Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello, you think of Bach's immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous.At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition, based on volume 4 of the New Bach Edition - Revised (NBArev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. 'This edition does not present a perfect reconstruction of the lost autograph - no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical to the text in New Bach Edition - Revised Volume 4, Book 1- Detailed introduction (Ger/Eng) / Violoncelle

Arrgt: Eric Vireton. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Vent : 1 Hautbois 1 Clarinette Sib 1 Cor en Fa 1 Basson - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 20 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson

Par BACH JOHANN SEBASTIAN. / Répertoire / 2 Trompettes Sib, 1 Cor, 1 Trombone, 1 Tuba

Poèmes Evangéliques Op.99 N°4. Par BACH JOHANN SEBASTIAN. Format: New Edition portrait/ Répertoire / 5 Violoncelles

Six Suites for Violoncello BWV 1007-1012-August Wenzinger's edition of Johann Sebastian Bachs famous cello suites has become the recognized edition for cellists today. Wenzinger's year-long experience in the field of the performance practice of early music has left its mark on this edition and makes an outstanding guide for an authentic interpretation.

Cantata for soloists choir and orchestra-Lobe den Herrn meine Seele (Praise thou the Lord o my spirit) BWV 143Little is known about the genesis of “Lobe den Herrn meine Seele” (Praise thou the Lord o my spirit BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the “New Bach Edition” was based on this material.  Recently however a copy of the score from 1762 has become available.  It offers a more reliable musical text rendering a complete revision of the cantata necessary.On the basis of this new source the work is presented here as part of the“New Bach Edition – Revised” in what is presumably its original form in C major with three trumpets.  This orchestration is more typical of Bach’s writing than the version for three horns in the surviving B-flat major version. Revised Urtext edition of the Weimar Cantata Urtext of the New Bach Edition Performance material (BA10143) vocal score (BA10143-90) & study score format 22.5 x 16.5cm (TP1143) available for sale

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

Bwv 1007-1012-Urtext edition with articulation markings - Soft-cover performing editionWhen you think cello you think of Bach?s immortal cello suites.The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level.Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details the articulation andphrasing being particularly ambiguous.At Bärenreiter having published the New Bach Edition and presently publishing the New Bach Edition-Revised we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.This new edition based on volume 4 of the New Bach Edition Revised (NBArev) now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.?- Urtext edition with articulation by the editor on the basis of intensive source comparison- Musical text identical

Johann Sebastian Bach: 6 Solo Suites BWV 1007-1012 for Cello. Edited by Becker.  Six suites by Bach for Cello and Piano. Set for the ABRSM Cello Syllabus Grade 8.

Cello & Piano book I and book II (Z14637) contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto) and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann’s Etude-caprice and Jenkinson's Dance of the sylphids thelighter kind include Joplin’s Ragtime. This colourful ample selection provides a good basis for a music-lover's library. Book I Contents: 1. Corelli Arcangelo: Sonate Op. 5 No.8 2. Scarlatti Domenico: Sonata 3. Jacchini G. M.: Sonata 4. Vivaldi Antonio: Concerto RV 411 5. Telemann Georg Philipp: Sonata aus ''Der getreue Musikmeister'' 6. Bach Johann Sebastian Marcello Alessandro: Adagio BWV 974 7. Haydn Joseph: Scherzando Hob. XI:70 8. Mozart Wolfgang Amadeus: Menuet KV 334 9. Cherubini Luigi: Ave Maria 10. Romberg Bernhard: Rondo Op. 38 No. 1 11. Beethoven Ludwig van: Menuet WoO 10 No. 212. Beethoven Ludwig van: Tema con variazioni Op. 105 No. 1 13. Rossini Gioacchino Antonio: Pour Album 14. Schubert Franz: Morgenständchen D 889 15. Schubert Franz: Grätzer Galopp D 925 16. Schumann Robert: Arabeske Op. 18 17. Bizet Georges: Agnus Dei 18. Tchaikovsky P. I.: Valse sentimentale Op. 51 No. 6 19. Dvo ák Antonín: Humoresque Op. 101 No. 7 20. Dvo ák Antonín: Gipsy Melody Op. 55 No. 4 21. Fauré Gabriel: Mandoline Op. 58 No. 4 22. Joplin Scott: The Strenuous

BWV 1007-1012 Quellenkritische Ausgabe für die Praxis-Suites (6) for (BWV 1007 - 1012) (Urtext). 3 volume edition: music text (Eng) 5 facsimiles.vc