Format : Sheet music
Comme le montrent notamment aussi ses trois sonates tardives respectivement pour hautbois, clarinette et basson (HN 964, 965, 966), Camille Saint-Saëns a toujours été soucieux d élargir le répertoire plutôt maigre de musique de chambre pour vents. Même le trombone n est pas oublié avec la Cavatine, composée en 1915. L instrument se montre ici plutôt sous son jour lyrique et romantique. Morceau faisant tout son effet, la Cavatine est aujourd hui encore bien ancrée dans le répertoire pour trombonistes avancés. Notre édition Urtext est la première à tenir également compte de l autographe conservé à Paris. / [Cavatine pour Trombone et Piano op. 144] / Classique / Partition / Agrafé /
SKU: MA.EMR-33088
Possible instrumentations:Trombone & CD Play Back / Play AlongTrombone & Piano (+ CD Play Back / Play Along optional)Trombone & Piano or CD Play Back / Play Along.
SKU: CY.CC2841
Cavatine, Opus 144 is a true Romantic solo work for the Trombone. This arrangement for full orchestra by Benjamin Coy is a pleasure to perform with its sweeping, majestic phrases, sweet and elegant middle section and dramatic conclusion.For advanced performers, the 6-minute work is a great showpiece to feature your Trombone soloist.Instrumentation:Solo Trombone, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons2 Horns, 2 Trumpets in B-flat, 3 Trombones, Tuba, Timpani, PercussionStrings and Full Score
SKU: CY.CC2601
Cavatine, Opus 144 is a true Romantic solo work for the Trombone. This version for Wind Ensemble by Benjamin Coy is a pleasure to perform with its sweeping, majestic phrases, sweet and elegant middle section and dramatic conclusion.For advanced performers, the 6 minute work will become a great showpiece on band concerts.
SKU: HL.50565970
ISBN 9781540096715. UPC: 840126928679. 9.0x12.0x0.156 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. Historical introduction and editorial notes by Edmond Lemaître Notes on interpretation by Coralie Parisis.
