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| Magnificat
Harpsichord
Carus Verlag
Soprano voice solo, flute (recorder f1), organ (harpsichord) SKU: CA.1010600<...(+)
Soprano voice solo, flute (recorder f1), organ (harpsichord) SKU: CA.1010600 Composed by Ernst Arfken. German title: Magnificat. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. 12 pages. Carus Verlag #CV 10.106/00. Published by Carus Verlag (CA.1010600). ISBN 9790007019297. Language: German. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Magnificat
Harpsichord
Carus Verlag
Soprano voice solo, flute (recorder f1), organ (harpsichord) SKU: CA.1010621<...(+)
Soprano voice solo, flute (recorder f1), organ (harpsichord) SKU: CA.1010621 Composed by Ernst Arfken. German title: Magnificat. Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Single Part, Flute. Composed 1954. 2 pages. Carus Verlag #CV 10.106/21. Published by Carus Verlag (CA.1010621). ISBN 9790007019303. Language: German. Score available separately - see item CA.1010600. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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| Antonio de Cabezón:
Ausgewahlte Werke 3
Tasteninstr.: Piano:
Instrumental Album
Harpsichord [Sheet music]
Barenreiter
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Qu...(+)
The court organist Antonio de Cabezón (ca. 1510-1566) who was appointed to Queen Isabella’s court chapel in Toledo at the young age of 16 was rightly regarded by his contemporaries as the leading Spanish organist and keyboard player of the 16th century. His hymns and versets are based on short decorated harmonisations of the psalm tones. In the tientos the transformation from vocal motet style to a style of writing suitable for keyboard instruments is perfectly executed. This Urtext edition contains a selection of Cabezon's best known works and consists of four volumes. It has been prepared by two editors working at Portuguese andSpanish universities who are both leading scholars of the works of Cabezón and reflects the latest research findings.
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