English/German/French Version-Technical Studies For The Cornet was written to enable the Cornet (or Trumpet) student to conquer any technical difficulties they may encounter in the literature for the instrument. By carefully following the instructions in the book the student will build up strength and endurance without strain or injury to their embouchure. This is an excellent resource for those Cornet and Trumpet players wishing to develop and secure advanced techniques.

and Saxhorns TC en deux parties-Little known composer  Pierre Clodomir lived during the 19th Century and worked as a brass teacher. His study guides including Complete Method of Cornet and Saxhorns in treble clef have accompanied many brass player's instrumental technique progression. The second volume of Clodomir's Complete Method for Cornet and Saxhorns in treble clef includes detailed instruction on transposition as well as exercises focusing on scales arpeggios intervals breath control note values dynamics articulation varying time signatures rhythm phrasing tempomarkings performance directions and ornamentation.For all aspiring Cornet and Saxhorn players  Clodomir's Complete Method for Cornet and Saxhorns in treble clef will provide you with the necessary progressive studies to improve technique to a high standard.

Cornet ou tout Saxhorn Clé de Sol-Little known composer Pierre Clodomir lived during the 19th Century and worked as a brass teacher. His study guides including Complete Method for Cornet and Saxhorns in treble clef have accompanied many brass player's instrumental technique progression. The first volume of Clodomir's Complete Method for Cornet and Saxhorns in treble clef includes illustrated instruction on how to hold the instruments as well as exercises focusing on scales arpeggios intervals breath control note values dynamics articulation varying time signatures rhythm phrasing tempo markings performance directions andornamentation. For all aspiring Cornet and Saxhorn players Clodomir's Complete Method for Cornet and Saxhorns in treble clef will provide you with the necessary progressive studies to improve technique to a high standard.

Composed by Philippe Gaubert  Cantabile Et Scherzetto is a piece for Bb Cornet and Piano. Written as a contest piece for the Paris Conservatoire it would brilliantly match the skills of an upper-intermediate Cornet player. The Piano part is also for an equal level. Published in 1909 this piece is generally thoroughly enjoyed by players and is divided into two parts. The first part the cantabile enables the player to work on their phrasing while the scherzetto is good training for triple tonguing. Philippe Gaubert (1879-1941) was a French flautist composer and conductor. He wrote manypieces of chamber music including three Sonatas for Flute and Piano and some Fantasies.

New Edition-Trumpet Basics is a landmark method for individual and group learning by one of the leading figures in trumpet education John Miller. It starts at absolute beginner level and progresses to about Grade 2 level. There are 22 stages and each section includes a wonderful variety of concert pieces from the great composers traditional tunes and fun original exercises finger gyms and warm ups to help establish a sound technique factfiles and quizzes to teach notation and general musicianship helpful clear fingering charts and rhythm boxes and great illustration. This particular book has been written for B-flat Trumpet or Cornet.

Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions were popular in the Cornet and brass repertoire at the time including his Prélude Et Ballade adaptable to Cornet or Saxhorn with Piano accompaniment. This Balay work remains within the brass repertoire to this day and is suitable for intermediate to advanced level players. The Prélude is in 4/4 meter and exploits the full range of the instruments. There is also much use of flourishingsemiquaver passages. The Ballade is a much more measured than the first movement and is in 2/4 time. The texture is predominantly melody-dominated homophony with the occasional use of call-and-response between the melody instrument and Piano accompaniment. This quirky two-movement piece by Balay provides the intermediate to advanced Cornet or Saxhorn player with a fun alternative performance piece.

Hilda Sehested's Suite was expertly composed in 1905 for Cornet and Piano.Sehested studied the Organ with Ludvig Birkedal-Barfod and composition with Orla Rosenhoff and later went on to compose several instrumental pieces as well as being a dedicated church organist.

Composed by Georges Hüe for the Conservatoire Contest (1900)  1st Solo De Cornet À Pistons is a piece for Cornet and Piano accompaniment dedicated to J. Mellet. Quite difficult (6°) it would demonstrate well the skills acquired by an advanced player during a contest but can also be performed for a recital as it's eminently enjoyable. Written in Bb minor the piece starts with the succession of lyrical parts by the Bassoon accompanied by the Piano and of some quieter ones with a more predominant Piano and a slower Bassoon. The piece then continues with a more energetic part reminiscent of a march supportedby some chords on the Piano. It closes on a faster section in Molto Vivace. It is really important for the Cornet player to master his breathing to execute this piece effectively. Georges Hüe (1858-1948) is a French musician and composer who composed numerous Operas including one created after the stories by Perrault.