Invocation was written for the Choir of The Queen’s College Oxford and represents the culmination of the composer’s time as a research fellow at the college when he worked closely with the choir. Phillip had long been a devotee of Edward Thomas’s evocative poem Adlestrop with its dreamy pastoral feel invoking the very essence of a sultry English country afternoon. It seemed a natural choice to set not least because it mentions the two counties in which he has spent the last seven years Gloucestershire and Oxfordshire. Phillip wanted the workfurther to emphasise the link with everything we might class as a stereotypical English countryafternoon cricket on the green church bells birdsong and warm beer the mythical ‘middle-England’. His work in no way tries to depict this rather to distil the feeling it is a rhapsody on a theme of English country life that men went to war to preserve something very different from the more rugged landscape he grew up with in the Lake District. The work is called Invocation because it is precisely that a spell or charm something that bewitches the listener and that the composer hopes stays long in the mind rather like Adlestrop or indeed Adlestrop itself.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Phillip Cooke was born in Cumbria in 1980 spending his formative years there. He has had works played across the country by many of the country’s top choirs and ensembles. New works in 2011 were featured in the London Festival of Contemporary Church Music John Armitage Memorial Concert Series Choir

See Amid The Winter 's Snow was originally composed by hymn writer Edward Caswall with music by John Goss. Choruses will enjoy this jazzy, gospel-style arrangement of the classic carol - a wonderful re-imagining for any festive programme. Arranged by Matthew O'Donovan for SATB choir with piano accompaniment, this single sheet choral release is perfect for choirs wanting to create their own Christmas programme, piece by piece. / Choeur SATB Et Piano

American composer organist and harpsichordist Daniel Pinkham (1923-2006) studied the Organ and music theory at Phillips Academy in Andover before studying at Harvard. His Christmas Cantata is an exciting addition to the choral repertoire. Pinkham was famously moved by a concert in Andover given by the Trapp family singers in 1939 soon after they had escaped Austria. He quoted 'Here suddenly I was hearing clarity simplicity. It shaped my whole outlook.' Pinkham''s career saw him teach at the Boston Conservatory and the New England Conservatory of Music as well as being organist of King''s Chapel inBoston for 42 years. His compositions varied from symphonies to art songs althought predominantly his music was religious in nature frequently incorporating a choir and Organ. Christmas Cantata represents Pinkham''s influence of 20th-Century trends often embracing plainchant joining Stravinsky and Hindemith''s revival of early music. For all aspiring choirs seeking varied modern repertoire Christmas Cantata provides an exciting performance work.

Alexander's Feast was composed by Handel in 1736. The words, in celebration of St Cecilia, patron saint of music, were written by Dryden and first set to music by Jeremiah Clarke. This ode was written for STB (or SATB) soli, SATB chorus and orchestra. This version, edited by Donald Burrows, contains all vocal parts and a piano accompaniment. / Choeur Mixte (SATB) Et Piano

Collection-Bob Chilcott joined the King's Singers in 1987 and sang tenor in the group for 12 years while also serving as their primary arranger. This collection includes 8 favorite North American folksongs now available for the first time in a single volume. Includes: Black Is the Color of My True Love's Hair Feller from Fortune The Gift to Be Simple The Golden Vanity I Bought Me a Cat L'habitant de Saint-Barbe The Lazy Man She's Like the Swallow.The pieces in this collection are for SATB divisi a cappella.

Dante/Requiem Mass-Paul Mealor's Paradise for SATB and Brass Band. Commissioned by Professor Nicholas Childs and the Black Dyke Band and supported using public funding by Arts Council England. The first performance was given at the Royal Northern College of Music Manchester on 27 January 2018 as part of the RNCM Festival of Brass by the Black Dyke Band with the Sheffield Philharmonic Chorus conducted by Darius Battiwalla. Duration: c. 16 minutes

Tavener's 1960 work for tenor solo SATB chorus brass ensemble and organ. Large (A3) score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

For SATB Chorus and Trombone. Commissioned to celebrate the 800th Anniversary of the Unversity of Cambridge and first performed on St Cecilia's Day 2009 by The Choir of Gonville & Caius College with Matthew Knight (Trombone).

The Vocal Score for Tarik O'Regan's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Church in Atlanta where it was first performed on All Saints’ Sunday November 3 2013. For SATB Chorus with Piano Accompaniment for rehearsal purposes.

Par L'ESTRANGE ALEXANDER. La série acclamée par la chorale Programme est très appréciée par les chefs de choeur pour sa largeur de répertoire et de pratique pour l'optimisation éditions. La série a été re-conçue et offre maintenant un nouveau look élégant sur toute la gamme. Chaque volume est publié à une plus petite et plus maniable ' in-octavo 'taille (254x176mm) et coloris distinctif aider à distinguer entre le genre et l'accordage supérieure et inférieure. Cinq nouvelles publications élargir maintenant l'immense étendue du répertoire./ Recueil / SATB

For SATB Chorus and Trombone. Commissioned to celebrate the 800th Anniversary of the Unversity of Cambridge and first performed on St Cecilia's Day 2009 by The Choir of Gonville & Caius College with Matthew Knight (Trombone).

The Greatest of These is Love. For SATB choir and organ. Written for Steven Martin and the Choir of St Eustachius Parish Church, Tavistock on the occasion of the Church's 700th anniversary.

For SATB chorus unaccompanied. Commissioned by the Friends of All Saints' Music, Northampton, for Lee Dunleavy and the Choirs of All Saints' Church, Northampton, in memory of Miss Valerie Travis (1918-2008). First performed by the Choirs of All Saints' Church, Northampton, conducted by Lee Dunleavy on 19 December 2010. Richard Rodney Bennett - The Shepherd's Carol by musicroom / SATB

Muhly fell in love with Byrd’s setting of the Christmas words Senex Puerum Portabat as a chorister so much that the ‘fluidity of the lines the relentless lilting rhythm and the way Byrd both avoided and cradled the text’ that he was inspired to follow a life in music. Early in his career he set the same text in modern style. The first statement of the words is a capella with ecstatic brass entering in the restatement. The ancient Hodie Christus Natus Est follows on seamlessly in a new mood.Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is the youngest composer ever to have been commissioned by the Metropolitan Operain New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely.