Die schöne Müllerin - is here adapted for the violin. It was quite common in Schubert's own time for composers to write works 'for flute or violin' and in keeping with this practice, violinist Jacqueline Ross has prepared this edition, along with notes on the musical background and critical commentary on the violin editing. Her research into 18th and early 19th century performance practice has been widely recognised and has influenced her recordings of baroque and classical repertoire. This includes the Naxos release of the complete works of Schubert, recorded on historical instruments, in which this adaptation of 'Trockne Blumen' is featured. Violinists will welcome this adaptation intended primarily for performers, as a vibrant and substantial addition to the repertoire.
o Originally for flute and piano, Schubert's reworking of 'Trockne Blumen', the eighteenth song in his song cycle 'Die schöne Müllerin', is here adapted for the violin by Jacqueline Ross o Notes on the musical background and critical commentary on the violin editing are included o A vibrant and substantial addition to the repertoire/ Répertoire / Violon et Piano
21.04 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 10 Brilliant Miniatures
(SARASATE PABLO DE) Violin and Piano [Sheet music] Hal Leonard
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after h...(+)
Par SARASATE PABLO DE. Sarasate\'s concert career began at age seventeen after he was awarded the coveted Premier Prix from the Paris Conservatoire for both violin and composition. After his London debut, the playwright and music critique George Bernard Shaw wrote in his review that Sarasate \'left criticism gasping miles behind him.\' Shaw also declared that there were many composers of music for the violin; there were but few composers like Sarasate for violin music. His vast concert repertory included many works written for and dedicated to him by Bruch, Saint-Saëns, Wieniawski, Dvorak and many others. He performed his own works in an inimitable, brilliant and charming manner. His contemporaries marveled at his perfect intonation and stunning rhythmic acuity. His bowing technique was the pride of the French School of violin playing. The works presented in this volume are among his finest. All are based on Spanish popular music and are a virtuosic set for violin and piano. They are and have been in virtually every great violinist\'s repertory. They are also exceptionally popular as encore pieces, as well as favorites of budding virtuosos. / Date parution : 2022-01-14/ Recueil / Violin et Piano
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| Maurice Ravel: Violin
Sonata In G Major:
Violin: Score Violin and Piano G. Henle
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel...(+)
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.
21.25 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
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