Saint-Saëns' Danse Macabre has long been available in the composer's own sizzling transcription for two pianos. By contrast, the standard piano duet arrangement of the piece (by Ernest Guiraud) appears to have been derived from the orchestral score, and i /

Every pianist wants to make the most of the great possibilities of his or her instrument and to play something from the Baroque or the Classical-Romantic tradition.The best-known works the most beautiful compositions unforgettable moments in music.BÄRENREITER PIANO MOMENTS makes this possible in well-written exquisite arrangements. These include Handel’s Largo the first movement of Mozart’s G minor Symphony the Moldau and the Wedding March from Mendelssohn’s Midsummer Night’s Dream. All intermediate pianists will enjoy playing these pieces.The arrangers:Christoph Ullrich and Andreas Skipis are two young pianists basedin Frankfurt with busy concert and recording schedules.

Transcription pour piano à deux mains-Camille Saint-Saens' Le Carnaval des Animaux is one of the most popular sets among children. This voluime conatins the complete set of evocative miniatures and tone poems for Piano Solo.

Grande fantaisie zoologique pour piano à quatre mains-The complete set of Camille Saint-Saens' Le Carnaval Des Animaux arranged for Piano Duet by Lucien Garban.

Relax with this tranquil compilation of eighteen pieces by master composers from the Classical period to the present day. Featuring easy to read simplified arrangements for Piano these soothing pieces from theClassical Romantic and Contemporary eras will give you the perfect opportunity to unwind at the Piano. Includes: Hoppipolla the theme from the Planet Earth TV series Into The West by HowardShore and Weather Storm by Craig Armstrong both in simple arrangements for the first time. From the mesmerising beauty of Adagio for Strings to the peaceful meandering Six Feet Under theme there willbe something to relax and induce calm even in the most stressed.

Piano Concerto no. 4 in c minor op. 44. Despite its unusual form - a structure with two sections, each comprising two movements that are to be played without interruption - this work from 1875 enjoyed great success from the start. In its balanced proportion of solo part to orchestra, it corresponds almost perfectly to the model of the ?symphonic concerto? and numbers among the most popular concerti by this French composer. For the first edition of 1877, no less a figure than Gabriel Fauré undertook the piano transcription of the orchestral part - an optimal basis for Johannes Umbreit?s piano reduction for the first Urtext edition ever of this work. As for the Piano Concerti no. 2 and no. 5 already issued by Henle, Pascal Rogé, one of the greatest experts on Saint-Saëns? piano works, also provided the fingerings for this edition.