Par CHOSTAKOVITCH DIMITRI. Shostakovich composed a wide variety of music. His music includes Symphonies, String Quartets, Concertos, Sonatas, Film Music and Jazz inspired pieces. In this publication we feature the very famous Waltz No.2 from his Suite for Variety Orchestra arranged for treble recorder and piano by Irmhild Beutler and Sylvia Rosin. Familiar to many as the title music to the movie Eyes Wide Shut, Dmitri Shostakovich's Waltz No. 2 from the Suite for Variety Orchestra - which is better known as Jazz Suite No. 2 - has mysterious and lascivious qualities that call to mind circus or variety music. Sylvia Rosin and Irmhild Beutler have arranged this dramatic Russian performance piece for treble recorder and piano, thus adding another well-known classic to the instrumental literature available. Shostakovich's stirring Waltz No. 2 will be thoroughly enjoyed by players and audiences alike. Effective Russian performance piece Easy arrangement for treble recorder and piano Famous title music from the film 'Eyes Wide Shut' / Date parution : 2015-11-20/ Répertoire / Flûte à Bec Alto et Piano

Par MASSON THIERRY. Ce recueil s'adresse aux élèves qui, après avoir étudié la flûte à bec soprano durant les deux premières années, débutent la flûte à bec alto et souhaitent découvrir le plaisir du duo avec des jeunes pianistes. Les pièces présentées sont courtes, peu difficiles, afin de se consacrer à la musicalité et à l'écoute, deux qualités essentielles pour jouer ensemble. Mes remerciements les plus sincères à Aline Béhar pour sa compétence apportée à la réalisation de ce recueil. Je remercie également Claire-Dominique Jullien pour sa collaboration. / Niveau : Débutant / classique / Répertoire / Flûte à Bec Alto et Piano

The best way to learn any instrument is to have lessons from a good experienced teacher. Although happily the number of such teachers is constantly growing the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.This series of books sets out to help learners of all ages in all three situations. Experienced teachers who may choose to disregard much of the text as personal demonstration is always clearer than the written word will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled fromlong experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books taking plenty of time to assimilate each point before moving on. For them without the personal model provided by a live teacher it is vitally important to listen as often as possible to fine players in person or on record so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.But however they start I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle delightful and sociable of instruments. (Brian Bonsor)“...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James Contact Magazine)These two tutors with accompanying teacher's books are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.

21 Works for Treble Recorder with Piano-This anthology contains pieces by seventeenth and eighteenth-century composers in a variety of different styles. The repertoire includes works by major composers such as Telemann as well as lesser-known composers including amongst others Hotteterre Marcello Chédeville and Schickhardt. This collection is ideal for recorder teachers looking for additional repertoire for their teaching practice as well as developing players looking to expand their repertoire and for use in school or music centre concerts.Content- Hotteterre: Overture Le Festin- Hotteterre: Entrée du Bal- Hotteterre: Air- Hotteterre: Bourrée- Dornel: Le Zephir- Dornel: Marche des Vestales- Dornel: Marche des Evapores- Dornel: Les Turlupins- Finger: Paul's Steeple- Anon.: Sarabande- Anon.: Minuets I & II- Anon.: Hornpipe- Anon.: Greensleeves to a Ground- Marcello: Adagio- Marcello: Allegro- Chédeville: Pastorale- Schickhardt: Largo- Schickhardt: Allegro- Telemann: Adagio- Telemann: Vivace- Dornel: Chaconne

Charles Buterne's Sonata in C Minor Op.2/4 for Treble Recorder and Continuo edited by David Lasocki.

Six Recorder Sonatas. At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel?s six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition, Ullrich Scheideler provides a moderate continuo realisation; the additionally available performance score (HN 1574) with figured basso part offers the advanced musician latitude for his/her own improvisation.

Cool syncopation funky riffs and smooth stylish tunes - from dynamic to nostalgic Pam Wedgwood's series has it all. Really Easy Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles tailor-made for the absolute beginner. So take a break from the classics and get into the groove as you cruise from blues to rock to jazz.For Recorder with Piano accompaniment this book contains some delightful repertoire pieces for the elementary recorder player. The solo Recorder part is also included on a separate insert.

'.. .ce travail est susceptible de devenir un travail standart très rapidement et est à recommander à toutes les écoles où sont entrepris des études de l'enregistreur ' (Oliver James, Contact Magazine) / Flûte A Bec Alto Et Piano

Five nursery tunes magically and subtly transformed by Trevor Hold who has long delighted in these disarmingly simple tunes. Among those used are: 'The Twelve Days of Christmas' 'Hush-A-Bye Baby' and a very lively 'O Dear what can the matter be?'

Par PERRONE DAVIDE. Une ambiance Soft (y) à la flûte à bec qui, appelée par les claquements de doigts du pianiste, se met au jazz. Le rythme ternaire et l'ambiance décontractée des premières mesures rappellent le piano bar… mais les imitations, septièmes diminuées, inversions sont bien là, et la pièce se déroule en profitant de tout le registre de la flûte à bec, qui prend alors une dimension lyrique. / Niveau : Assez Facile / Moderne / Répertoire / Flûte à Bec Alto et Piano

Klavierbegleitung zur Schule für Jugendliche und Erwachsene. Par ERTL BARBARA. / Méthode / Méthode / Flûte à Bec Alto et Piano

Die Schule für Jugendliche und Erwachsene. Par ERTL BARBARA. / Méthode / Méthode / Flûte à Bec Alto et Piano

Klavierbegleitung zur Schule für Jugendliche und Erwachsene. Par ERTL BARBARA. / Date parution : 2021-12-09/ Méthode / Flûte à Bec Alto et Piano