SKU: CY.CC2591
Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano.The three movements are titled:1. The Periwinkle (La Pervenche)2. The Brook (Le Ruisseau)3. The Evening (Le Soir)The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is G above middle C.
SKU: CY.CC2623
Gounod's Three Romances Without Words arranged by Ralph Sauer are taken from a group of five similarly named Romances Without Words originally composed for Piano solo between 1861 and 1866. Four of them were later arranged for Violin and Piano.The three movements are titled:1. The Periwinkle (La Pervenche)2. The Brook (Le Ruisseau)3. The Evening (Le Soir)The three movements (all in bass clef) are very lyrical, about 8 minutes in length, and are perfect for intermediate and higher level performers to begin to learn the finer points of phrasing. The highest note is F-flat above the staff.
SKU: BO.B.3714
Malats composed and transcribed several works for violin and piano based on some of his piano works. Two of these are the Canto de Amor (Love Song) and the Serenata Espanola (Spanish Serenade), both from the suite Impresiones de Espana (Impressions of Spain).There are only three songs for voice and piano by Malats which are known at the present time: a Nana (Lullaby) dedicated to Rosita Malats, written in the form of a theme and variations; Tristesse (Sadness) dedicated to Eliseo Meifren, with a text by Alfred de Musset; and, finally, an arrangement of the well-known Serenata Espanola with a text by Jose Nieto.We know that Malats composed a collection of songs with texts by Catulle Mendez, Maria Sourcouf, Henri de Braine and David and Armando Silvestre. However, no publication of these songs is known, nor of the two romances Reveil and En Vous Voyant that were performed by the tenor Ramon Blanchart in 1898 at the Ateneo in Madrid.
