A Must-Have Collection of Well-Known Songs Including Several Tuba Features-If you've been learning to play the tuba for a little while you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Tuba includes a wide variety of favorite songs from pop hits and movie themes to folk songs and classical melodies several of which originally featured tuba! Titles include: All of Me · All You Need Is Love · Beer Barrel Polka (Roll Out the Barrel) · Circle of Life · The Elephant · Fight Song · God Bless America® · Hallelujah · Hello · Hello Dolly! · I Will Always Love You · Let It Go · Roar · Satin Doll · See You Again · Shake It Off · Stand by Me · Summertime · This Is Me · What a WonderfulWorld · and more.

Solos for Beginning through Early Intermediate lev. Par . 1st Recital Series rassemble 12 solos de styles variés qui permettent aux instrumentistes de niveau débutant élémentaire de travailler des compositions originales et des arrangements d??uvres accordant une large place l?expression et la musicalité. Sur les pistes audio disponibles en ligne au format MP3, chaque morceau est joué titre de démonstration. L?instrument soliste peut ensuite interpréter les pièces avec l?accompagnement seul. Et pour jouer en direct lors d?un concert, il est également possible d?acquérir les accompagnements de piano rassemblés dans des recueils vendus séparément. / Date parution : 2023-07-31/ Recueil / Tuba

Commande du Concours International de Tours 2019 Jérémie débute le saxhorn à l?harmonie municipale de Frévent (62) à l?âge de 8 ans. 10 ans plus tard, il se dirige vers Lille pour suivre un double cursus à la Faculté de Mathématiques et au Conservatoire de Lille auprès de Gabriel Capet. Après de brillantes études en euphonium, tuba, musique de chambre, Jazz, direction d?orchestre, écriture, dans les Conservatoires de Région de Lille Rouen et Amiens, Jérémie Dufort intègre la classe de tuba de Gérard Buquet au CNSM de Paris en 2001. Il y obtiendra un premier prix à l?unanimité en tuba, un premier prix en musique de chambre et sera le premier tubiste à intégrer la classe de Jazz du CNSM. Il remporte plusieurs récompenses dont le premier prix du Concours International Philip Jones de Guebwiller (France) en 2003 et le troisième prix du Concours International Citta di Porcia (Italie) en 2004, le deuxième prix du même concours en 2008 et le premier prix à l?unanimité du Concours de la FNAPEC en 2004. En 2005, il est nommé professeur assistant de la classe de tuba au CNSM de Paris. Il y enseignera pendant 7 années. Dès 2002, il intègre l?orchestre de la Police Parisienne. En 2006, Jérémie est choisi par Lorin Maazel lors d?une audition mondiale comme tuba solo du tout nouveau « Palau de les Arts de la Reina Sofia », l?Opéra de Valencia en Espagne. Il y passera une année riche en rencontres musicales sous la direction de Lorin Maazel, Zubin Mehta, Daniel Barenboïm, Placido Domingo? En 2007, Jérémie choisit de rejoindre les rangs du prestigieux orchestre d?Harmonie de la Garde Républicaine. Parallèlement, il décide d?axer sa démarche artistique autour de la musique de chambre, du théatre musical, mais aussi autour du Jazz (Oktopussy Tuba Orkestra, Big Band d?Ivan Jullien, Jean Marie Machado?) et se passionne pour la musique contemporaine. Il est régulièrement sollicité par les plus prestigieux orchestres dont l?Ensemble Intercontemporain, l?Orchestre de Paris, l?Ensemble Modern de Frankfurt, l?Orchestre National de France, l?Orchestre National de Lille, l?Orchestre National d?Ile de France, l?Opéra de Paris, l?Opéra de Rouen, le Brussel Philharmonic? Enfin, afin de faire vivre le répertoire pour tuba solo, Jérémie nourrit de nombreux projets de concerts en soliste avec orchestre symphonique, orchestre d?harmonie ou brass band. Titulaire du Certificat d?Aptitude, Jérémie enseigne à l?école de musique de Hellemmes-Lille et au CRD d?Arras. Il dirige également l?Harmonie d?Hellemmes et l?Harmonie de Mouvaux. Tubiste du quintette de cuivres « Lille Brass Quintet », il fonde et dirige le « Lille Brass Ensemble », un ensemble de cuivres regroupant les solistes de l?Orchestre National de Lille et les professeurs du Conservatoire de Lille.

Edited by Robert King and published by Alphonse Leduc 70 Studies for B flat Tuba – Volume 1 by Vladislav Blazhevich contains the first 42 studies out of 70. These studies do not correspond to a method for Tuba and it is generally understood that 70 studies are actually inspired from another piece of work from Blazhevich: 'Clef Studies for Trombone' even though 13 of these 70 studies did not appear in it. They were not transposed for Tuba but adapted for this instrument. These studies have become part of the basic teaching methods and these books are some of the most-mentioned studybooks for Tuba which became very popular. While they help to develop Tuba techniques they can be used by different age ranges and different skill ranges. Vladislav Blazhevich (1881-1942) is a Russian Tuba player conductor and professor. He was also an incredible composer who created many methods for Wind instruments as well as concerti studies and musical pieces. Robert King (1914-1999) is an American editor who was specialised in Brass composition. He created the 'Brass Player’s Guide' in the 1950s and developed a strong relationship with Alphonse Leduc Éditions.

Par . This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! / Date parution : 2024-01-18/ Recueil / Tuba

La partition 10 études élémentaires ( tuba solo ) de Joubert Claude Henri a été composée pour Tuba, Euphonium et Saxhorn et plus particulièrement pour Tuba. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Tuba / Partition

with Patrick Sheridan-This volume addresses all tuba players who would like to play the beautiful melodic parts they hear so often while playing in a band. In this play-along book you will have the opportunity to play 11 different melodies in various styles - mostly styles found in pop music! This book provides the opportunity for the tuba to be heard as a cool instrument while enriching the tuba player’s musical environment with melody rhythmic interest and relatable styles. You are about to be a part of a rock’n’ roll band a ska band and even a reggae group!

Volume 1-French Tuba player Fernand Lelong (1939-2002) is best remembered as a prolific professor of the Tuba and Bass Trombone at the Paris Conservatoire. As an experienced significant player of the instrument his Special Exercises For Flexibility And Scales are very well-informed. Compiled for B flat Euphonium and Tenor and Bass Tuba the first volume of Special Exercises For Flexibility And Scales focuses on flexibility addressing fingering intervals of fourths fifths sixths and octaves triplets ascending and descending scales and covers a wide range amongst other aspects. For all aspiring bassbrass players Lelong's Special Exercises For Flexibility And Scales ensures progression in technique.

Professional Tuba player and conservatoire professor François Poullot compiles an excellent series to aid the learning of Euphonium Double Bass and Tuba. The second volume of?Préambule?addresses a variety of aspects including scales rhythm arpeggios intervals time signatures and notes amongst other features. Moreover the detailed instructions are in both English and French. For all aspiring Euphonium Double Bass and Tuba players Poullot's?Préambule?fills a large gap by aiding the progress and understanding of technique.

Etudes-78 Studies for Tuba were composed by Boris Grigoriev (1906-1978) a Russian Trombonist who trained many professional Tuba players. Requiring some mature technical knowledge these etudes would benefit to advanced students to professional players. Quite lyrical and with a strong Russian influence these studies have a low register work and cover all keys moving progressively to sharps and flats. Really enjoyed by Tubists these are a must-have for serious Tuba players who want to improve the quality of their sonority and their technique.

from 2023. Par . This book contains all the scales and arpeggios required for ABRSM\'s F Tuba exams at Grades 1-8. It features all the new requirements from 2023, arranged in grade order. / Date parution : 2022-09-07/ Etude / Tuba en Fa