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FOR VIOLIN - FIDDLE
Clara-Schumann Violin
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Two Pieces by Clara Schumann
Two Pieces by Clara Schumann
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String Quartet: 2 violins, viola, cello
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Clara Wieck-Schumann
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Stephen Levintow
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Cypress Publishing
Near the Cross - Violin Trio with Piano Accompaniment
Near the Cross - Violin Trio with Piano Accompaniment
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String Trio: 3 violins
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Fanny J
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K L Phillips
Two Songs by the Schumanns
Two Songs by the Schumanns
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String Quartet: 2 violins, viola, cello
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Clara Schumann
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Stephen Levintow
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Cypress Publishing
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Six Lieder of Clara Schumann
Violin and Piano
Carl Fischer
Composed by Clara Wieck- Schumann. Arranged by Lauren Taylor. Collection - Sc...
(+)
Composed by Clara Wieck- Schumann. Arranged by Lauren Taylor. Collection - Score and Parts. 24+4 pages. Carl Fischer Music #BF149. Published by Carl Fischer Music
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Three Romances for Violin and Piano, op. 22
Violin and Piano
Barenreiter
Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This ...
(+)
Composed by Clara Wieck- Schumann (1819-1896). Edited by Jacqueline Ross. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Parts (2). Opus 22. Baerenreiter Verlag #BA10947. Published by Baerenreiter Verlag
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Drei Lieder: by Clara Schumann based on Poems by Heinrich Heine
String Quartet: 2 violins, viola, cello
Schott
Score and Parts Soprano; String Quartet (Score & Parts) SKU: HL.49046304 ...
(+)
Score and Parts Soprano; String Quartet (Score & Parts)
SKU: HL.49046304
Arranged for Soprano and String Quartet by Aribert Reimann Score
. Composed by Clara Wieck-Schumann. Edited by Aribert Reimann. Vocal Collection. Classical. Softcover. 36 pages. Duration 420 seconds. Schott Music #ED23139. Published by Schott Music (HL.49046304).
ISBN 9781540070715. UPC: 888680978464.
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Chamber Music of Robert Schumann
Dover Publications
Composed by Robert Schumann. Edited by Clara Wieck-schumann. Book; Masterworks; ...
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Composed by Robert Schumann. Edited by Clara Wieck-schumann. Book; Masterworks; String Ensemble - Mixed. Dover Edition. Masterwork; Romantic. Published by Dover Publications
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Johannes Brahms : Sonata for Piano and Violin in G Major, Op. 78 (Piano / Violin)
Violin and Piano
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Advanced
G. Henle
By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages....
(+)
By Johannes Brahms. This edition: HN75. Henle Music Folios. Book only. 40 pages. Published by Henle Urtext Edition.
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Drei Romanzen op. 22
Violin and Piano
Breitkopf & Härtel
By Clara Schumann. For Violin, Piano. Edition Breitkopf. Published by Breitkopf ...
(+)
By Clara Schumann. For Violin, Piano. Edition Breitkopf. Published by Breitkopf and Haertel (German import).
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Aus Claras Tagebuch (1987)
Violin and Piano
Barenreiter
Tagebucheintragungen zu Robert Schumanns Krankheit. By Peter Michael Hamel. For ...
(+)
Tagebucheintragungen zu Robert Schumanns Krankheit. By Peter Michael Hamel. For Violin, Piano. Playing Score; Single Part. Published by Baerenreiter-Ausgaben (German import).
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Quatuor N 1 Poche
String Quartet: 2 violins, viola, cello
Durand
String Quartet SKU: HL.50565364 Composed by Robert Schumann Or Clara. MGB...
(+)
String Quartet
SKU: HL.50565364
Composed by Robert Schumann Or Clara. MGB. Study Score. Composed 2001. Editions Durand #DF11328. Published by Editions Durand (HL.50565364).
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Trio g-Moll op. 17
Piano Trio: piano, violin, cello
[Score and Parts]
Amadeus Verlag
By Clara Wieck-schumann. For Violin, Cello and Piano. Various Agencies. Score an...
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By Clara Wieck-schumann. For Violin, Cello and Piano. Various Agencies. Score and parts. Published by Amadeus Verlag
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Piano Trio in D Minor, Op. 17: For Violin, Cello and Piano
Piano Trio: piano, violin, cello
Peters
By Clara Wieck-schumann. For violin, cello and piano
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Clara Schumann: Drei Romanzen op. 22: Violin: Instrumental Work
Violin
Breitkopf & Härtel
'You can be rightfully pleased with what is coming!' announced Clara Schumann se...
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'You can be rightfully pleased with what is coming!' announced Clara Schumann self-confidently in late 1855 to the 24-year-old Joachim upon sending him a copy of the 'Three Romances' op. 22 for violin and piano that had just been published by Breitkopf & Härtel. There is no doubt that her acquaintance with the young virtuoso had stimulated her to write the pieces already back in 1853. The two remained linked to the Romances after publication as well: Clara Schumann and Joachim often successfully performed them in their concerts in later years.After having temporarily fallen into oblivion the Romances did not make their way more lastingly into the chamber musicrepertoire until 1983 when a reprint of the first edition was published. With the release of this new edition today's interpreters can also be 'rightfully pleased' with Clara Schumann's Opus 22.
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Robert Schumann: Klavierquintett Op. 44: Piano Quartet: Score and Parts
Piano Quintet: piano, 2 violins, viola, cello
[Score and Parts]
G. Henle
The composition cost him his sleep. In October 1842 when Schumann had finished ...
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The composition cost him his sleep. In October 1842 when Schumann had finished his Piano quintet in a short period of time he was physically and emotionally drained. The work in no way reflects this quite thecontrary. ?Full of strength and freshness? said Clara Schumann of the new composition as well as ?extremely brilliant and effective?. Even Richard Wagner added his voice to the great wave of admiration. Thus Op.44 soon became one of Schumann?s most successful compositions which today is still a jewel in chamber music literature. If the quartet reminds one of a Piano concerto with Orchestra in String quartet format attimes this is explained by the fact that it was intended for Clara?s repertoire. The work was also dedicated to this brilliant pianist.
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Robert Schumann: Piano Quartet In E Flat Op. 47: Piano Quartet: Score and Parts
Piano Quartet: piano, violin, viola, cello
[Score and Parts]
G. Henle
?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and...
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?In the evening we played Robert?s E-Flat Major Quartet for the first time ? and I was once again truly delighted at this beautiful and so youthful work? enthused Clara Schumann in 1842. Inpreparation for this work Schumann had studied String quartets by the Viennese Classical composers. This is why all of the parts in the quartet are treated equally forming a splendid ensemble. Our edition has anextensive critical commentary on account of the difficult source situation. The fold-out page in the Cello part was designed with music practice in mind. The Piano Quartet and the Piano quintet op. 44 referred toas ?sister works? were both composed in Schumann?s ?chamber music year?. For this reason we were publishing them both in the 2006 ?Schumann Year?.
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Schumann R. - Musique De Chambre
[Sheet music]
Dover Publications
Edited by Clara Schumann Piano Quintet Piano Quartet 3 Piano Trios 3 String Qua...
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Edited by Clara Schumann Piano Quintet Piano Quartet 3 Piano Trios 3 String Quartets
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Johannes Brahms: Piano Trios: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
[Score and Parts]
G. Henle
Les trios avec piano comptent parmi les grands genres de la musique de chambre c...
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Les trios avec piano comptent parmi les grands genres de la musique de chambre classique et Brahms s?y consacra très tôt. Il composa son opus 8 au cours de l?automne et de l?hiver 1853/54 c?est-à -dire à l?âge de 20 ans. Par contre ses deux autres trios avec piano op. 87 en Ut majeur et op. 101 en ut mineur ne virent le jour que 28 et 32 ans plus tard. On sait que pa-rallèlement au trio en Ut majeur Brahms travaillait aussi à un autre trio en Mi bémol majeur qu?il détruisit probablement. En 1889 il décida de reprendre son premier trio avec piano et le remania à tel point qu?il écrivit à Clara Schumann: «J?ai réécrit mon trio en Si majeur». L?édition Henle-Urtext reprendle trio op. 8 dans la seconde version parue en 1891 mais pro-pose également la première version en annexe.
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Johannes Brahms: Klaviertrios: Piano Trio: Study Score
Piano Trio: piano, violin, cello
[Study Score / Miniature]
G. Henle
Piano Trios-Les trios avec piano comptent parmi les grands genres de la musique ...
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Piano Trios-Les trios avec piano comptent parmi les grands genres de la musique de chambre classique et Brahms s?y consacra très tôt. Il composa son opus 8 au cours de l?automne et de l?hiver 1853/54 c?est-à -dire à l?âge de 20 ans. Par contre ses deux autres trios avec piano op. 87 en Ut majeur et op. 101 en ut mineur ne virent le jour que 28 et 32 ans plus tard. On sait que pa-rallèlement au trio en Ut majeur Brahms travaillait aussi à un autre trio en Mi bémol majeur qu?il détruisit probablement. En 1889 il décida de reprendre son premier trio avec piano et le remania à tel point qu?il écrivit à Clara Schumann: «J?ai réécrit mon trio en Si majeur». L?édition Henle-Urtext reprendle trio op. 8 dans la seconde version parue en 1891 mais pro-pose également la première version en annexe.
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String Sextet No. 2 In G Major Op. 36 (BRAHMS JOHANNES)
G. Henle
No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cor...
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No. 2 In G Major Op. 36. Par BRAHMS JOHANNES. Bien que le premier sextuor à cordes de Brahms ait connu un vif succès depuis sa parution en 1861, l’éditeur Simrock hésita lorsque le compositeur lui en proposa en 1865 un deuxième «dans le même caractère joyeux». Entre temps Brahms s’adressa même à la concurrence avant que Simrock ne finît par consentir à sa publication. Alors que l’oeuvre fit tout d’abord l’objet de comptes rendus plutôt sceptiques, l’opus 36 publié en 1866 trouva en revanche au sein du cercle des amis de Brahms un accueil des plus chaleureux: Clara Schumann fit l’éloge du travail d’élaboration des motifs particulièrement réussi, tandis que d’autres étaient enthousiasmés par la féerie des effets sonores. L’édition de travail établie par Katrin Eich sur la base de l’édition intégrale des oeuvres de Brahms offre désormais la possibilité de vérifier ces jugements – soit lors d’une exécution de l’oeuvre à partir des parties séparées dont les petites notes et les tournes optimales répondront aux attentes des musiciens, soit à la lecture de notre édition d’étude./ Répertoire / Eich, Katrin
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3 Quartets op. 41 (SCHUMANN ROBERT)
String Quartet: 2 violins, viola, cello
Schott
for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is ...
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for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almost everything canonically and never discover the imitating voices until afterward, very often in inversions, inverted rhythms.' The new urtext edition is based on the text of the Schumann Complete Edition./ Répertoire / Quatuor à Cordes
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Der Nussbaum (SCHUMANN ROBERT)
Violin and Piano
Universal Edition
The Walnut Tree. Par SCHUMANN ROBERT. Given renewed interest in the violin arran...
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The Walnut Tree. Par SCHUMANN ROBERT. Given renewed interest in the violin arrangements and transcriptions by the great Leopold Auer, Universal Edition reprints two of its early publications. Both are taken from Schumann's song cycle, Myrthen, a series of poem settings expressing his feelings of love, companionship, and devotion to Clara./ Répertoire / Violon et Piano
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3 Quartets Op. 41
String Quartet: 2 violins, viola, cello
Schott
La prochaine, je vais le faire est de trois quatuors de violon a écrit Schumann...
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La prochaine, je vais le faire est de trois quatuors de violon a écrit Schumann à Clara Wieck en 1838, indiquant ses motifs dans une lettre datée du 17 mars 1838: ' la pensée des quatuors j'ai plaisir. Le piano devient trop étroit pour moi. Dans la composition de maintenant, j'entends souvent beaucoup de choses que je peux suggérer à peine. Par exemple, il est remarquable comment je presque tout inventer canoniquement et jamais découvrir l'imiter voix jusqu'après, très souvent dans les inversions, rythmes inversés. ' La nouvelle édition d'urtext est basée sur le texte de l'édition complète de Schumann. / Quatuor A Cordes
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Schumann, Le Pensionnaire D'Endenich - Debussy, Lutter Avec Le Bleu Du Ciel - Théâtre Musical
Français
String Quartet: 2 violins, viola, cello
Delatour France
Avec Le Pensionnaire d'Endenich et Lutter avec le bleu du ciel, Jean-Philippe Gu...
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Avec Le Pensionnaire d'Endenich et Lutter avec le bleu du ciel, Jean-Philippe Guye présente deux textes de théâtre musical, autour de la vie et de l'oeuvre de Robert Schumann et de Claude Debussy. Chaque spectacle est composé de six lettres ou monologues imaginaires, qui s'intercalent entre des pièces de musique de chambre avec piano et si possible voix. Le choix des oeuvres, leur ordre, la succession des mouvements, leur répartition, dépendent des musiciens comme des propositions de la mise en scène. Si les instrumentistes prêtent leur image aux évocations du personnage, des incarnations muettes peuvent surgir de ses mots : le docteur Richarz, Brahms et Clara, Chouchou, Emma ou le fidèle Jacques Durand.On veillera surtout à l'équilibre des situations théâtrales et de la musique, à l'équivalence et à la justesse de leurs résonances. Textes complémentaires : Jean-Jacques CESBRON, Philippe ANDRE, Frank LANGLOIS / Livre
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Robert Schumann: Fantasy Pieces For Piano And Clarinet: Violin: Instrumental
Violin and Piano
G. Henle
The circumstances in which these poetic ?Soirée Pieces? (thus their original ti...
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The circumstances in which these poetic ?Soirée Pieces? (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced Schumann to fleewith Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the Clarinet they were accompanied byalternative parts for Violin and Cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.
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Schumann C. - 3 Romances Op. 22 - Violon, Piano
Violin and Piano
Breitkopf & Härtel
EDITION URTEXTCompositeur : Schumann, ClaraInstrumentation : Vl,KlavNombre de pa...
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EDITION URTEXTCompositeur : Schumann, ClaraInstrumentation : Vl,KlavNombre de pages : 32
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Robert Schmann: Widmung: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Universal Edition
Dedication-Given renewed interest in the violin arrangements and transcriptions ...
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Dedication-Given renewed interest in the violin arrangements and transcriptions by the great Leopold Auer Universal Edition reprints two of its early publications. Both are taken from Schumann's song cycle Myrthen a series of poem settings expressing his feelings of love companionship and devotion to Clara.
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