SKU: CY.CC3034

ISBN 9790530110096. 8.5 x 11 in inches.

Hodie Christus natus est (Today Christ is Born) is an a cappella double-choir choral motet from Gabrieli's famous Sacrae symphoniae of 1597. Mr. Chasanov has arranged this music beautifully for a eight-part Trombone Choir/Ensemble of two four-part choirs. The music is full of remarkable rhythmic counterpoint demanding full concentration from the performers. The four-minute arrangement is appropriate for moderately advanced performers. This is an ideal choice to be used for general recitals or as a jubilant work for the Christmas period. Instrumentation: 6 Tenor Trombones and 2 Bass Trombones.

SKU: CY.CC2861

The Adagio from Mozart's Clarinet Concerto is one of the most exquisite pieces in the classical repertoire.
Sonny Ausman has beautifully arranged this music of about 2 1/2 minutes in length for a moderately advanced 4-part Trombone Choir.

SKU: CY.CC3139

ISBN 9790530111079. 8.5 x 11 in inches.

Hymnus, Op 57 is a piece first composed for 12 cellos by Julius Klengel and first published in 1920. Klengel was one of the most important German cellists and pedagogues of the German Romantic period. Hymnus is a lush, chordal and spiritual work composed in memory of the great conductor Artur Nikisch. It has been beautifully arranged for 12-part Trombone Choir by Brian Conklin. This 6 minute work is appropriate for advanced performers.

SKU: CY.CC2580

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


III. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

SKU: CY.CC2824

Bach's Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar.

Bach composed many of his greatest organ works during this period.

The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length.


This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain.

Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir.

The music is about eight minutes in length and is appropriate for advanced performers.

SKU: CY.CC2849

* The Prelude in E-flat, subtitled “St. Anne” gets its nickname from the similarity of its fugue theme and a hymn tune by William Croft, however, scholars feel there is no realistic connection, as Croft's work was only known in the British Isles.
* Originally written for organ in 1736, this great music is the crowning achievement of a large volume of works for that instrument.
* Mr. Sauer's 11-minute arrangement of this monumental Bach Prelude is brilliantly worked out to the last detail for an 8-part Trombone choir of advanced performers.

SKU: CY.CC3158

ISBN 9790530111277. 8.5 x 11 in inches.

Bach's Motet Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) BWV 226 was composed in 1729. The Motet was written for the funeral of the blessed rector Ernesti, Professor of poetry at Leipzig University. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for double 4-part choir of three movements is about 7 1/2 minutes in length and appropriate for advanced performers. The top voices in each choir have parts supplied in both alto and tenor clef.

SKU: CY.CC3156

ISBN 9790530111239. 8.5 x 11 in inches.

Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.

SKU: CY.CC2289

Sonic Mobile by Malcolm Forsyth is a 7 minute work written in 2003 for Trombone Choir in 4 parts with some divisi, so ideally one would wish to have at least 8 performers on the parts. There are no extreme ranges, so this work is suitable for intermedi.

SKU: CY.CC3087

ISBN 9790530110645. 8.5 x 11 in inches.

Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work. This music is about 15 minutes in length and is for advanced performers. The four movements of the work are: Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement. Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot. The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes. Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish. Cherry Classics is proud to be the new distributor of this great work.

SKU: BP.HB64B

Parts for 2 trumpets, horn, trombone and tuba (or trombone II) Setting for 3-4 octave handbell choir. Full score. Level 3+. Separate handbell part (BP.HB64A) and brass quintet parts (2 trumpets, horn, trombone I, tuba or trombone II - BP.HB64B) are available.