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1 Piano, 4 hands
65
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1
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1
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71
3 Pianos
2
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1
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86
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8
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56
Organ
938
Organ and Orchestra
35
Organ, Percussion
2
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6
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2
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253
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13
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1
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14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano solo
1037
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2
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51
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1
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161
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9
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235
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53
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757
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2
Choral SSAA
17
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1
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2
Choral SSAATTBB
23
Choral SSAB a cappella
1
Choral SSATB
48
Choral SSATBB
8
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2
Choral SSATTBB
2
Choral TTBB
108
Choral, Orchestra
60
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4
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16
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54
Libretto
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1
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23
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49
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77
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161
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27
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21
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31
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6
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30
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7
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6
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5
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9
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23
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33
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3
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7
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103
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68
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8
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7
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9
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24
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2
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7
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25
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1
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2
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10
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2
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1
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4
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44
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8
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6
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1
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1
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1
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2
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11
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2
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16
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4
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23
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2
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8
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7
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2
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2
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1
Soli, Mixted choir and accompaniment
623
Tenor Recorder
1
Treble (Alto) Recorder
14
Treble (Alto) Recorder, Basso continuo
9
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4
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1
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3
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2
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2
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20
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1
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1
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2
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1
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5
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10
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10
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25
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1
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1
Organ, Trumpet (duet)
6
Trombone
8
Trombone and Orchestra
2
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2
Trumpet
12
Trumpet, Orchestra
3
Trumpet, Piano
10
Tuba
4
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1
Drums
7
Percussion
6
Percussion Ensemble
2
Vibraphone, Marimba and Cello
1
STRINGS
2 Cellos (duet)
21
2 Cellos, Piano
3
2 Violas (duet)
1
2 Violas, Piano
1
2 Violins (duet)
24
2 Violins and Basso
24
2 Violins, Piano
6
4 Cellos
2
Accordion, String(s)
1
Cello
184
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1
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1
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1
Cello, Orchestra
58
Cello, Organ
2
Cello, Piano
116
Cello, String Bass (duet)
14
Chamber Orchestra
23
Clarinet and Strings
2
Clarinet Quintet: Clarinet, String Quartet
2
Clarinet, Cello, Piano (trio)
3
Clarinette, Viola and Piano (trio)
1
Double Bass
72
Double bass, Piano (duet)
8
Doublebass (band part)
1
Flute and Strings Trio
1
Flute Quartet: Flute, Violin, Viola, Cello
7
Flute, Cello, Piano (trio)
2
Flute, Oboe, Violin, Violoncello, Basso continuo (Quartet)
1
Flute, Viola and Cello
1
Flute, Violin
2
Flute, Violin and Violoncello
4
Flute, Violin, Keyboard (basso continuo)
10
Flute, Violin, Piano
2
Flute, Violin, Viola
1
Flute, Violin, Violoncello and Piano
4
Flute, Violoncello
2
Guitar, String Quartet
1
Harp
24
Harp and Piano
1
Harp, Cello (duet)
1
Harp, Orchestra
5
Harpsichord and Strings
8
Horn, Violin, 2 Violas and Cello
1
Oboe, Violin, Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
14
Piano Quintet: piano, violin, viola, cello, double bass
2
Piano Trio: piano, violin, cello
51
Piano Trio: Violin, Viola, Piano
1
String Orchestra
58
String Quartet: 2 violins, viola, cello
338
String quartet: 4 violins
1
String quintet
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
String Quintet: 2 violins, 2 violas, cello
4
String Quintet: 2 violins, viola, 2 cellos
1
String Quintet: 2 violins, viola, cello, bass
8
String trio
4
String Trio: 2 violins, cello
6
String Trio: 2 violins, viola
4
String Trio: 3 violins
5
String Trio: violin, viola, cello
20
Vibraphone, Marimba and Cello
1
Viola
268
Viola (band part)
1
Viola and orchestra
4
Viola da Gamba
3
Viola da Gamba, Basso continuo
2
Viola da Gamba, Harpsichord
1
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2
Viola, Guitar (duet)
2
Viola, Organ
3
Viola, Piano
55
Violin
387
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4
Violin and Piano
280
Violin, Basso continuo
19
Violin, Cello (duet)
15
Violin, Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
Violin, Guitar (duet)
1
Violin, Horn and Piano
3
Violin, Organ
6
Violin, Viola (duet)
10
Violin, Viola and Orchestra
2
Violin, Violoncello and Doublebass
1
Violoncello, Basso continuo
14
FOLK
2 Accordions
1
Accordion
21
Accordion, String(s)
1
Guitar, Orchestra
2
Lute
4
Mandolin
3
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1
ENSEMBLE
2 Oboes, 2 Horns and 2 Bassoons
1
Bassoon, Orchestra
7
Brass ensemble, Organ
2
Cello (band part)
1
Cello, Orchestra
58
Chamber Orchestra
23
Choral, Orchestra
60
Clarinet, Orchestra
12
Concert band
5
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16
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1
Flexible Instrumentation
2
Flute, Orchestra
25
Guitar Ensemble
3
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2
Harp, Orchestra
5
Horn and Orchestra
25
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1
Oboe and Orchestra
8
Oboe, Clarinet, Bassoon and Piano
1
Orchestra
1393
Orchestra, Violin
126
Organ and Orchestra
35
Organ, Mixed Choir and Orchestra
3
Piano and Orchestra
253
Piano Quintet: mixed chamber instrumentation
1
Piano Trio: mixed chamber instrumentation
2
Pocket, Study conductor
66
Recorder Ensemble
4
Saxophone and Orchestra
2
School Ensemble
1
Soli and Orchestra
22
Soli, Mixted choir and accompaniment
623
Soprano voice, Orchestra
1
String Orchestra
58
String quintet
5
Symphonic Band
99
Trombone and Orchestra
2
Viola (band part)
1
Viola and orchestra
4
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4
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14
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12
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Ouvertüre I
Harpsichord
Barenreiter
/ Clavecin
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Ouvertüre III
Harpsichord
Barenreiter
/ Clavecin
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Concerto A Due Cembali Senza Ripieno
Harpsichord
[Score]
Barenreiter
/ 2 Pianos (Ou Clavecins) / Partition
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055:
Harpsichord and Strings
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
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Georg Friedrich Händel: Concerto Grosso B-Dur Op. 6/7 HWV 325: String Orchestra:
Harpsichord
Barenreiter
Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Vi...
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Harpsichord PartGeorg Friedrich Händel's Concerto Grosso Op. 6/7 HWV 325 for Violin Cello and String Orchestra.
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Mixed Ensemble:
Clavecin et Instruments à Cordes
[Sheet music]
Barenreiter
for Harpsichord and Strings-In early 1729 Bach became director of the so-called ...
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for Harpsichord and Strings-In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Georg Friedrich Händel: Concerto Grosso In G Major Op.6 No.1: Orchestra: Part
Harpsichord
Barenreiter
Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 ...
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Harpsichord/Cembalo Part for George Frideric Handel's Concerto Grosso In G Op.6 No.1. The Concerti Grossi Op.6 HWV 319-330 are 12 concerti for solo instruments (usually Violins and Cello) accompanied by a four-part string orchestra and Cembalo conintuo. Originally published in 1739 they were written to be played during performances of Handel's oratorios and odes and are amongst the finest examples in the genre of Baroque concerto Grosso.
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Johann Sebastian Bach: Concerto For Harpsichord No.6 In F Major: Mixed Ensemble:
Barenreiter
Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »...
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Nr. VI F major BWV 1057-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F major BWV 1052 is the sixth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). The initials at the end of the piece SDGl ('Soli Deo Gloria') form a pendant to the J.J. ('Jesus Juva') found at theopening of the D-minor Concerto BWV 1052. This indicates that BVW 1057 formed the final piece in this six-work opus the only authentic and self-contained collection of concertos we have from Bach apart from his presentation copy of the Brandenburg Concertos (1721). Like all the other concertos in this series BWV 1057 is an arrangement of an earlier work in this case the Fourth Brandenburg Concerto in G major (BWV 1049).Urtext of the New Bach EditionFull score & parts (BA5229) two-keyboard reduction (BA5229-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Concerto for Keyboard No.4 in A major BWV 1055: Chamber
Harpsichord and Strings
Barenreiter
A major BWV 1055-In early 1729 Bach became director of the so-called »Scottis...
(+)
A major BWV 1055-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for Harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly Violin or Oboe).- Urtext of the New Bach Edition- Full scores and performing material to the five concertos for Harpsichord and Strings BWV 1052-1056 (BA5224-BA5228) the concerto for Harpsichord two Recorders and Strings BWV 1057 (BA5229) as well as the concerto BWV 1058 (BA5230) also for Harpsichordand Strings based on the Violin concerto in A minor are available for sale.- Study score of the Complete Concertos for Keyboard format 22.5 x 16.5cm (TP410)
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Jean-Philippe Rameau: Sämtliche Clavierwerke Band I: Harpsichord: Instrumental
Harpsychord
[Sheet music]
Barenreiter
The Books of 1705-6 and 1724-This three volume edition is the first complete edi...
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The Books of 1705-6 and 1724-This three volume edition is the first complete edition of the keyboard works of Jean-Philippe Rameau to incorporate all the printed collections of harpsichord music published under his supervision as well as his clavier arrangement of Les Indes Galantes (In book 3 - BA6583).It also includes many new insights into performance practice (e.g. the handling of repeat signs in the original prints) and presents the music entirely in modern clefs. The result is a reliable and unique edition for today’s performers that does full justice to recent findings in historical performance practice.For the first time all accidentals and expressionmarks are reproduced exactly as they appear in the sources. All of Rameau’s written comments a key source on performance practice are reproduced in the original French with translations into German and English.Rounding off the edition are instructive facsimiles and a detailed preface in which the editor the celebrated harpsichordist and conductor Siegbert Rampe discusses the sources editorial method and important aspects of performance.Complete scholarly-critical Urtext edition in modern clefsIncludes the latest findings in performance practiceIncludes Rameau’s written comments and explanations in the original and in translations in English and GermanIdeal format (24.3 x 31 cm)
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Georg Friedrich Händel: Water Music - Music For The Royal Fireworks: Organ:
Harpsichord
[Sheet music]
-
Intermediate
Barenreiter
Cembalo Orgel - Flute Violine - Bc-Score with 3 parts (Flute/Oboe/Violin; Basso ...
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Cembalo Orgel - Flute Violine - Bc-Score with 3 parts (Flute/Oboe/Violin; Basso Continuo with figures (Cello/Bass); Basso Continuo realised with figures (Harpsichord/Organ)Musical text with arrangements by two Handel contemporaries as well as the editor’s own arrangement for Harpsichord or Organ.All editorial additions are clearly marked.Equally effective when performed note-for-note on the Organ.As early as 1743 while Handel was still alive Francesco Geminiani produced an arrangement of the Water Music for Keyboard instruments thereby making it possible to perform this popular work in domestic surroundings. Then presumably in 1749 an unknown musician arranged theMusic for the Royal Fireworks for transverse Flute or Violin and Harpsichord. In addition to these two contemporary versions this edition also contains an arrangement by the editor for Harpsichord or Organ based on the first edition. Though both early sources explicitly mention a Harpsichord the arrangements can also be performed effectively note-for-note on the Organ. As the surviving anonymous version merely places a solo part and a figured Bass on a two-stave system our edition is accompanied by performance material with one part each for transverse Flute/Oboe/Violin and Violoncello/Double Bass plus a figured Bass realisation.
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Organ and Keyboard Works: Organ: Instrumental Work
Keyboard
Barenreiter
Girolamo Frescobaldi?s music profoundly influenced such composers as Froberger ...
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Girolamo Frescobaldi?s music profoundly influenced such composers as Froberger Buxtehude Johann Sebastian Bach and Muffat. The well-known Pidoux edition is now joined by Bärenreiter?s definitive new Urtext edition in six volumes. It offers professional musicians musicologists and music lovers an unrivalled musical text that satisfies the needs of performers while providing a full account of the works? genesis and surviving sources.Each volume in this new edition features a detailed Foreword on the genesis of the works the situation regarding sources performance practice as well as the editorial method employed. A Critical Commentary rounds off eachvolume.Definitive Urtext edition in six volumes.At the cutting edge of musical scholarship.Detailed Foreword Critical Commentary and list of sources (Ger/Eng)
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Johann Sebastian Bach: Harpsichord Concertos: Mixed Choir
Clavecin
[Sheet music]
Barenreiter
Harpsichord Concertos
36.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Italian Concerto-French Overture: Harpsichord or Piano
Piano solo
Barenreiter
Second Part of the Clavier Ãœbung-By Johann Sebastian Bach (1685-1750) edited...
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Second Part of the Clavier Ãœbung-By Johann Sebastian Bach (1685-1750) edited by Christoph Wolff Walter Emeryr. BWV 971 831. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 66 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5161) ISBN M006466160. With introductory text (does not include words to the songs). Baroque. 9x12 inches. SMP Level 10 (Advanced)Very advanced level very difficult note reading frequent time signature changes virtuosic level technical facility needed. (Learn more about SMP levels)Contents:French Overture BWV 831 B MinorItalian Concerto BWV 971 F MajorFrench Overture BWV 831a (Early Version) C Minor
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Johann Sebastian Bach: Concerto For Harpsichord No.5 In F Minor: Chamber
Harpsichord and Strings
Barenreiter
F minor BWV 1056-In early 1729 Bach became director of the so-called 'Scottish C...
(+)
F minor BWV 1056-In early 1729 Bach became director of the so-called 'Scottish Collegium Musician' a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto in F minor BWV 1056 is the fifth of the harpsichord concertos contained in the autograph score that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It is one of those harpsichord concertos that reveal themselves to be transcriptions even though the original model is nowlost.- Urtext of the New Bach Edition- Full score & parts (BA5228) two-keyboard reduction (BA5228-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.1 in D minor: Chamber Ensemble:
Harpsichord and Strings
Barenreiter
D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottis...
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D minor BWV 1052-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-minor Concerto BWV 1052 forms the opening item in Bach’s autograph score of his six harpsichord concertos BWV 1051 to BWV 1057 (Berlin Staatsbibliothek Mus. ms. Bach P 234). Bach scholars are unanimously in agreement that the piece was transcribed from a violin concerto in the same key. The originalconcerto although no longer extant today can be reconstructed with some degree of certainty from its various transcriptions.Urtext of the New Bach EditionFull score & parts (BA5224) two-keyboard reduction (BA5224-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Domenico Zipoli: Orgel- und Cembalowerke Band 2: Cembalowerke: Organ:
Clavecin
[Sheet music]
Barenreiter
Sonate dIntavolatura per Organo e Cimbalo-Suite h-mollSuite g-mollSuite C-durPar...
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Sonate dIntavolatura per Organo e Cimbalo-Suite h-mollSuite g-mollSuite C-durPartite C-durSuite a-mollPartite a-moll
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Johann Sebastian Bach: Harpsichord Concerto No.3 in D major: Chamber Ensemble:
Harpsichord and Strings
Barenreiter
D major BWV 1054-In early 1729 Bach became director of the so-called »Scottis...
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D major BWV 1054-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The D-major Concerto BWV 1054 originated as a transcription of Bach’s Violin Concerto in E major BWV 1042. The principal source for our edition is the autograph score of Bach’s harpsichord concertos preserved in the Berlin Staatsbibliothek (Mus. ms. Bach P 234) where BWV 1054 forms the third item. Toaccommodate the upper limit of the harpsichord keyboard Bach decided to transpose the piece down a whole tone which allowed him to retain the frequently occurring peak pitch e3 without altering the melodic line.The D-major Concerto owes its popularity to the clear and straightforward formal design of its movements no less than its overall mood of relaxed merriment. This mood also finds expression in Bach’s choice of the rondo form for the final movement a form otherwise seldom encountered in his concertos.Urtext of the New Bach EditionFull score & parts (BA5226) two-keyboard reduction (BA5226-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Girolamo Frescobaldi: Orgelwerke 1/1: Organ: Instrumental Work
Organ
[Sheet music]
Barenreiter
Girolamo Frescobaldis music influenced composers like Froberger Buxtehude Jo...
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Girolamo Frescobaldis music influenced composers like Froberger Buxtehude Johann Sebastian Bach and Muffat. Bärenreiter sets a benchmark in six editions next to the well-tried Pidoux-edition.
51.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Concerto For Harpsichord In G Minor: Harpsichord: Score
Harpsichord and Strings
Barenreiter
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish ...
(+)
G minor BWV 1058-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).The Concerto for Harpsichord and Strings in G minor BWV 1058 is the last complete work in the original autograph score of harpsichord concertos that Bach wrote out in or around 1738 (Berlin Staatsbibliothek Mus. Ms. Bach 234). However it only came to occupy this position later when the manuscript wasbound. It stands at the very outset of the genesis of this group of works and marks the earliest stage in Bach’s efforts to transform concertos for melody instrument and strings into harpsichord concertos. In this case the original model the Concerto for Violin and Strings in A minor (BWV 1041) has survived thereby allowing us to examine Bach’s technique of arrangement in detail.- Urtext of the New Bach Edition- Full score & parts (BA5230) two-keyboard reduction (BA5230-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Johann Sebastian Bach: Harpsichord Concerto No.2 in E major: Chamber Ensemble:
Harpsichord and Strings
Barenreiter
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottis...
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E major BWV 1053-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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Antonio de Cabezón: Ausgewahlte Werke 3 Tasteninstr.: Piano: Instrumental Album
Harpsichord
[Sheet music]
Barenreiter
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Qu...
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The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century. His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed. This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese andSpanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
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Jean-Philippe Rameau: Pieces De Clavecin: Harpsichord
Harpsichord
[Sheet music]
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Concerto for Violoncello and Orchestra. By Carl Stamitz. Edited by Karl Heinz Fu...
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Concerto for Violoncello and Orchestra. By Carl Stamitz. Edited by Karl Heinz Fussl. For Cello Solo Oboe (2) Horn (2) Strings. Violoncello. Piano Reduction/Vocal Score. Published by Baerenreiter-Ausgaben (German import). (BA3721) ISBN M006438815.
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Johann Sebastian Bach: Harpsichord Concerto No.2 in E major: Piano Duet:
Clavecin et Instruments à Cordes
[Sheet music]
Barenreiter
In early 1729 Bach became director of the so-called »Scottish Collegium Music...
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In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
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François Couperin: Pieces De Clavin: Harpsichord: Instrumental Album
Harpsichord
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Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practi...
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Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practiceOnce again the French musicologist Denis Herlin who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus has presented an exemplary edition of a classic from the harpsichord repertoire.?Bärenreiter presents Book II of Couperin?s ?Pièces de clavecin? first published in 1717. In addition the eight preludes and one allemande from his treatise ?L?Art de toucher le clavecin? are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print most of which he unearthed himself ininternational libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword notes on historical performance practice a comprehensive glossary facsimile pages and a detailed Critical Commentary.Pioneering edition with the first-time evaluation of an extensive body of sourcesIncludes Couperin?s original expression markswith 8 Préludes and 1 Allemande from 'L'Art de toucher le clavecin' (1716 1717)
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Carl Philipp Emanuel Bach: 6 Wurttembergischen Sonaten Wtq 49: Piano:
Harpsichord
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Die sechs Wurttembergischen Sonaten Wq 49
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Bach, Johann Sebastian : Concerto pour clavecin en ré mineur BWV 1052 (n° 1) / Concerto for Harpsichord in D minor (No. 1)
2 Pianos, 4 hands
[Sheet music]
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[Konzert für Cembalo d-moll BWV 1052 (Nr. 1)] / Classique / Editeur : Werner Br...
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[Konzert für Cembalo d-moll BWV 1052 (Nr. 1)] / Classique / Editeur : Werner Breig / Partition / Agrafé /
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Bach, Johann Sebastian : Concerto pour clavecin en ré majeur BWV 1054 (n° 3) / Concerto for Harpsichord in D Major BWV 1054 (No. 3)
2 Pianos, 4 hands
[Sheet music]
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[Konzert für Cembalo D-Dur BWV 1054 (Nr. 3)] / Classique / Editeur : Werner Bre...
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[Konzert für Cembalo D-Dur BWV 1054 (Nr. 3)] / Classique / Editeur : Werner Breig / Partition / Agrafé /
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Bach, Carl Philipp Emanuel : Concerto pour clavecin en ré mineur BWV 1052a / Concerto for Harpsichord in D minor BWV 1052a
2 Pianos, 4 hands
[Sheet music]
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[Konzert für Cembalo d-moll BWV 1052a] / Classique / Arrangement : Carl Philipp...
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[Konzert für Cembalo d-moll BWV 1052a] / Classique / Arrangement : Carl Philipp Emmanuel Bach / Editeur / Partition / Agrafé /
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Bach, Johann Sebastian : Concerto pour clavecin en sol mineur BWV 1058 (n° 7) / Concerto for Harpsichord in G minor BWV 1058 (No. 7)
2 Pianos, 4 hands
[Sheet music]
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[Konzert für Cembalo g-moll BWV 1058 (Nr. 7)] / Classique / Editeur : Werner Br...
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[Konzert für Cembalo g-moll BWV 1058 (Nr. 7)] / Classique / Editeur : Werner Breig / Partition / Agrafé /
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